Movie Reviews Published by Indiewire - Page 29 of 182

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Review of Adrienne (2021)

By Kristen Lopez (178) for IndieWire (3,631) on 01 Dec 2021

Adrienne is a beautiful testament to the power of Adrienne Shelly and will hopefully inspire fans, new and old, to revisit her work…

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Review of Back to the Outback (2021)

By Jude Dry (205) for IndieWire (3,631) on 01 Dec 2021

The moral is clear as day to any kid, though plenty of adults could use the reminder: Never judge any creature by the way they look…

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Review of Lady Buds (2021)

By Jude Dry (205) for IndieWire (3,631) on 01 Dec 2021

It’s a wrenching look at the perils of prohibition, and who wins when all is said and done…

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Review of The Summit of the Gods (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 01 Dec 2021

It’s here, in these more high-altitude and less high-minded passages that “The Summit of the Gods” reaches the peak of its power, as…

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Review of Nightmare Alley (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 01 Dec 2021

This sordid excavation into the hollowness of a human soul is a strange fit for a director who’s spent his career searching for magic in…

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Review of The Unforgivable (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 24 Nov 2021

In practice, mincing up the miniseries’ plot without losing any of its main ingredients — and even adding several new ones to the mix,…

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Review of House of Gucci (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 22 Nov 2021

Locked in a heated conversation with its own campiness from the moment it starts, 'House of Gucci' leverages that underlying conflict into…

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Review of Limbo (1999)

By Danny Lorber (2) for IndieWire (3,631) on 19 Nov 2021

Though it’s admirable that Sayles shows so much ambition to change his style and to give his film such a weight of unpredictability, he doesn’t…

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Review of Kurt Vonnegut: Unstuck in Time (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 19 Nov 2021

If “Unstuck in Time” offers an erudite and affectionate portrait of its subject despite being so oddly generic, Weide shares his own frustrations…

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Review of The Feast (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 18 Nov 2021

Despite its refined palate and dashes of local flavor, The Feast remains empty calories — haunting only for how it seems to admit as much…

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Review of The Real Charlie Chaplin (2021)

By Christian Blauvelt (25) for IndieWire (3,631) on 18 Nov 2021

Clocking under two hours, The Real Charlie Chaplin is less concerned with being an exhaustive biography than trying to pinpoint what Chaplin’s…

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Review of The Feast (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 18 Nov 2021

Despite its refined palate and dashes of local flavor, The Feast remains empty calories — haunting only for how it seems to admit as much…

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Review of A Choice of Weapons: Inspired by Gordon Parks (2021)

By Tambay Obenson (20) for IndieWire (3,631) on 16 Nov 2021

Director Maggio’s reverence for Parks is certainly palpable in his documentary…

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Review of Sing 2 (2021)

By Fiona Underhill (12) for IndieWire (3,631) on 15 Nov 2021

The pacing is so frenetic that audiences will likely never have more than a millisecond to appreciate the textures or the visual spectacle…

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Review of Licorice Pizza (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 15 Nov 2021

In Licorice Pizza, time isn’t something that keeps people apart — it’s the only thing that allows them to find each other in the first…

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Review of Encanto (2021)

By Kristen Lopez (178) for IndieWire (3,631) on 15 Nov 2021

Encanto feels like one of the Mouse House’s more emotionally complex animated features, even if its story ultimately tries too hard to wrap…

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Review of Bruised (2021)

By Kristen Lopez (178) for IndieWire (3,631) on 14 Nov 2021

Bruised isn’t breaking any new ground from a narrative standpoint, but it does show the strength of Halle Berry as a director, boasting a…

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Review of Swan Song (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 13 Nov 2021

At its core, this is an iPod-shiny parable about the pain of being left behind, and one that — like so much of the best sci-fi — poignantly…

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Review of Home Sweet Home Alone (2021)

By Kate Erbland (681) for IndieWire (3,631) on 11 Nov 2021

Dan Mazer’s film is the closest yet the series has come to a true remake, focusing on one plucky kid, two crazed robbers, and a Christmastime…

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Review of tick, tick... BOOM! (2021)

By Steve Greene (48) for IndieWire (3,631) on 11 Nov 2021

A film so calibrated when humming forward starts to lose its tonal footing when Jon’s creative spark dims to a too-faint flicker…

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