Movie Reviews Published by Indiewire - Page 69 of 182

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Review of Lucy in the Sky (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 12 Sep 2019

As narrow as the universe is wide, this dull, sanitized dramatization of history’s tawdriest astronaut scandal has absolutely no idea how…

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Review of Sound of Metal (2020)

By Eric Kohn (1,203) for IndieWire (3,631) on 12 Sep 2019

[A] mesmerizing debut ... Sound of Metal injects visceral, edgy circumstances with remarkable sensitivity…

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Review of How to Build a Girl (2020)

By Kate Erbland (681) for IndieWire (3,631) on 11 Sep 2019

A smart twist on the coming-of-age comedy…

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Review of Greed (2020)

By David Ehrlich (1,229) for IndieWire (3,631) on 11 Sep 2019

A serrated but superficial portrait of how capitalism distances the rich from its consequences, Michael Winterbottom’s damning sendup is…

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Review of Harriet (2019)

By Eric Kohn (1,203) for IndieWire (3,631) on 11 Sep 2019

Harriet doesn’t reinvent the biopic formula, but Erivo’s performance injects a palpable urgency to the material that makes up for missed time…

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Review of Greed (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 11 Sep 2019

A serrated but superficial portrait of how capitalism distances the rich from its consequences, Michael Winterbottom’s damning sendup is…

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Review of Cave Rescue (2019)

By Eric Kohn (1,203) for IndieWire (3,631) on 10 Sep 2019

It’s a frantic, unnerving window into Syria’s collapse, and a nerve-wracking thriller that alternates between acts of courage and utter…

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Review of The Cave (2019)

By Eric Kohn (1,203) for IndieWire (3,631) on 10 Sep 2019

It’s a frantic, unnerving window into Syria’s collapse, and a nerve-wracking thriller that alternates between acts of courage and utter…

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Review of True History of the Kelly Gang (2019)

By Eric Kohn (1,203) for IndieWire (3,631) on 10 Sep 2019

The movie hovers in a curious paradox, coming across as both operatic tribute and horrific condemnation, but it’s never less than a nasty…

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Review of Motherless Brooklyn (2019)

By Eric Kohn (1,203) for IndieWire (3,631) on 10 Sep 2019

Despite some pacing troubles and myriad undeveloped characters, Motherless Brooklyn functions well enough as a throwback to the intelligent,…

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Review of The cave (2019)

By Eric Kohn (1,203) for IndieWire (3,631) on 10 Sep 2019

It’s a frantic, unnerving window into Syria’s collapse, and a nerve-wracking thriller that alternates between acts of courage and utter…

Read Review

Review of Radioactive (2020)

By Eric Kohn (1,203) for IndieWire (3,631) on 10 Sep 2019

As directed by Marjane Satrapi, this discursive biopic struggles whenever it cuts away from her drama to explore the bigger picture — with…

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Review of Downton Abbey (2019)

By Hanh Nguyen (26) for IndieWire (3,631) on 09 Sep 2019

It’s a return to form, and its all-encompassing storyline plays much like a shinier, more magnificent Christmas special…

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Review of Babyteeth (2020)

By David Ehrlich (1,229) for IndieWire (3,631) on 09 Sep 2019

Babyteeth is the kind of soft-hearted tearjerker that does everything in its power to rescue beauty from pain…

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Review of Endings, Beginnings (2020)

By Kate Erbland (681) for IndieWire (3,631) on 09 Sep 2019

Daphne shouldn’t be this captivating, but with Woodley’s vulnerability and full-scale charm backing her up, Endings, Beginnings is able…

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Review of Abominable (2019)

By Kate Erbland (681) for IndieWire (3,631) on 09 Sep 2019

The winning, warm nature of this China-set family film can’t be denied, and for all its predictable elements, Abominable is still well worth…

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Review of Bad Education (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 09 Sep 2019

However disappointing it might be that Bad Education is too delicate (and true) to really go wild and let Finley indulge in the flamboyance…

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Review of Guest of Honour (2020)

By David Ehrlich (1,229) for IndieWire (3,631) on 09 Sep 2019

A riveting but utterly ridiculous melodrama about the burden of guilt and the value of bunny shit, Atom Egoyan’s “Guest of Honour” layers…

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Review of Jojo Rabbit (2019)

By Eric Kohn (1,203) for IndieWire (3,631) on 09 Sep 2019

Yes, Waititi’s sugary fantasy unearths an endearing quality in the most unlikely places. But in the process, it buries the awful truth…

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Review of Dolemite Is My Name (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 08 Sep 2019

Unfolding like a slaphappy cross between “Baadasssss…

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