Movie Reviews Published by Indiewire - Page 31 of 182

601-620 of 3,631 Reviews

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Review of The Blazing World (2021)

By Kate Erbland (681) for IndieWire (3,631) on 15 Oct 2021

It’s an imperfect debut, but it holds thrilling promise for what comes next…

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Review of Mayor Pete (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 15 Oct 2021

Moss’ spry but often superficial film purports to explore what it’s like for an actual human being to run for the highest office in the…

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Review of Freeland (2021)

By Eric Kohn (1,203) for IndieWire (3,631) on 14 Oct 2021

Freeland builds from its humble start to a wrenching conclusion, and eventually coalesces into a poignant, understated character study about…

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Review of Son of Monarchs (2021)

By Jude Dry (205) for IndieWire (3,631) on 14 Oct 2021

In Son of Monarchs, Gambis has mapped the butterflies’ migratory paths and genetic patterns onto Mendel’s search for belonging…

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Review of Luzzu (2021)

By Ryan Lattanzio (73) for IndieWire (3,631) on 14 Oct 2021

Luzzu is beautifully shot, if at times emotionally restrained, in its centering around a man who’s occasionally hard to read…

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Review of At the Ready (2021)

By Christian Blauvelt (25) for IndieWire (3,631) on 14 Oct 2021

Watching At the Ready, a rich piece of journalism as well as an expertly assembled documentary, you think you’re watching what could have…

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Review of Bright: Samurai Soul (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 13 Oct 2021

The novelty lies in the animation, a “good in theory” attempt to combine the hand-etched texture of traditional Japanese woodblock printing…

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Review of Antlers (2021)

By Steve Greene (48) for IndieWire (3,631) on 12 Oct 2021

At his best, Cooper is someone who can wring tension and understanding from what’s come before, not necessarily in anticipation of what’s…

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Review of South of Heaven (2021)

By Jude Dry (205) for IndieWire (3,631) on 12 Oct 2021

The only bright spot about the odd timing of South of Heaven is that it’s so obviously a relic of pre-pandemic Hollywood, one that hopefully…

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Review of The Scary of Sixty-First (2021)

By Christian Blauvelt (25) for IndieWire (3,631) on 12 Oct 2021

Equal parts ’70s-style paranoia thriller, Polanski-infused apartment horror, “Eyes Wide Shut” homage, and empathetic critical commentary…

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Review of Ron's Gone Wrong (2021)

By Rafael Motamayor (108) for IndieWire (3,631) on 11 Oct 2021

Ron’s Gone Wrong has enough ideas about our current relationship with technology and social media to bring about important conversations…

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Review of Ghostbusters: Afterlife (2021)

By Courtney Howard (393) for IndieWire (3,631) on 09 Oct 2021

Jason Reitman’s Ghostbusters: Afterlife hits the reboot button once more, this time carrying a familial cinematic legacy…

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Review of The First Wave (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 07 Oct 2021

It’s hard to predict what value this documentary will retain in the future (or if it will just disappear into the content void, where history…

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Review of Hit the Road (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 07 Oct 2021

A beautifully tender comedy that tears your heart in half with a featherlight touch — a film that swerves between tragedy and gallows humor…

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Review of Knocking (2021)

By Kate Erbland (681) for IndieWire (3,631) on 07 Oct 2021

Few contemporary horror films start this strong to end so poorly, and with such a lack of ease…

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Review of Neptune Frost (2022)

By Jude Dry (205) for IndieWire (3,631) on 07 Oct 2021

Transmitting a massive download of ideas into one film, there’s no doubt that Williams and Uzeyman have creativity to spare, and they deserve…

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Review of After Blue (Dirty Paradise) (2022)

By Jude Dry (205) for IndieWire (3,631) on 07 Oct 2021

A kaleidoscopic fantasy warped through the lens of a 1970s sci-fi Western, After Blue is a synthetic siren song for the freaks of the future…

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Review of The Harder They Fall (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 06 Oct 2021

This tense, propulsive, and ultra-glossy Netflix oater might lay a thick new Jay-Z track over the opening credits (of a film that he also produced)…

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Review of A Night of Knowing Nothing (2022)

By Siddhant Adlakha (174) for IndieWire (3,631) on 05 Oct 2021

This combination of lively image and mournful narration imbues the camera’s fly-on-the-wall perspective with a sense of melancholy…

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Review of The Addams Family 2 (2021)

By Kristen Lopez (178) for IndieWire (3,631) on 01 Oct 2021

A missed opportunity through and through, The Addams Family 2 is a giant step backward for a franchise that already had its work cut out for…

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