Movie Reviews Published by Indiewire - Page 104 of 182

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Review of Lucky (2017)

By Eric Kohn (1,203) for indieWire (3,631) on 29 Dec 2017

John Carroll Lynch, who's worked with everyone from Martin Scorsese to Albert Brooks, doesn't explicitly borrow from any of his directors,…

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Review of The Commuter (2018)

By David Ehrlich (1,229) for Indiewire (3,631) on 29 Dec 2017

This may be a forgettable movie about the forgotten man — a blue-collar morality play disguised as a very contrived hostage crisis — but…

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Review of Bright (2017)

By David Ehrlich (1,229) for indieWire (3,631) on 20 Dec 2017

From the director of “Suicide Squad” and the writer of “Victor Frankenstein” comes a fresh slice of hell that somehow represents new…

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Review of The Greatest Showman (2017)

By David Ehrlich (1,229) for Indiewire (3,631) on 20 Dec 2017

Shamelessly familiar and profoundly alien in equal measure, The Greatest Showman takes a billion of the world’s oldest story beats and refashions…

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Review of Pitch Perfect 3 (2017)

By Kate Erbland (681) for Indiewire (3,631) on 19 Dec 2017

Some of the goofier bits from Pitch Perfect 2 has been excised, and this latest entry focuses more firmly on the bonds between the ladies after…

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Review of All the Money in the World (2017)

By Eric Kohn (1,203) for Indiewire (3,631) on 19 Dec 2017

As an experiment in filmmaking trickery, All the Money in the World is an extraordinary viewing experience; without that, it’s a compulsively…

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Review of Hostiles (2017)

By David Ehrlich (1,229) for Indiewire (3,631) on 16 Dec 2017

This is a proudly traditional oater that travels down old trails with new sadism, as though the Western genre only died off because the movies…

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Review of Birdboy: The Forgotten Children (2015)

By David Ehrlich (1,229) for IndieWire (3,631) on 15 Dec 2017

This is a beautiful film, and an ugly one, and the tension between those two sides doesn’t abate until the very last scene…

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Review of For Ahkeem (2017)

By David Ehrlich (1,229) for indieWire (3,631) on 14 Dec 2017

By simply documenting Deja's humanity, For Ahkeem offers a vivid example of the incontrovertible fact that black lives matter…

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Review of Star Wars: The Last Jedi (2017)

By Eric Kohn (1,203) for IndieWire (3,631) on 12 Dec 2017

Under the fastidious guidance of writer-director Johnson, The Last Jedi turns the commercial restrictions of this behemoth into a Trojan horse…

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Review of Jumanji: Welcome to the Jungle (2017)

By David Ehrlich (1,229) for Indiewire (3,631) on 08 Dec 2017

The mildly amusing Jumanji: Welcome to the Jungle is further proof that even the stalest whiff of brand recognition has become preferable to…

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Review of Phantom Thread (2017)

By Eric Kohn (1,203) for Indiewire (3,631) on 07 Dec 2017

The director’s most outwardly accessible movie in ages, Phantom Thread is at once an evocative period drama and a magical fable about lonely,…

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Review of Quest (2017)

By Jude Dry (205) for IndieWire (3,631) on 07 Dec 2017

Even as Quest toys with expectations, (there are no chart toppers to be found here), the triumphs in Quest are much harder to spot, though…

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Review of The Post (2017)

By David Ehrlich (1,229) for Indiewire (3,631) on 06 Dec 2017

A master chef preparing an entire feast inside a pressure cooker, Spielberg shoots The Post like every shot was delivered to the studio on…

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Review of Voyeur (2017)

By David Ehrlich (1,229) for Indiewire (3,631) on 30 Nov 2017

Voyeur is framed as the story of one observer trying to clarify another, but Kane and Koury lose sight of their own film, which is really a…

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Review of Cuba and the Cameraman (2017)

By David Ehrlich (1,229) for Indiewire (3,631) on 22 Nov 2017

Cuba and the Cameraman, while essentially a greatest hits collection for Alpert’s career, never feels recycled…

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Review of The Breadwinner (2017)

By David Ehrlich (1,229) for Indiewire (3,631) on 20 Nov 2017

So urgent and far-reaching that it never settles into the comforts of a coming-of-age story, The Breadwinner is a small film about the biggest…

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Review of Brimstone & Glory (2017)

By David Ehrlich (1,229) for Indiewire (3,631) on 20 Nov 2017

Structured like a fireworks display, with only a handful of small reprieves throughout, Brimstone & Glory naturally builds to a marvelous grand…

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Review of Song of Granite (2017)

By Steve Greene (48) for Indiewire (3,631) on 16 Nov 2017

For an artist whose work in a proud and robust tradition carried a recognizable grace, Song of Granite is a stirring, solemn tribute…

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Review of Mr. Roosevelt (2017)

By David Ehrlich (1,229) for indieWire (3,631) on 15 Nov 2017

Mr. Roosevelt is a sweet and shaggy comedy about someone who needs to renovate their idea of home…

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