Movie Reviews Published by Indiewire - Page 119 of 182

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Review of Baby Driver (2017)

By Eric Kohn (1,203) for Indiewire (3,631) on 12 Mar 2017

The director’s most ambitious work to date is a wildly successful romantic heist comedy, propelled from scene to scene with a lively soundtrack…

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Review of Raw (2017)

By Jude Dry (205) for Indiewire (3,631) on 11 Mar 2017

Ducournau tears down the walls of a genre so often identified with male filmmakers…

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Review of Betting on Zero (2016)

By Steve Greene (48) for Indiewire (3,631) on 09 Mar 2017

It may not be entirely inspiring, but Betting on Zero captures the everyone-for-themselves desperation that would make any wronged individual…

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Review of The Last Laugh (2016)

By David Ehrlich (1,229) for indieWire (3,631) on 09 Mar 2017

Specificity is the film’s strong suit, and The Last Laugh is at its best when eschewing its gaggle of celebrity interview subjects in favor…

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Review of The Ottoman Lieutenant (2017)

By David Ehrlich (1,229) for indieWire (3,631) on 09 Mar 2017

A limp and lifeless historical melodrama that aspires to be the “Pearl Harbor” of the preamble to World War I and still falls well short…

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Review of The Sense of an Ending (2017)

By Steve Greene (48) for Indiewire (3,631) on 09 Mar 2017

Modest in its ambition but profound in its specificity, Batra gets to the core of the slipperiness of memory and the allure of the past…

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Review of Clouds of Sils Maria (2014)

By Mallory Andrews (58) for indieWire (3,631) on 09 Mar 2017

As Valentine and Marie argue over their interpretations of the play, it sparks an ongoing discussion about youth, aging, memory, superstition…

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Review of Brimstone (2016)

By David Ehrlich (1,229) for indieWire (3,631) on 08 Mar 2017

If, for all of its godawful men, “Brimstone” has a hard time sewing its feminist fervor into anything more than a thin shawl over its bleak…

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Review of School Life (2017)

By David Ehrlich (1,229) for IndieWire (3,631) on 07 Mar 2017

By highlighting sweet, indicative, or hilarious moments rather than tracing the teachers’ relationships with any particular students, the…

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Review of The Last Laugh (2017)

By David Ehrlich (1,229) for Indiewire (3,631) on 05 Mar 2017

Specificity is the film’s strong suit, and The Last Laugh is at its best when eschewing its gaggle of celebrity interview subjects in favor…

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Review of Beauty and the Beast (2017)

By Jude Dry (205) for Indiewire (3,631) on 03 Mar 2017

Aside from the thrill of its lavish sets and costumes, there isn’t much new to offer in this Beauty and the Beast…

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Review of Kong: Skull Island (2017)

By Eric Kohn (1,203) for Indiewire (3,631) on 02 Mar 2017

Kong: Skull Island may include some clever period details and idiosyncratic asides, but it’s largely a blockbuster B-movie less interested…

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Review of Headshot (2016)

By David Ehrlich (1,229) for indieWire (3,631) on 02 Mar 2017

It’s always a shame to watch something so jaw-dropping start to feel stale, but Headshot is much easier to enjoy if you think of it as a…

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Review of The Shack (2017)

By Kate Erbland (681) for indieWire (3,631) on 02 Mar 2017

Spencer and Alush turn in the film’s best performances, and Spencer’s natural warmth and Alush’s deep charm keep The Shack hammering…

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Review of Table 19 (2017)

By David Ehrlich (1,229) for Indiewire (3,631) on 01 Mar 2017

Blitz manages to land the occasional punchline, but the smattering of decent jokes only call further attention to the film’s complete lack…

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Review of Before I Fall (2017)

By David Ehrlich (1,229) for Indiewire (3,631) on 27 Feb 2017

Russo-Young insists upon Before I Fall maintaining the courage of its convictions, and she gets her way — the movie takes a while to get…

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Review of Collide (2016)

By David Ehrlich (1,229) for indieWire (3,631) on 25 Feb 2017

Never quite sure where to put his cameras, Creevy attempts to compensate by placing them everywhere, and cutting between them as if at random…

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Review of In Dubious Battle (2016)

By Jude Dry (205) for indieWire (3,631) on 24 Feb 2017

Franco clearly enjoys playing the idealistic rabble rouser, and who wouldn’t want to direct a movie so they could cast themselves as a charismatic…

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Review of Burning Sands (2017)

By Jude Dry (205) for Indiewire (3,631) on 24 Feb 2017

McMurray fixates too much on the brutality of his subject, foregoing any meaningful character development…

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Review of Irada (2017)

By Anisha Jhaveri (22) for Indiewire (3,631) on 21 Feb 2017

In not knowing whether it wants to be a heartfelt, chilling or activist story, Irada ends up being none, suggesting that perhaps good intentions…

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