Movie Reviews Published by Los Angeles Times - Page 103 of 649

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Review of XY Chelsea (2019)

By Gary Goldstein (1,089) for Los Angeles Times (12,977) on 08 May 2019

This frequently fascinating, frustrating study in naiveté, personal turmoil and self-discovery leaves the viewer stranded in process…

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Review of Wine Country (2019)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 07 May 2019

It isn’t good, exactly — as boozy friend-reunion comedies go, it’s no “Girls Trip” or “The World’s End” — but it has its…

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Review of Empire (2002)

By Kevin Thomas (1,201) for Los Angeles Times (12,977) on 07 May 2019

In regard to Franc…

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Review of Tolkien (2019)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 06 May 2019

What Tolkien offers instead is a picturesque, amber-soaked balm for armchair Anglophiles: the manners and mores, the crisp witticisms and stirring,…

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Review of If the Dancer Dances (2019)

By Gary Goldstein (1,089) for Los Angeles Times (12,977) on 02 May 2019

Modern dance devotees and fans of legendary choreographer Merce Cunningham will find much to appreciate in the lovingly crafted documentary…

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Review of Bardo Blues (2019)

By Kimber Myers (423) for Los Angeles Times (12,977) on 02 May 2019

Though well shot by Justin and Ian McAleece, the narrative is a disjointed mess that ends in an eye-rolling conclusion…

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Review of Clara (2019)

By Noel Murray (1,901) for Los Angeles Times (12,977) on 02 May 2019

Writer-director Akash Sherman gives the film a handsome look, and gets two strong lead performances, but his picture still comes out too static…

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Review of Extremely Wicked, Shockingly Evil and Vile (2019)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 01 May 2019

If the idea was to tell the story from Liz’s perspective, the movie botches that perspective badly: Abandoning any sense of narrative rigor,…

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Review of Tell It to the Bees (2019)

By Geoff Berkshire (602) for Los Angeles Times (12,977) on 01 May 2019

Paquin, in one of her strongest performances since The Piano, and especially Grainger (best known for a substantial résumé of British television)…

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Review of El Chicano (2019)

By Carlos Aguilar (278) for Los Angeles Times (12,977) on 01 May 2019

Reminiscent of Hollywood cop movies from the ’80s, when masculinity came only in a macho shade, but propelled by the fresh winds of inclusion,…

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Review of The River and the Wall (2019)

By Gary Goldstein (1,089) for Los Angeles Times (12,977) on 01 May 2019

Director Ben Masters’ compelling, gorgeously shot, super-timely documentary The River and the Wall should be required viewing of anyone charged…

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Review of Room for Rent (2019)

By Noel Murray (1,901) for Los Angeles Times (12,977) on 01 May 2019

It’s not the easiest movie to watch; but that’s only because Shaye’s admirably unafraid to tap into the parts of herself that weird people out…

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Review of The Intruder (2019)

By Katie Walsh (1,279) for Los Angeles Times (12,977) on 01 May 2019

Directed by Deon Taylor with a cheeky sense of fun and deep knowledge of the genre, The Intruder is the kind of schlocky yet satisfying genre…

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Review of Long Shot (2019)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 01 May 2019

At times it might remind you of a slightly edgier version of the genteel White House romances that flourished in the mid-’90s, like Dave…

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Review of Meeting Gorbachev (2019)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 01 May 2019

Less a journalistic endeavor than an admirer’s tour — with room for blackly funny Herzog-ian touches in his choice of archival clip or…

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Review of Hesburgh (2019)

By Michael Rechtshaffen (1,086) for Los Angeles Times (12,977) on 01 May 2019

As informational as it is inspirational, Patrick Creadon’s Hesburgh is a thoroughly engaging documentary chronicle of the life and turbulent…

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Review of Bolden (2019)

By Gary Goldstein (1,089) for Los Angeles Times (12,977) on 01 May 2019

Unfortunately, the film, costarring Erik LaRay Harvey, Robert Ri’chard and Ian McShane, turns overly violent, raw and showy, undermining…

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Review of Knock Down the House (2019)

By Kenneth Turan (2,323) for Los Angeles Times (12,977) on 29 Apr 2019

It all comes together on election night, as Lears shadows Ocasio-Cortez and captures her disbelief as she nears her post-election party and…

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Review of Scary Stories (2018)

By Noel Murray (1,901) for Los Angeles Times (12,977) on 25 Apr 2019

At its best, Scary Stories explains why these books endure: because they let their young audience know that even in their worst nightmares,…

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Review of I Trapped the Devil (2019)

By Noel Murray (1,901) for Los Angeles Times (12,977) on 25 Apr 2019

Lobo overdoes the sudden shifts between the real and the surreal in the last act, refusing to answer any questions definitively until he has…

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