Movie Reviews Published by Indiewire - Page 42 of 182

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Review of Oxygen (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 11 May 2021

Oxygen is the sort of sly exercise in cinematic anxiety that demands a certain suspension of disbelief, and earns just enough of it to entertain…

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Review of Here Today (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 11 May 2021

In a film where several of the major story beats fall somewhere between far-fetched and Tolkien-level fantasy, it’s impossible not to appreciate…

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Review of Army of the Dead (2021)

By Eric Kohn (1,203) for IndieWire (3,631) on 11 May 2021

It’s a blockbuster that funnels the appeal of big-budget action and horror with an almost sacred reverence for the material…

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Review of Golden Arm (2021)

By Kate Erbland (681) for IndieWire (3,631) on 06 May 2021

While its energy starts to flail by the end of its second act, Golden Arm is able to end strong, using the grammar of sports films and the…

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Review of Cliff Walkers (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 06 May 2021

While there are some riches to be found under the surface for anyone who feels like watching this with a flow chart, Zhang is so clearly seduced…

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Review of Wrath of Man (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 06 May 2021

The ultimate sin of Wrath of Man is that it doesn’t realize it’s really a story about pride…

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Review of The Paper Tigers (2020)

By David Ehrlich (1,229) for IndieWire (3,631) on 06 May 2021

Tran’s debut feature delivers a ton of charm for a kung fu throwback, and kicks a lot of ass for a broad comedy about some old guys relearning…

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Review of Four Good Days (2021)

By Ryan Lattanzio (73) for IndieWire (3,631) on 30 Apr 2021

Despite Close’s valiant efforts, everything about Four Good Days feels artificial, like face powder barely caked on over the horrors of a…

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Review of The Outside Story (2021)

By Kate Erbland (681) for IndieWire (3,631) on 30 Apr 2021

It’s charming enough, although flashes of flinty humor hint at something edgier underneath…

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Review of Faya Dayi (2021)

By Tambay Obenson (20) for IndieWire (3,631) on 30 Apr 2021

Faya Dayi is a film that invites the mind and soul with its visual grandeur, and keeps the viewer engaged with a tension and mystery that seems…

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Review of Things Heard & Seen (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 29 Apr 2021

Berman and Pulcini’s movie feels as if it’s more haunted by unrealized potential than anything else…

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Review of Tom Clancy's Without Remorse (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 28 Apr 2021

Without Remorse doesn’t understand the role it’s meant to serve as the foundation of a potential franchise…

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Review of Boys from County Hell (2021)

By Kate Erbland (681) for IndieWire (3,631) on 22 Apr 2021

By the time Boys from County Hell works its way to its final face-offs, the film’s good humor and care for its characters is just as appealing…

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Review of Stowaway (2021)

By Kate Erbland (681) for IndieWire (3,631) on 22 Apr 2021

A nerve-shredding space thriller that starts strong before falling prey to blunter dramatic twists, few of which are as thrilling as the original…

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Review of Mortal Kombat (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 22 Apr 2021

This “Mortal Kombat” is more broadly watchable than the 1995 version ever was, but it’s hard to shake the dull sensation that video game…

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Review of Bill Traylor: Chasing Ghosts (2021)

By Ryan Lattanzio (73) for IndieWire (3,631) on 22 Apr 2021

While Chasing Ghosts is hardly as bold in its stylistic approach as Traylor, that’s by design, as the documentary is keen to get out of the…

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Review of Stowaway (2021)

By Kate Erbland (681) for IndieWire (3,631) on 22 Apr 2021

A nerve-shredding space thriller that starts strong before falling prey to blunter dramatic twists, few of which are as thrilling as the original…

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Review of The Mitchells vs. the Machines (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 21 Apr 2021

However you slice it, this is the rare CGI movie that radiates its own kind of inventive beauty, slick without feeling plastic, and the artistry…

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Review of We Broke Up (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 21 Apr 2021

The home stretch of We Broke Up is so knowing that the forced smile of the movie’s first hour achieves a certain poignancy in hindsight…

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Review of Monday (2021)

By Kate Erbland (681) for IndieWire (3,631) on 14 Apr 2021

While Papadimitropoulos and his cast capture the perma-vacation feel that permeates Mickey and Chloe’s happiest moments, he’s less adept…

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