Movie Reviews Published by Indiewire - Page 46 of 182

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Review of The Wanting Mare (2021)

By Eric Kohn (1,203) for IndieWire (3,631) on 11 Feb 2021

This kind of hushed, low-key story certainly wouldn’t be the most obvious place to start an epic, but it’s a captivating chunk of mood…

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Review of To All the Boys: Always and Forever (2021)

By Kate Erbland (681) for IndieWire (3,631) on 11 Feb 2021

Things grow slacker and a touch sillier by its middle act, which both does away with big problems and introduces entire new ones in their place…

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Review of Bliss (2021)

By Kate Erbland (681) for IndieWire (3,631) on 04 Feb 2021

Life might be messy and weird and scary, but it possesses more honesty than this cinematic misery…

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Review of Bliss (2021)

By Kate Erbland (681) for IndieWire (3,631) on 04 Feb 2021

Life might be messy and weird and scary, but it possesses more honesty than this cinematic misery…

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Review of We're All Going to the World's Fair (2022)

By Kate Erbland (681) for IndieWire (3,631) on 03 Feb 2021

By the film’s end, We’re All Going to the World’s Fair proves its ASMR-like power: It’s impossible to shake, even when it makes you…

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Review of Wild Indian (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 03 Feb 2021

The great shock of Wild Indian is Corbine isn’t afraid to paint Makwa as more of a sociopath than a victim…

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Review of Together Together (2021)

By Jude Dry (205) for IndieWire (3,631) on 03 Feb 2021

Harrison is the brightest point in Together Together, which plods through a gimmicky premise without finding much levity along the way…

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Review of Hive (2021)

By Ryan Lattanzio (73) for IndieWire (3,631) on 03 Feb 2021

While it certainly offers up a necessary-if-dour vision of patriarchy-dominated life in this particular corner of Europe, by-the-numbers storytelling…

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Review of Misha and the Wolves (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 02 Feb 2021

Exploiting now-familiar techniques of documentary misdirection in the service of easy suspense, Misha and the Wolves wastes a golden opportunity…

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Review of El Planeta (2021)

By Eric Kohn (1,203) for IndieWire (3,631) on 02 Feb 2021

The appeal of El Planeta lies with a pair of women who prefer to live in the moment rather than considering its consequences…

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Review of John and the Hole (2021)

By Eric Kohn (1,203) for IndieWire (3,631) on 02 Feb 2021

Despite its shortcomings, “John and the Hole” shows enough restraint and thematic sophistication to indicate strong potential for Sisto…

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Review of The Sparks Brothers (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 02 Feb 2021

[A] delightful and unusually spirited love letter…

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Review of Street Gang: How We Got to Sesame Street (2021)

By Kate Erbland (681) for IndieWire (3,631) on 02 Feb 2021

“Street Gang” may lightly gloss over some of the tougher elements of its genesis and legacy, but the staggering amount of material on offer…

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Review of On the Count of Three (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 01 Feb 2021

Like a game of Russian roulette, this is a movie that would have seemed embarrassingly stupid if things had gone wrong…

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Review of Prisoners of the Ghostland (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 01 Feb 2021

Even when nothing else in the film makes sense, the unhinged ethos of its own creation leaves a clue behind with the clarity of a body-chalk outline…

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Review of Judas and the Black Messiah (2021)

By Kate Erbland (681) for IndieWire (3,631) on 01 Feb 2021

Mostly, though, it’s Kaluuya and Stanfield — two actors who seem destined to be hailed for career-best turns with every subsequent project…

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Review of Passing (2021)

By Kate Erbland (681) for IndieWire (3,631) on 01 Feb 2021

Hall made many good choices for her debut — her entire crafts department turned in rich period production elements — but the casting of…

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Review of Passing (2021)

By Kate Erbland (681) for IndieWire (3,631) on 01 Feb 2021

Hall made many good choices for her debut — her entire crafts department turned in rich period production elements — but the casting of…

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Review of In the Earth (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 31 Jan 2021

In the Earth may not run deep enough to grow roots, but it’s the first COVID movie that dares to think beyond what it can see in front of…

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Review of How It Ends (2021)

By Kate Erbland (681) for IndieWire (3,631) on 31 Jan 2021

The pandemic spawned plenty of run-and-gun projects…

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