Movie Reviews Published by Metro - Page 16 of 47

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Review of Genius (2016)

By Matt Prigge (853) for Metro (930) on 08 Jun 2016

Thrilling when it gets into the nitty gritty of literary editing, and thumb-twiddling when it does anything else…

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Review of Warcraft (2016)

By Matt Prigge (853) for Metro (930) on 07 Jun 2016

Plays like a kid spending the afternoon mashing together his action figures, pitting one toy line against several others…

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Review of The Conjuring 2 (2016)

By Matt Prigge (853) for Metro (930) on 06 Jun 2016

All nuance gets crushed by noise and flash, with James Wan doubling, tripling, quadrupling down on the frights…

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Review of Now You See Me 2 (2016)

By Matt Prigge (853) for Metro (930) on 06 Jun 2016

Not as mouth-frothingly, tinfoil hat-wearingly inane as the first, but is that a good thing…

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Review of The Wailing (2016)

By Matt Prigge (853) for Metro (930) on 02 Jun 2016

Like 'Green Room,' it's an extreme genre piece where the heroes are regular folks, who aren't equipped to handle something irregular…

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Review of Teenage Mutant Ninja Turtles: Out of the Shadows (2016)

By Matt Prigge (853) for Metro (930) on 01 Jun 2016

Saying the second 'Teenage Mutant Ninja Turtles' is an improvement over the first is like saying you'd rather be poisoned than stabbed, or…

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Review of Time to Choose (2015)

By Matt Prigge (853) for Metro (930) on 01 Jun 2016

If 'Time to Choose' is to be seen as 'An Inconvenient Truth 2,' it's at least a next-level sequel, and hopefully even a game-changer for docs…

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Review of Popstar: Never Stop Never Stopping (2016)

By Matt Prigge (853) for Metro (930) on 31 May 2016

There's so much stuff crammed into its speedy 86 minutes that you might not notice that theoretically, at least, it shouldn't work…

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Review of Me Before You (2016)

By Matt Prigge (853) for Metro (930) on 31 May 2016

It has an ace up its sleeve: It's British…

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Review of The Fallen Idol (1948)

By Matt Prigge (853) for Metro (930) on 25 May 2016

In some ways an even more brilliant contraption than The Third Man, and with a third act that might be superior, too…

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Review of Chevalier (2015)

By Matt Prigge (853) for Metro (930) on 24 May 2016

It's the sadness and the deep perception of how individuals get subsumed into groups that makes this more than a series of good, very, very…

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Review of Unlocking the Cage (2016)

By Matt Prigge (853) for Metro (930) on 24 May 2016

Is 'Unlocking the Cage' really an activist documentary? Initially, it may seem so…

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Review of X-Men: Apocalypse (2016)

By Matt Prigge (853) for Metro (930) on 22 May 2016

Won't change the world or even the game. It's solid and forgettable. And right now that seems like a compliment…

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Review of ma ma (2015)

By Matt Prigge (853) for Metro (930) on 19 May 2016

Toggles madly between jokey, melodramatic and weirdly, perhaps unnecessarily surreal…

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Review of Being Charlie (2016)

By Matt Prigge (853) for Metro (930) on 18 May 2016

You might even want to forgive the many times it goes off the rails, falling back on the stock cliches it seemed too cool to perpetuate…

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Review of The Angry Birds Movie (2016)

By Matt Prigge (853) for Metro (930) on 17 May 2016

The humor tends to be groaning aviary or porcine puns, like a store named 'Calvin Swine,' a poster for Kevin Bacon in 'Ham-let' or our lead…

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Review of Neighbors 2: Sorority Rising (2016)

By Matt Prigge (853) for Metro (930) on 16 May 2016

A healthy reminder that Zac Efron is a national treasure ... in these two 'Neighbors' films…

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Review of Sunset Song (2015)

By Matt Prigge (853) for Metro (930) on 12 May 2016

To watch 'Sunset Song' - with its seductive camera moves, its unhurried pace, its ability to see the worst and best in people - is to accept…

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Review of Money Monster (2016)

By Matt Prigge (853) for Metro (930) on 11 May 2016

A thriller that runs on human foibles, a feeling for how today's tech-driven world works and an actual sense of humor, even if it's more about…

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Review of The Lobster (2015)

By Matt Prigge (853) for Metro (930) on 11 May 2016

It's life viewed at its most pessimistic, not just to get us down but to force us, like the best absurdist works, to reexamine what we take…

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