Movie Reviews Published by Metro - Page 32 of 47

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Review of Get Hard (2015)

By Matt Prigge (853) for Metro (930) on 25 Mar 2015

It's still a dumb movie, but the kind of dumb movie that, by bravely (or stupidly) strutting its way into prickly social discussions accidentally…

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Review of White God (2014)

By Matt Prigge (853) for Metro (930) on 25 Mar 2015

Imagine a gritty version of the 'Simpsons' episode where Santa's Little Helper runs away and becomes a scary fighting mutt - shorn of the Laddie…

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Review of Man from Reno (2014)

By Matt Prigge (853) for Metro (930) on 25 Mar 2015

A neo-noir so subtle you might not even realize it's a neo-noir until things have turned hairy…

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Review of An Honest Liar (2014)

By Matt Prigge (853) for Metro (930) on 20 Mar 2015

[James] Randi has had an amazing life, one that, improbably, gets even more thrilling when he's no longer doing magic…

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Review of Insurgent (2015)

By Matt Prigge (853) for Metro (930) on 19 Mar 2015

It scooped up the right star and it knows it; the film treats Woodley like a get-out-of-jail-free card for all its transgressions and fits…

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Review of Danny Collins (2015)

By Matt Prigge (853) for Metro (930) on 19 Mar 2015

When [Annette Bening and Al Pacino] are on screen the film momentarily doesn't seem like a chore…

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Review of The Gunman (2015)

By Matt Prigge (853) for Metro (930) on 19 Mar 2015

May it enjoy its second life as a lazy Sunday TV dad movie…

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Review of Cinderella (2015)

By Matt Prigge (853) for Metro (930) on 11 Mar 2015

There are handsome palaces and forests and computer animated renderings of squeaking mice and geese turning into Cinderella's party entourage…

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Review of Run All Night (2015)

By Matt Prigge (853) for Metro (930) on 11 Mar 2015

It wants to be a '70s throwback but also can't help being a silly thriller, one that eventually employs a most lazy cliche: the unstoppable…

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Review of Cinderella (2013)

By Matt Prigge (853) for Metro (930) on 11 Mar 2015

There are handsome palaces and forests and computer animated renderings of squeaking mice and geese turning into Cinderella's party entourage…

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Review of It Follows (2015)

By Matt Prigge (853) for Metro (930) on 09 Mar 2015

A relentless working of the nerves done with techniques cribbed from the avant-garde…

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Review of The Cobbler (2014)

By Matt Prigge (853) for Metro (930) on 09 Mar 2015

Even as he becomes more aware of a world outside his tiny shop and Sheepshead Bay, Max remains distant and sometimes unpleasant, Sandler barely…

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Review of Grey Gardens (1976)

By Matt Prigge (853) for Metro (930) on 05 Mar 2015

Watch 'Grey Gardens' long enough and the question of exploitation drops, leaving potential victims to become real people…

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Review of Faults (2014)

By Matt Prigge (853) for Metro (930) on 05 Mar 2015

Winstead has a magnetic blankness - someone who seems smart even when she's talking about alternate worlds and her connections to higher powers…

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Review of Grey Gardens (2009)

By Matt Prigge (853) for Metro (930) on 05 Mar 2015

Watch 'Grey Gardens' long enough and the question of exploitation drops, leaving potential victims to become real people…

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Review of Chappie (2015)

By Matt Prigge (853) for Metro (930) on 04 Mar 2015

Dodgy as it is, there's a nobility and honor to 'Chappie.' Like Copley's probably divisive but game turn, it's committed to a vision…

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Review of Buzzard (2015)

By Matt Prigge (853) for Metro (930) on 04 Mar 2015

Unusually astute and articulate about diagnosing the state of today's young white males…

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Review of The Second Best Exotic Marigold Hotel (2015)

By Matt Prigge (853) for Metro (930) on 04 Mar 2015

Nighy, Dench and Smith effortlessly complicate their thin business with deep notes of regret and longing - feelings the blue-print of a screenplay…

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Review of Merchants of Doubt (2014)

By Matt Prigge (853) for Metro (930) on 04 Mar 2015

It understands the appeal of making strong points in attractive, engaging ways. It's taking lessons from the bad guys, but for the right side…

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Review of Red Army (2015)

By Matt Prigge (853) for Metro (930) on 27 Feb 2015

Polsky uses the language of revved-up, emotional sports documentary cinema, but only so he can apply it to America's old enemies…

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