Movie Reviews Published by Indiewire - Page 122 of 182

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Review of The Vanishing of Sidney Hall (2018)

By Kate Erbland (681) for indieWire (3,631) on 26 Jan 2017

Initially it seems as if Sidney Hall will just be another film about lone geniuses trapped in worlds where they’re misunderstood or undervalued,…

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Review of I Don't Feel at Home in This World Anymore (2017)

By David Ehrlich (1,229) for indieWire (3,631) on 25 Jan 2017

The film never loses its strong sense of character, but those characters deserve a bit more love than they’re afforded…

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Review of Landline (2017)

By David Ehrlich (1,229) for indieWire (3,631) on 25 Jan 2017

Landline is a textured, silly, sweet, and deeply felt comedy that traces the distance between the most satisfied parts of ourselves and the…

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Review of The Big Sick (2017)

By Eric Kohn (1,203) for indieWire (3,631) on 25 Jan 2017

The Big Sick plays less like a great movie than a platform for its appealing tone, but it’s so well acted and dense with insights into the…

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Review of Mudbound (2017)

By Eric Kohn (1,203) for indieWire (3,631) on 25 Jan 2017

While Mudbound is rooted in a precise historical moment, it’s also a sobering commentary on timeless struggles…

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Review of Whose Streets? (2017)

By Jude Dry (205) for Indiewire (3,631) on 25 Jan 2017

Raw and unadorned, Whose Streets…

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Review of Lemon (2017)

By Eric Kohn (1,203) for indieWire (3,631) on 25 Jan 2017

Enhanced by a number of notable comedic actors entering uncharted terrain, it’s the kind of movie that makes you laugh and flinch in equal…

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Review of Dina (2017)

By David Ehrlich (1,229) for indieWire (3,631) on 25 Jan 2017

Whereas most docs about “different” people are content to flatter our empathy, Dina aims to deepen it…

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Review of Crown Heights (2017)

By David Ehrlich (1,229) for indieWire (3,631) on 25 Jan 2017

Despite the efforts of its cast, Crown Heights is too crammed and hectic to convey the immensity of the systemic evils that run through its…

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Review of Get Out (2017)

By David Ehrlich (1,229) for indieWire (3,631) on 25 Jan 2017

If Get Out isn’t half as scary as the ideas that inspired it, Jordan Peele’s directorial debut is almost certain to be the boldest —…

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Review of School Life (2017)

By Eric Kohn (1,203) for indieWire (3,631) on 25 Jan 2017

Finds a finite poetry in the raw nature of education itself…

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Review of Oklahoma City (2017)

By Ben Travers (14) for indieWire (3,631) on 25 Jan 2017

While Goodman’s feature doesn’t focus our recently inaugurated president, it serves as a blunt reminder of what has happened, and could…

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Review of Bitch (2017)

By Eric Kohn (1,203) for indieWire (3,631) on 25 Jan 2017

Even as the high-concept premise wears thin, Palka manages to generate an unexpected degree of sympathy for the floundering couple, and the…

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Review of Beatriz at Dinner (2017)

By Eric Kohn (1,203) for Indiewire (3,631) on 25 Jan 2017

From “Star Maps” to “Cedar Rapids,” Arteta has consistently poked at the plights of marginalized characters, and Beatriz is a rich,…

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Review of Novitiate (2017)

By Kate Erbland (681) for indieWire (3,631) on 25 Jan 2017

Both introspective and entertaining, Betts never forgets that her young nuns are still teenage girls, and Novitiate rings as true as any other…

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Review of Strong Island (2017)

By Eric Kohn (1,203) for indieWire (3,631) on 25 Jan 2017

Equal parts journalistic investigation and family portrait, Ford’s delicate project transforms the source of his frustrations into an absorbing…

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Review of Menashe (2017)

By Eric Kohn (1,203) for indieWire (3,631) on 25 Jan 2017

With its intimate focus, Menashe avoids indicting the strict logic that stifles its anti-hero’s individuality (though secular viewers can…

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Review of Dayveon (2017)

By David Ehrlich (1,229) for indieWire (3,631) on 25 Jan 2017

Shot with raw specificity and a remarkable sense of place, Dayveon doesn’t cut through its clichés so much as it is reclaims them as the…

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Review of Wind River (2017)

By David Ehrlich (1,229) for indieWire (3,631) on 25 Jan 2017

Wind River may not blow you away, but this bitter, visceral, and almost parodically intense thriller knows what it takes to survive…

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Review of Beach Rats (2017)

By Eric Kohn (1,203) for Indiewire (3,631) on 25 Jan 2017

With an energetic set of young actors liberated by Hittman’s jittery naturalism, the movie remains a gripping drama throughout — a combination…

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