Movie Reviews Published by New York Magazine (Vulture) - Page 26 of 176

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Review of Uncut Gems (2019)

By David Edelstein (2,124) for New York Magazine (Vulture) (3,519) on 16 Dec 2019

Howard is the summation of the Safdies’ culture, in which the drive for life collides head-on with the drive for death, and the upshot is cinema…

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Review of Black Christmas (2019)

By Angelica Jade Bastien (65) for New York Magazine (Vulture) (3,519) on 16 Dec 2019

If the righteous retelling ever feels heavy-handed, it’s Poots’s command of her role and the cast’s electric chemistry that make this…

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Review of A Hidden Life (2019)

By Bilge Ebiri (1,050) for New York Magazine (Vulture) (3,519) on 14 Dec 2019

We shouldn’t be so smug as to assume that we would always know the right thing to do, or even be brave enough to do it, Malick seems to say…

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Review of Richard Jewell (2019)

By David Edelstein (2,124) for New York Magazine (Vulture) (3,519) on 13 Dec 2019

I think Eastwood’s audience is going to eat this movie up, and maybe even turn it into a rallying cry…

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Review of Jumanji: The Next Level (2019)

By Bilge Ebiri (1,050) for New York Magazine (Vulture) (3,519) on 12 Dec 2019

Jumanji: The Next Level, represents the version we might have dreaded, the tired and only modestly funny one that just coasts on its proved,…

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Review of Bombshell (2019)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 12 Dec 2019

You can occasionally see flashes of the better, sharper movie Bombshell could have been, and while there aren’t many of those moments, there…

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Review of A Million Little Pieces (2019)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 06 Dec 2019

The result is an underwhelming addiction story that feels not just familiar, but more focused on the bad-boy swagger of its main character…

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Review of Queen & Slim (2019)

By Angelica Jade Bastien (65) for New York Magazine (Vulture) (3,519) on 30 Nov 2019

Queen & Slim does a disservice to both the themes of love and anger by never giving the latter the depth it deserves, leaving the film a beautiful…

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Review of Knives Out (2019)

By David Edelstein (2,124) for New York Magazine (Vulture) (3,519) on 27 Nov 2019

A production designed to within an inch of its life, Knives Out always seems on the brink of being cleverer than it is, never quite shaking…

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Review of The Two Popes (2019)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 27 Nov 2019

The Two Popes may be a fantasy about a closed institution flinging its doors open, but it’s also a compelling actor’s showcase…

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Review of Klaus (2019)

By Bilge Ebiri (1,050) for New York Magazine (Vulture) (3,519) on 25 Nov 2019

It’s awkward and weird, and yet all that awkwardness and weirdness give it personality and charm and a freewheeling, nonsensical quality…

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Review of Little Women (2019)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 25 Nov 2019

It feels, exhilaratingly, like the throwing down of a gauntlet…

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Review of Dark Waters (2019)

By David Edelstein (2,124) for New York Magazine (Vulture) (3,519) on 22 Nov 2019

The bad guys have all the money but at least we have indie filmmakers and movie stars like Ruffalo (who vigorously and successfully campaigned…

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Review of Frozen II (2019)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 20 Nov 2019

It’s easier to think about Frozen II as a product than as a film because a (sometimes stunning-looking) product is all that it feels like…

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Review of A Beautiful Day in the Neighborhood (2019)

By David Edelstein (2,124) for New York Magazine (Vulture) (3,519) on 18 Nov 2019

I actually liked about two-thirds of A Beautiful Day in the Neighborhood; I got impatient when Mister Rogers receded into the background and…

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Review of Waves (2019)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 16 Nov 2019

They don’t feel like black characters grafted onto roles that were initially conceived of as white, but they don’t always feel entirely…

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Review of Waves (2019)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 16 Nov 2019

They don’t feel like black characters grafted onto roles that were initially conceived of as white, but they don’t always feel entirely…

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Review of The Report (2019)

By David Edelstein (2,124) for New York Magazine (Vulture) (3,519) on 16 Nov 2019

It’s a dry, arm’s-length movie that seeps into your blood as it seeps into Jones’s…

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Review of Ford v Ferrari (2019)

By David Edelstein (2,124) for New York Magazine (Vulture) (3,519) on 15 Nov 2019

The movie is an old-fashioned rouser with a lot of new-fashioned virtuosity…

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Review of Charlie's Angels (2019)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 15 Nov 2019

Where the last two Charlie’s Angels installments were sold on their trio of stars, this soft reboot has leads at various levels of recognizability,…

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