Movie Reviews Published by Indiewire - Page 114 of 182

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Review of Becoming Bond (2017)

By Steve Greene (48) for indieWire (3,631) on 27 May 2017

Becoming Bond is a delightful dip into someone's own version of their past…

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Review of Faces Places (2017)

By David Ehrlich (1,229) for Indiewire (3,631) on 27 May 2017

While all of the people they meet are delightful characters who the film manages to milk for every ounce of their personality, Varda and JR…

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Review of Loveless (2017)

By Eric Kohn (1,203) for Indiewire (3,631) on 26 May 2017

While not the same league as “Leviathan,” Zyvagintsev’s latest slow-burn look at anguished people tortured by problems beyond their control…

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Review of You Were Never Really Here (2017)

By Eric Kohn (1,203) for IndieWire (3,631) on 26 May 2017

It’s an enticing challenge for the writer-director to develop a stylish mood piece out this flimsy material, adapted from a Jonathan Ames…

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Review of BPM (Beats per Minute) (2017)

By Eric Kohn (1,203) for IndieWire (3,631) on 25 May 2017

Assembling the story out of small moments and gripping exchanges, Campillo grounds this earnest drama in a sense of purpose…

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Review of Good Time (2017)

By Eric Kohn (1,203) for Indiewire (3,631) on 24 May 2017

After such powerful momentum, the brothers don’t quite stick the landing, but it’s a thrill to watch them try…

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Review of They (2018)

By Jude Dry (205) for indieWire (3,631) on 24 May 2017

Though Ghazvinizadeh's voice is wholly her own, Kiarostami's influence is all over They…

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Review of The Square (2017)

By Eric Kohn (1,203) for Indiewire (3,631) on 24 May 2017

The director excels at generating a nervous energy around his character’s mounting desperation, and the movie’s intermittently engaging…

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Review of The Beguiled (2017)

By David Ehrlich (1,229) for indieWire (3,631) on 23 May 2017

The Beguiled is a lurid, sweltering, and sensationally fun potboiler that doesn’t find Coppola leaving her comfort zone so much as redecorating…

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Review of The Killing of a Sacred Deer (2017)

By David Ehrlich (1,229) for Indiewire (3,631) on 23 May 2017

Fortunately, the filmmaker’s rare gift for brutal absurdity remains intact, and The Killing of a Sacred Deer only gets funnier as it grows darker…

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Review of Happy End (2017)

By Eric Kohn (1,203) for indieWire (3,631) on 23 May 2017

Rather than smothering the material in bad vibes, the filmmaker uses them to gradually reveal a fascinating world in which anger and resentment…

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Review of The Florida Project (2017)

By Eric Kohn (1,203) for indieWire (3,631) on 22 May 2017

The Florida Project further cements Baker’s status as one of the most innovative American directors working today, but he’s also an essential…

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Review of Baywatch (2017)

By Jude Dry (205) for indieWire (3,631) on 22 May 2017

Baywatch won’t blow anything out of the water (except for the boat it sets on fire), but it will certainly make a splash…

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Review of The Meyerowitz Stories (New and Selected) (2017)

By David Ehrlich (1,229) for Indiewire (3,631) on 22 May 2017

The Meyerowitz Stories (New and Selected) isn’t the wittiest or most exciting movie that Noah Baumbach has ever made, but it might just be…

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Review of Pirates of the Caribbean: Dead Men Tell No Tales (2017)

By Michael Nordine (446) for indieWire (3,631) on 21 May 2017

Kon-Tiki directors Joachim Rønning and Espen Sandberg are at the helm this time around, proving capable captains even if the script they’re…

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Review of Everything, Everything (2017)

By Jude Dry (205) for Indiewire (3,631) on 21 May 2017

It may not break the mold in many ways but one, but the impact of that one is far from trivial…

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Review of Blame (2018)

By Michael Nordine (446) for Indiewire (3,631) on 21 May 2017

The witch-hunt metaphor that emerges from Abigail’s bullying is more overt than it needs to be, but Shephard clearly didn’t rely on SparkNotes…

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Review of Lost in Paris (2017)

By Eric Kohn (1,203) for Indiewire (3,631) on 21 May 2017

The pair blends storybook visuals with a stream of clever gags and oodles of pathos to deliver an infectious romance almost too eager to please…

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Review of BLAME! (2017)

By Michael Nordine (446) for Indiewire (3,631) on 21 May 2017

The film’s world-building is more engaging than its plotting, which skews toward the generic as the embattled good guys set out on their…

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Review of War Machine (2017)

By Eric Kohn (1,203) for Indiewire (3,631) on 21 May 2017

The movie veers from the broad doomsday satire of the “Dr…

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