Movie Reviews Published by Indiewire - Page 130 of 182

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Review of Queen of Katwe (2016)

By Eric Kohn (1,203) for indieWire (3,631) on 11 Sep 2016

No amount of strong performances and good vibes can hide the sense that we’re just watching a paint-by-numbers routine…

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Review of A Monster Calls (2016)

By Eric Kohn (1,203) for Indiewire (3,631) on 09 Sep 2016

It’s a touching scenario, and one so well-acted and laced with superb special effects that even its more obvious beats cut deep…

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Review of American Pastoral (2016)

By David Ehrlich (1,229) for indieWire (3,631) on 09 Sep 2016

One of the most perceptive novels of the 20th century becomes one of the most ill-conceived movies of the 21st as Ewan McGregor tries his hand…

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Review of The Magnificent Seven (2016)

By David Ehrlich (1,229) for Indiewire (3,631) on 07 Sep 2016

Truly, The Magnificent Seven is a story of simple pleasures, and it gets the little things right…

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Review of Norman: The Moderate Rise and Tragic Fall of a New York Fixer (2016)

By David Ehrlich (1,229) for Indiewire (3,631) on 06 Sep 2016

The film arrives at its last shot with a sense of purpose, but Cedar’s clumsy plotting and uncharacteristically sterile compositions suggest…

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Review of Hacksaw Ridge (2016)

By Ben Croll (93) for Indiewire (3,631) on 06 Sep 2016

A blood-soaked, bone-crunching hymn to religious devotion and faith, Hacksaw Ridge doesn’t hum Mel Gibson’s favorite themes; it shouts them…

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Review of The Bad Batch (2017)

By Eric Kohn (1,203) for Indiewire (3,631) on 05 Sep 2016

The Bad Batch further solidifies the strength of Amirpour’s idiosyncratic vision, which takes familiar details and bends them into spiky…

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Review of One More Time with Feeling (2016)

By Ben Croll (93) for Indiewire (3,631) on 05 Sep 2016

Shrouded in grief and chilly to the core, Andrew Dominik’s mournful documentary One More Time With Feeling is at once sobering in tone and…

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Review of Bridget Jones's Baby (2016)

By Demetrios Matheou (85) for Indiewire (3,631) on 04 Sep 2016

Once again excelling, Zellweger has much to do with the safe transition of this new Bridget, maintaining all the old quirks and sweetness,…

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Review of Bleed for This (2016)

By David Ehrlich (1,229) for Indiewire (3,631) on 03 Sep 2016

Every original drop of Bleed for This is lost in a sea of cliché and convention, and Younger seems totally incapable of separating the singular…

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Review of Moonlight (2016)

By Eric Kohn (1,203) for Indiewire (3,631) on 02 Sep 2016

Moonlight transforms rage and frustration into unadulterated intimacy…

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Review of Sully (2016)

By Eric Kohn (1,203) for indieWire (3,631) on 01 Sep 2016

With Tom Hanks appropriately cast as good-natured Sully, Eastwood delivers an earnest, straightforward look at the way the captain’s professionalism…

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Review of Nocturnal Animals (2016)

By Ben Croll (93) for Indiewire (3,631) on 01 Sep 2016

Nocturnal Animals is an impressively ambitious effort, one part mean Texas thriller, one part middle-age melodrama, and makes for a meta-textual…

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Review of La Flor (2019)

By Eric Kohn (1,203) for IndieWire (3,631) on 30 Aug 2016

La La Land is magically in tune with its reference points even as falls a few notes short of their greatness…

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Review of Barracuda (2017)

By Eric Kohn (1,203) for IndieWire (3,631) on 30 Aug 2016

La La Land is magically in tune with its reference points even as falls a few notes short of their greatness…

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Review of La La Land (2016)

By Eric Kohn (1,203) for indieWire (3,631) on 30 Aug 2016

La La Land is magically in tune with its reference points even as falls a few notes short of their greatness…

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Review of The Light Between Oceans (2016)

By David Ehrlich (1,229) for Indiewire (3,631) on 29 Aug 2016

This is a widescreen ode to the beauty of absolution, told with such constant sincerity that you can’t help but want to forgive its flaws…

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Review of White Girl (2016)

By David Ehrlich (1,229) for indieWire (3,631) on 28 Aug 2016

Elizabeth Wood’s fire-breathing debut is an adrenalized shot of ecstasy and entitlement, a fully committed cautionary tale that’s able…

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Review of The Hollars (2016)

By David Ehrlich (1,229) for indieWire (3,631) on 26 Aug 2016

Woefully inauthentic, milquetoast as a mild breeze and far too tidy for any of its sweeping resolutions to have even the faintest hint of staying…

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Review of Complete Unknown (2016)

By David Ehrlich (1,229) for Indiewire (3,631) on 22 Aug 2016

The film’s best moments are hollow and derivative, as borrowed from better fictions as any of the names that Alice takes for herself…

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