Movie Reviews Published by Metro - Page 9 of 47

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Review of Gold (2016)

By Matt Prigge (853) for Metro (930) on 26 Jan 2017

It all (sort of) comes together by the end, but it's like a long con in which the grifter keeps losing the mark's attention…

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Review of A Dog's Purpose (2017)

By Matt Prigge (853) for Metro (930) on 26 Jan 2017

An unholy marriage of The Idiot's Guide to Existentialism and Animal Planet's Too Cute! shows…

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Review of xXx: Return of Xander Cage (2017)

By Matt Prigge (853) for Metro (930) on 20 Jan 2017

Distinguishes itself from the action pack by not pretending to be emotional or serious, even if it's a lot more willing to draw political blood…

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Review of Split (2017)

By Matt Prigge (853) for Metro (930) on 18 Jan 2017

This is no mere midnight movie. Shyamalan couldn't make one of those to save his life…

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Review of The Founder (2016)

By Matt Prigge (853) for Metro (930) on 18 Jan 2017

When cheesy music and sun-dappled shots are applied to a character as Machiavellian as Ray Kroc, the result is a poison pen letter sneaked…

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Review of Sleepless (2017)

By Matt Prigge (853) for Metro (930) on 13 Jan 2017

It moves fast and it has enough shiny distractions - overqualified actors, epic punch-outs, an almost Guinness-level number of twists for a…

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Review of The Bye Bye Man (2017)

By Matt Prigge (853) for Metro (930) on 12 Jan 2017

Like a less ambitious Candyman, stripped of its pretensions towards social commentary, its iconic bee imagery and definitely its Philip Glass…

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Review of 20th Century Women (2016)

By Matt Prigge (853) for Metro (930) on 23 Dec 2016

For those following filmmaker Mike Mills' career, 20th Century Women is a kind of revelation, the ideal he's been working towards…

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Review of Toni Erdmann (2016)

By Matt Prigge (853) for Metro (930) on 23 Dec 2016

Bear with us while we sell you on the greatness of a near-three-hour German comedy that has the same plot as an Adam Sandler movie…

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Review of Paterson (2016)

By Matt Prigge (853) for Metro (930) on 23 Dec 2016

Paterson's a great character to have right now, and the movie about him - also called Paterson, and set in the New Jersey city of Paterson…

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Review of Why Him? (2016)

By Matt Prigge (853) for Metro (930) on 22 Dec 2016

Hardly the triumphant return to comedy Bryan Cranston deserved. But it does have intentionally funny James Franco…

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Review of A Monster Calls (2016)

By Matt Prigge (853) for Metro (930) on 22 Dec 2016

It's an inversion of everything children's movies are supposed to be - which is assuming the only people who need to learn the world is complicated…

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Review of Hidden Figures (2016)

By Matt Prigge (853) for Metro (930) on 21 Dec 2016

Timeliness shouldn't ever be a mark for excellence. But the barndoor broad Hidden Figures would likely be entertaining at any time…

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Review of Patriots Day (2016)

By Matt Prigge (853) for Metro (930) on 20 Dec 2016

As he did in Deepwater Horizon, which had the fortune of being merely anodyne, Peter Berg tacks on an extended coda featuring the real survivors,…

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Review of Julieta (2016)

By Matt Prigge (853) for Metro (930) on 20 Dec 2016

The results are a bit on the self-help therapy side of things, but it's uncommonly insightful about how relationships, even those forged by…

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Review of Assassin's Creed (2016)

By Matt Prigge (853) for Metro (930) on 19 Dec 2016

There's a lot to snicker at in Assassin's Creed, though maybe - to tinker with a quote from Ghost World's Enid Coleslaw - it's so bad it goes…

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Review of Silence (2017)

By Matt Prigge (853) for Metro (930) on 19 Dec 2016

There's nothing on Scorsese's CV to suggest he could make a film as serene as Silence…

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Review of Silence (2016)

By Matt Prigge (853) for Metro (930) on 19 Dec 2016

There's nothing on Scorsese's CV to suggest he could make a film as serene as Silence…

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Review of Passengers (2016)

By Matt Prigge (853) for Metro (930) on 19 Dec 2016

Let's just say it doesn't end well, at least for any viewer grossed out by sick male fantasies…

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Review of Neruda (2016)

By Matt Prigge (853) for Metro (930) on 15 Dec 2016

Neruda is meta-sorta-fiction, always calling attention to its own artificiality…

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