Movie Reviews Published by La Nación (Argentina) - Page 2 of 12

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Review of First Man (2018)

By Diego Batlle (225) for La Nación (Argentina) (226) on 29 Nov 2018

Chazelle allows us to feel the terror of space and right there is where the main attraction for the film is and it's a small step in his career,…

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Review of The Grinch (2018)

By Marcelo Stiletano (8) for La Nación (Argentina) (226) on 27 Nov 2018

The Grinch installs himself with an immense palette of vivacious colors, ingenuity and a bet on visual comedy. [Full Review in Spanish]…

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Review of The Girl in the Spider's Web (2018)

By Diego Batlle (225) for La Nación (Argentina) (226) on 26 Nov 2018

The decision to abandon the psychological thriller to turn the film into a sort of female version of James Bond, squanders the essence of a…

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Review of Better Things (2008)

By María Fernanda Mugica (26) for La Nación (Argentina) (226) on 26 Nov 2018

The film is an example of British realism with virtues. [Full Review in Spanish]…

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Review of Peppermint (2018)

By Marcelo Stiletano (8) for La Nación (Argentina) (226) on 16 Nov 2018

A revenge full of nonsense. [Full Review in Spanish]…

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Review of Loving Pablo (2017)

By Paula Vázquez Prieto (14) for La Nación (Argentina) (226) on 15 Nov 2018

This mafia story without urbanity, is tinged with an overwhelming predictability, guided by an insistent and explanatory voice over, built…

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Review of Hell Fest (2018)

By Paula Vázquez Prieto (14) for La Nación (Argentina) (226) on 15 Nov 2018

This box of tricks doesn't have neither the ingenuity of homage to the classics nor the critical ambition to reinvent the genre…

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Review of BlacKkKlansman (2018)

By Javier Porta Fouz (51) for La Nación (Argentina) (226) on 15 Nov 2018

Blackkklansma is one of those films that effectively channel energy, exhibit conviction and even excess in some passages and Lee presents this…

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Review of Fantastic Beasts: The Crimes of Grindelwald (2018)

By Marcelo Stiletano (8) for La Nación (Argentina) (226) on 15 Nov 2018

The story works in its mythical grandiloquence and makes intelligible the reasons that lead each character to choose their place and prepare…

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Review of Overlord (2018)

By Paula Vázquez Prieto (14) for La Nación (Argentina) (226) on 13 Nov 2018

Here, the predictable does not stop being effective and the pulse of the story makes you experience it as the characters do. [Full Review in Spanish]…

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Review of Bohemian Rhapsody (2018)

By Diego Batlle (225) for La Nación (Argentina) (226) on 05 Nov 2018

Find the theater with the biggest screen with the best sound to enjoy this epic musical. [Full Review in Spanish]…

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Review of Gonjiam: Haunted Asylum (2018)

By María Fernanda Mugica (26) for La Nación (Argentina) (226) on 05 Nov 2018

A formula designed for adolescent and young adult spectators, intelligent enough not to underestimate them. [Full Review in Spanish]…

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Review of A Simple Favor (2018)

By Paula Vázquez Prieto (14) for La Nación (Argentina) (226) on 25 Oct 2018

Despite the unevenness of the film, we laughed a lot and all laughs justify any slips. [Full Review in Spanish]…

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Review of Alpha (2018)

By Diego Batlle (225) for La Nación (Argentina) (226) on 25 Oct 2018

A film at times fascinating and always inspiring. [Full Review in Spanish]…

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Review of Transit (2018)

By Javier Porta Fouz (51) for La Nación (Argentina) (226) on 24 Oct 2018

With Transit, Petzold reaffirms that he is one of the most unavoidable contemporary auteurs that has perfected the teachings of classic American…

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Review of Halloween (2018)

By Diego Batlle (225) for La Nación (Argentina) (226) on 23 Oct 2018

David Gordon Green performs with absolute efficiency the double game of respecting and at the same time modernizing the classic Carpenter with…

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Review of Juliet, Naked (2018)

By Javier Porta Fouz (51) for La Nación (Argentina) (226) on 23 Oct 2018

Rose Byrne, Chris O'Dowd and Ethan Hawke shine like the stars of before. [Full Review in Spanish]…

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Review of Lean on Pete (2018)

By Marcelo Stiletano (8) for La Nación (Argentina) (226) on 23 Oct 2018

Plummer's impassive languor is the perfect reflection of the distant and aseptic way in which Haigh looks at that world. [Full Review in Spanish]…

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Review of Gauguin: Voyage to Tahiti (2017)

By Diego Batlle (225) for La Nación (Argentina) (226) on 23 Oct 2018

Neat and neat is the best thing you can say about this biographical drama. [Full Review in Spanish]…

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Review of Wildling (2018)

By Paula Vázquez Prieto (14) for La Nación (Argentina) (226) on 23 Oct 2018

Anna's journey from confinement to liberation is more complex when configured in the back of her big blue eyes, when the look she fears is…

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