Movie Reviews Published by Indiewire - Page 27 of 182

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Review of Resurrection (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 28 Jan 2022

Semans’ film stands out for how purposefully it seems to walk the line between schlocky crap and serious cinema…

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Review of Hatching (2022)

By Kate Erbland (681) for IndieWire (3,631) on 26 Jan 2022

Bergholm is skilled at keeping the tension high while finding amusing pockets of pure comedy (whatever Volanen is doing is genius, full stop),…

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Review of Emily the Criminal (2022)

By Kate Erbland (681) for IndieWire (3,631) on 26 Jan 2022

You always know a Plaza performance will be good, but over the past few years, Plaza has seemed to make it a priority to surprise her audiences…

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Review of God's Country (2022)

By Christian Zilko (32) for IndieWire (3,631) on 26 Jan 2022

Julian Higgins’ excellent film constantly dangles redemption in front of our faces, begging us to imagine a better world, but ultimately…

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Review of Speak No Evil (2022)

By Susannah Gruder (11) for IndieWire (3,631) on 26 Jan 2022

Speak No Evil is the most cunningly depraved horror film in years, offering a piercing commentary on the ways we accommodate others to the…

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Review of Honk for Jesus. Save Your Soul. (2022)

By Kate Erbland (681) for IndieWire (3,631) on 26 Jan 2022

Featuring stars Regina Hall and Sterling K. Brown doing predictably divine work (do these two performers know any other way…

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Review of Something in the Dirt (2022)

By Carlos Aguilar (278) for IndieWire (3,631) on 26 Jan 2022

Something in the Dirt functions as a disturbing and acerbically comedic riddle of a movie where finding the answers is a secondary, mostly…

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Review of Watcher (2022)

By Susannah Gruder (11) for IndieWire (3,631) on 26 Jan 2022

Instead of leaning into the ambiguous tensions and uncanny experiences, Watcher fails to live up to its inspirations, ending up a heavy-handed,…

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Review of You Won't Be Alone (2022)

By Ryan Lattanzio (73) for IndieWire (3,631) on 26 Jan 2022

It’s a challenging movie, but one so overflowingly empathetic for even its cruelest characters that the emotional beats outweigh the headier…

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Review of Good Luck to You, Leo Grande (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 24 Jan 2022

Good Luck to You, Leo Grande is a touching little two-hander that does right by its title character even if the lion’s share of the conflict…

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Review of Call Jane (2022)

By Kate Erbland (681) for IndieWire (3,631) on 24 Jan 2022

While Call Jane might suffer from a litany of the usual first film missteps — a tricky tone often hobbles it, as does a bent toward gliding…

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Review of Dual (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 24 Jan 2022

Dual adds a fresh sprinkle of doom to the already savage deadpan of Stearns’ previous work, and bitterly crystallizes the existential anxieties…

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Review of Sharp Stick (2022)

By Kate Erbland (681) for IndieWire (3,631) on 23 Jan 2022

Attempts to ride the film through its own uncomfortable wavelength do offer some treats, even if they all come with caveats…

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Review of Cha Cha Real Smooth (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 23 Jan 2022

Raiff scales up the disarming earnestness of his debut without losing any of its DIY intimacy…

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Review of Breaking (2022)

By Siddhant Adlakha (174) for IndieWire (3,631) on 23 Jan 2022

It has so many things it wants to say about the state of modern America, but it finds no suitable or impactful way to say them…

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Review of Fire of Love (2022)

By Ryan Lattanzio (73) for IndieWire (3,631) on 22 Jan 2022

At an economical 90-minute running time, Fire of Love packs a visual and emotional wallop, with enough close-ups on erupting volcanoes —…

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Review of Emergency (2022)

By Siddhant Adlakha (174) for IndieWire (3,631) on 22 Jan 2022

Every interaction is rip-roaringly funny — even the more disquieting ones — resulting in a film where you can’t help but laugh at the…

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Review of A Love Song (2022)

By Robert Daniels (336) for IndieWire (3,631) on 22 Jan 2022

Both Dickey and Studi shoulder the lesser material through a charming naturalism that papers over the script’s artificiality…

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Review of When You Finish Saving the World (2023)

By David Ehrlich (1,229) for IndieWire (3,631) on 22 Jan 2022

Abrupt to a fault but still unexpectedly moving, their perpendicular journeys back to a place of mutual appreciation ring true enough in a…

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Review of Fresh (2022)

By Natalia Winkelman (145) for IndieWire (3,631) on 22 Jan 2022

Cave has an imaginative sense of camera placement, and she’s an expert at inserting ultra-close-up shots at precisely the right moment to…

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