Movie Reviews Published by Indiewire - Page 78 of 182

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Review of Bedknobs and Broomsticks (1971)

By Greg Ehrbar (4) for IndieWire (3,631) on 17 Feb 2019

The script is tight and witty with sparks of sophistication…

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Review of Synonyms (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 15 Feb 2019

Lapid’s film is too fresh and intransigent to know how well it will age over time or hold up to repeat viewings, but on first blush it feels…

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Review of Varda by Agnès (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 15 Feb 2019

Watching the 90-year-old filmmaker pick through the scrapheap of her own memories and fashion the bits into a fresh perspective on the relationship…

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Review of Goldie (2020)

By David Ehrlich (1,229) for IndieWire (3,631) on 15 Feb 2019

The fact that Woods has already made it (and with an incarcerated mother of her own) only adds to the perfection of her casting; even without…

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Review of By the Grace of God (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 14 Feb 2019

A thoughtful, fast-paced, and immaculately acted procedural that unfolds with the urgency of a newspaper deadline, By the Grace of God zips…

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Review of Light of My Life (2019)

By Eric Kohn (1,203) for IndieWire (3,631) on 14 Feb 2019

Light of My Life delivers a lush variation on familiar elements, and wends its way to a tense final showdown that makes the wandering trajectory…

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Review of Fourteen (2020)

By David Ehrlich (1,229) for IndieWire (3,631) on 14 Feb 2019

When lifetimes of latent drama come home to roost in the surprisingly eventful final scenes, Fourteen builds to an unsparingly lucid assessment…

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Review of Driveways (2020)

By Jude Dry (205) for IndieWire (3,631) on 14 Feb 2019

Without a singular galvanizing conflict to focus the plot, Driveways feels more like a collection of character studies than a cohesive whole…

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Review of The Golden Glove (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 14 Feb 2019

For better or worse, Akin’s eye remains a remarkable thing, as he arranges even the most emptily nihilistic parts of The Golden Glove with…

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Review of Light of My Life (2019)

By Eric Kohn (1,203) for IndieWire (3,631) on 14 Feb 2019

Light of My Life delivers a lush variation on familiar elements, and wends its way to a tense final showdown that makes the wandering trajectory…

Read Review

Review of By the Grace of God (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 14 Feb 2019

A thoughtful, fast-paced, and immaculately acted procedural that unfolds with the urgency of a newspaper deadline, By the Grace of God zips…

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Review of Donnybrook (2018)

By Eric Kohn (1,203) for IndieWire (3,631) on 13 Feb 2019

Sutton’s tricky balance of B-movie caricatures and gloomy expressionism doesn’t always match up, but that very discordance speaks to the…

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Review of Happy Death Day 2U (2019)

By Kate Erbland (681) for IndieWire (3,631) on 12 Feb 2019

When it works, it’s never better than a loving retread of the pleasures of the first film; when it doesn’t, it’s a head-scratcher of…

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Review of Isn't It Romantic (2019)

By Kate Erbland (681) for IndieWire (3,631) on 12 Feb 2019

Every trope, twist, and trick of the genre is up for skewering in the comedy, but the film keeps things light and smart, never dipping into…

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Review of The Prodigy (2019)

By Kate Erbland (681) for IndieWire (3,631) on 06 Feb 2019

The film is littered with jump scares, but most of them offer up shocking twists that land with genuine payoff: the score winds up, the framing…

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Review of What Men Want (2019)

By Eric Kohn (1,203) for IndieWire (3,631) on 06 Feb 2019

The ideas don’t cut that deep, but like its psychic protagonist, this movie knows exactly what its audience wants…

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Review of The Sound of Silence (2019)

By Michael Nordine (446) for IndieWire (3,631) on 04 Feb 2019

Even the best records start skipping after a while, and once The Sound of Silence gives in to the demands of conventional narrative it begins…

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Review of Share (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 04 Feb 2019

Share can be so traumatized and detached that it risks losing its grasp on reality, but few movies have so boldly confronted the complexities…

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Review of One Child Nation (2019)

By Eric Kohn (1,203) for IndieWire (3,631) on 03 Feb 2019

Using a remarkable personal lens, the film examines the reverberations of propaganda on broken families across multiple generations…

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Review of The Souvenir (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 02 Feb 2019

It may have taken Hogg several decades to realize that her own box of darkness was actually a beautiful gift, but she unwraps it with the care…

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