Movie Reviews Published by In These Times - Page 3 of 3

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Review of Trainwreck (2015)

By Eileen Jones (139) for In These Times (58) on 05 Apr 2016

There are laughs, even if you have to suffer for them…

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Review of The Stanford Prison Experiment (2015)

By Eileen Jones (139) for In These Times (58) on 05 Apr 2016

Kyle Patrick Alvarez's The Stanford Prison Experiment is a grim slog of a film, but it capitalizes effectively on the morbid fascination the…

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Review of Boom Bust Boom (2015)

By Eileen Jones (139) for In These Times (58) on 05 Apr 2016

Treating our historically specific economic system as an extension of human nature, one which can be diagnosed by studying incipient monkey-capitalists,…

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Review of The Hateful Eight (2015)

By Eileen Jones (139) for In These Times (58) on 04 Apr 2016

Only Quentin Tarantino's immense popularity, based on his films' cathartic gouts of blood and dialogue, could have allowed him to make such…

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Review of Francofonia (2015)

By Michael Atkinson (678) for In These Times (58) on 29 Mar 2016

Francofonia is a ruminative essay about the Louvre, which to Sokurov isn't merely the center of Paris but the center of the world…

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Review of Star Wars: The Force Awakens (2015)

By Eileen Jones (139) for In These Times (58) on 16 Dec 2015

For me, there's nothing to be done during Star Wars films but wait for the occasional bit of comic relief…

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Review of Love (2015)

By Michael Atkinson (678) for In These Times (58) on 12 Nov 2015

Once you strip away the flashy conceptual gimmickry, Love earns a real sadness. You just have to overlook the protruding genitalia to see it…

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Review of Love (2015)

By Michael Atkinson (678) for In These Times (58) on 12 Nov 2015

Once you strip away the flashy conceptual gimmickry, Love earns a real sadness. You just have to overlook the protruding genitalia to see it…

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Review of Two Days, One Night (2014)

By Michael Atkinson (678) for In These Times (58) on 11 Nov 2015

At its center is Marion Cotillard, intensely inhabiting a besieged working-class Everygirl who occupies a vortex of stress the Dardennes have…

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Review of Timbuktu (2014)

By Michael Atkinson (678) for In These Times (58) on 11 Nov 2015

Mauritanian director Abderrahmane Sissako's new, Oscar-nominated film, Timbuktu, is a gorgeously simple take on a madly complex subject: the…

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Review of The Tribe (2016)

By Michael Atkinson (678) for In These Times (58) on 11 Nov 2015

It's a movie Samuel Beckett would have loved, exploding with language but existentially acknowledging both how little is communicated and how…

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Review of Jauja (2014)

By Michael Atkinson (678) for In These Times (58) on 11 Nov 2015

As a micro-critique of colonialism, the film resonates alongside Werner Herzog's Aguirre, the Wrath of God (1972) and Michelangelo Antonioni's…

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Review of The Look of Silence (2014)

By Michael Atkinson (678) for In These Times (58) on 11 Nov 2015

The Look of Silence is [The Act of Killing's] straight injustice-doc brother…

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Review of Welcome to Leith (2015)

By Michael Atkinson (678) for In These Times (58) on 11 Nov 2015

The people of Leith went ballistic, and the almost biblical conflict that resulted is chronicled carefully in Michael Beach Nichols and Christopher…

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Review of The Tribe (2014)

By Michael Atkinson (678) for In These Times (58) on 11 Nov 2015

It's a movie Samuel Beckett would have loved, exploding with language but existentially acknowledging both how little is communicated and how…

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Review of A Pigeon Sat on a Branch Reflecting on Existence (2014)

By Michael Atkinson (678) for In These Times (58) on 11 Nov 2015

Roy Andersson's A Pigeon Sat on a Branch Reflecting on Existence can restore your faith in the heterogeneity of global cinema…

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Review of American Sniper (2014)

By Michael Atkinson (678) for In These Times (58) on 11 Nov 2015

Hindsight will, I think, bruise American Sniper badly; consider how a patriotic film about a voluminously homicidal American soldier in Vietnam…

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Review of Mad Max: Fury Road (2015)

By Eileen Jones (139) for In These Times (58) on 13 May 2015

Even the wondrously choreographed stunting that keeps everything flying, flipping, careening, and cartwheeling in every direction starts to…

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