Movie Reviews Published by Las Vegas CityLife - Page 4 of 8

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Review of Nowhere Boy (2009)

By Matt Kelemen (219) for Las Vegas CityLife (159) on 27 Jan 2011

Nowhere Boy succeeds because its creators never wallow in sanctimony, keep contrivances to a minimum and has a lead actor who evolves his character…

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Review of Cool It (2010)

By Matt Kelemen (219) for Las Vegas CityLife (159) on 27 Jan 2011

a slick argument that is basically a subterfuge intended to promote a free-market absolutist approach to solving the global warming problem…

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Review of The Social Network (2010)

By Matt Kelemen (219) for Las Vegas CityLife (159) on 27 Jan 2011

He Social Network occupies a gray area, in which everybody's perspective is in question, and most of the main characters slip into self-serving,…

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Review of It's Kind of a Funny Story (2010)

By Matt Kelemen (219) for Las Vegas CityLife (159) on 27 Jan 2011

The film's central element -- its sensitive exploration of a young teen's emotional confusion -- creates strong audience empathy, however,…

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Review of 127 Hours (2010)

By Matt Kelemen (219) for Las Vegas CityLife (159) on 27 Jan 2011

Split screens, flashbacks, fantasy sequences, hallucinations, speed variations, helicopter shots and extreme reverse zooms are just a few weapons…

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Review of Watchmen (2001)

By Matt Kelemen (219) for Las Vegas CityLife (159) on 26 Jan 2011

Hard to sit through, uneven but ambitious and inspired, and I don't want to see it again…

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Review of Blue Valentine (2010)

By Matt Kelemen (219) for Las Vegas CityLife (159) on 26 Jan 2011

The time spent…

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Review of Revolutionary Road (2008)

By Matt Kelemen (219) for Las Vegas CityLife (159) on 26 Jan 2011

far beyond deconstructing the man in the gray flannel suit…

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Review of Watchmen (2009)

By Matt Kelemen (219) for Las Vegas CityLife (159) on 26 Jan 2011

Hard to sit through, uneven but ambitious and inspired, and I don't want to see it again…

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Review of Black Swan (2010)

By Matt Kelemen (219) for Las Vegas CityLife (159) on 26 Jan 2011

It's Portman who causes the film to fall short of the effectiveness of Repulsion…

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Review of Che: Part One (2008)

By Matt Kelemen (219) for Las Vegas CityLife (159) on 26 Jan 2011

The director sees Guevara as a pure humanitarian…

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Review of The Soloist (2009)

By Matt Kelemen (219) for Las Vegas CityLife (159) on 26 Jan 2011

The Soloist never completely transcends that Hollywood formula feel, but it has enough transcendent moments to make it worth recommending…

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Review of Iron Man 2 (2010)

By Philip Booth (27) for Las Vegas CityLife (159) on 05 May 2010

Frantic, place-holding sequel? Check. Third installment guaranteed? Check…

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Review of Dear John (1964)

By Matt Kelemen (219) for Las Vegas CityLife (159) on 11 Feb 2010

Dear John may seem like a tearjerker romance aimed at the demographic that left piles of wet tissues at screenings of The Notebook, but it's…

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Review of Dear John (2010)

By Matt Kelemen (219) for Las Vegas CityLife (159) on 11 Feb 2010

Dear John may seem like a tearjerker romance aimed at the demographic that left piles of wet tissues at screenings of The Notebook, but it's…

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Review of Dear John (1988)

By Matt Kelemen (219) for Las Vegas CityLife (159) on 11 Feb 2010

Dear John may seem like a tearjerker romance aimed at the demographic that left piles of wet tissues at screenings of The Notebook, but it's…

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Review of Proof of Life (2000)

By Tony Macklin (521) for Las Vegas CityLife (159) on 02 Feb 2009

The unconvincing Proof of Life is a missed opportunity…

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Review of Down to Earth (2001)

By Tony Macklin (521) for Las Vegas CityLife (159) on 02 Feb 2009

Down to Earth is worth seeing. Like mainstream brew, it doesnt have high potency, but it is a nice diversion…

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Review of Malena (2000)

By Tony Macklin (521) for Las Vegas CityLife (159) on 02 Feb 2009

For those of us who love Cinema Paradiso, the news that its Italian director Giuseppe Tornatore and his musical soulmate Ennio Morricone were…

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Review of Tomcats (2001)

By Tony Macklin (521) for Las Vegas CityLife (159) on 02 Feb 2009

Tomcats is a raunchy, rambunctious, crowd-pleasing film…

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