Movie Reviews Published by Indiewire - Page 67 of 182

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Review of Midway (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 06 Nov 2019

If the film’s story is steered by a hard-nosed focus on the large and small of what actually happened, the way Emmerich tells it feels more…

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Review of American Son (2019)

By Tambay Obenson (20) for IndieWire (3,631) on 30 Oct 2019

Perhaps writer Demos-Brown and director Kenny Leon hope to tap into our collective consciences, but it’s difficult to be moved by such hackneyed,…

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Review of Doctor Sleep (2019)

By Eric Kohn (1,203) for IndieWire (3,631) on 30 Oct 2019

Doctor Sleep shows considerable effort to ingratiate itself to discerning cinephiles, from the moody Newton Brothers score to cinematographer…

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Review of Jesus Is King (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 25 Oct 2019

Equal parts reverent and narcissistic, humble and grandiose, this Nick Knight-directed curio is both a tribute to the Lord and a testament…

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Review of Countdown (2019)

By Kate Erbland (681) for IndieWire (3,631) on 24 Oct 2019

The movie arrives at an eye-roll inducing final twist, and hints at an inevitable sequel. But this app isn't exactly begging for an upgrade…

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Review of Paradise Hills (2019)

By Kate Erbland (681) for IndieWire (3,631) on 24 Oct 2019

Paradise Hills posits that its entire world is a shell game built on outdated ideas and a resistance to originality, but it’s the film itself…

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Review of The Kill Team (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 24 Oct 2019

As lucid and intense as it is underwritten, his second crack at the Maywan District murders might be much less nuanced than his first, but…

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Review of The Elephant Queen (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 24 Oct 2019

For all of the film’s strange omissions, and its struggles to thread the needle between appealing to children and trying to show them how…

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Review of Tell Me Who I Am (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 24 Oct 2019

It’s hard to imagine a more crystalline look at the suppleness of someone’s self-identity (and the moral dilemma of someone else choosing…

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Review of Terminator: Dark Fate (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 22 Oct 2019

“Dark Fate” might close the door on the “Terminator” franchise, but every dull frame of it suggests that we’ll be trapped in that…

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Review of Jay and Silent Bob Reboot (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 16 Oct 2019

A satire of sequels, remakes, and (of course) reboots that always happens to be all three of those things, Jay and Silent Bob Reboot is both…

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Review of Zombieland: Double Tap (2019)

By Kate Erbland (681) for IndieWire (3,631) on 16 Oct 2019

Despite the good vibes and amiable callbacks to the previous film, “Zombieland: Double Tap” is only ever amusing when it’s breaking new…

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Review of Maleficent: Mistress of Evil (2019)

By Eric Kohn (1,203) for IndieWire (3,631) on 15 Oct 2019

An overlong blend of kid-friendly “Game of Thrones” warfare and standard-issue metaphors of intolerance, Maleficent: Mistress of Evil finds…

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Review of Greener Grass (2019)

By Kate Erbland (681) for IndieWire (3,631) on 15 Oct 2019

DeBoer and Luebbe have further expanded their nutty vision of suburban ennui and the painful consequences of keeping up with the status quo…

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Review of Jexi (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 11 Oct 2019

What we’re left with is a benign, artless, nothing of a movie that feels cobbled together with the same app-driven, gig-economy mentality…

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Review of El Camino: A Breaking Bad Movie (2019)

By Steve Greene (48) for IndieWire (3,631) on 11 Oct 2019

That this film can stand on its own, all while paying tribute to the show that helped birth it, is maybe the most impressive escape act of them all…

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Review of Fractured (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 11 Oct 2019

A(nother) disposable Netflix thriller that fails to do anything with its potentially clever premise, Brad Anderson’s Fractured isn’t the…

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Review of Mister America (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 10 Oct 2019

Mister America is the kind of comedy that can pivot from lethargic to legendary on the turn of a dime (if only for a minute or two)…

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Review of The Sky Is Pink (2019)

By Kate Erbland (681) for IndieWire (3,631) on 10 Oct 2019

While the film’s first half boasts universally strong performances (even babyAisha gets some screen time), it’s Chopra Jonas who emerges…

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Review of The Addams Family (2019)

By Kate Erbland (681) for IndieWire (3,631) on 10 Oct 2019

Greg Tiernan and Conrad Vernon’s animated The Addams Family introduces the Addams gang to a new generation by way of a retrofitted origin…

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