Movie Reviews Published by Guardian - Page 138 of 230

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Review of Madagascar 3: Europe's Most Wanted (2012)

By Peter Bradshaw (3,667) for Guardian (4,584) on 17 Oct 2012

Here is a family movie from which absolutely nothing is expected, and yet it's one of the week's best releases: a muscular, potent and very…

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Review of Crossfire Hurricane (2012)

By Michael Hann (9) for Guardian (4,584) on 17 Oct 2012

In its own way, Crossfire Hurricane is just like one of those Stones albums of the last three decades: it's fun, it has terrific moments, but…

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Review of Five Broken Cameras (2011)

By Peter Bradshaw (3,667) for Guardian (4,584) on 17 Oct 2012

It is of course a one-sided film, but a powerful personal testimony: the kind of material that never makes the nightly news…

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Review of Hello Quo (2012)

By Peter Bradshaw (3,667) for Guardian (4,584) on 17 Oct 2012

Only the most hard-hearted will decline to indulge this colossal piece of Quo worship, recounting the band's epic history…

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Review of Ruby Sparks (2012)

By Peter Bradshaw (3,667) for Guardian (4,584) on 10 Oct 2012

Kazan brings to the role a sweet and dignified vulnerability, keeping rigorously to plausible human behaviour…

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Review of Private Peaceful (2012)

By Peter Bradshaw (3,667) for Guardian (4,584) on 10 Oct 2012

Private Peaceful is a small-scale story in essence, which works efficiently on the non-epic scale in which it's presented…

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Review of Pusher (2012)

By Peter Bradshaw (3,667) for Guardian (4,584) on 10 Oct 2012

The Pusher remake may not have the full flavour of the original, but it makes brutally clear how the economics of drugs make paranoia and violence…

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Review of Hit & Run (2012)

By Peter Bradshaw (3,667) for Guardian (4,584) on 10 Oct 2012

It's amiable, but the more miles it clocks up, the more this film looks like a vanity vehicle for its co-director, writer and star, Dax Shepard…

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Review of Hotel Transylvania (2012)

By Peter Bradshaw (3,667) for Guardian (4,584) on 10 Oct 2012

Comedy gothic isn't exactly novel, and frankly there is a sense here of a movie coasting along on Halloween hype-marketing, without providing…

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Review of Radioman (2012)

By Peter Bradshaw (3,667) for Guardian (4,584) on 10 Oct 2012

Kerr has given us a shrewd insight into the sentimentality and superstition of the film business, and the brittle world of movie status and prestige…

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Review of Dracula (1958)

By Peter Bradshaw (3,667) for Guardian (4,584) on 08 Oct 2012

This Hammer classic will be good for a laugh, and some shivers…

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Review of The Perks of Being a Wallflower (2012)

By Peter Bradshaw (3,667) for Guardian (4,584) on 03 Oct 2012

The movie has its moments of soap-opera excitement, but it has all the substance of a teenage strop, and none of the energy…

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Review of Everything or Nothing (2012)

By Peter Bradshaw (3,667) for Guardian (4,584) on 03 Oct 2012

There's more than enough to enjoy, and plenty about the remarkable and melancholy figure of Fleming himself, who never lived quite long enough…

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Review of Liberal Arts (2012)

By Peter Bradshaw (3,667) for Guardian (4,584) on 03 Oct 2012

Despite a misjudged ending, Liberal Arts is a decent, heart-on-the-sleeve movie; it pays its audience the compliment of treating us like intelligent…

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Review of English Vinglish (2012)

By Peter Bradshaw (3,667) for Guardian (4,584) on 03 Oct 2012

An undemanding picture that goes down as well as the heroine's tasty ladoos…

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Review of Some Guy Who Kills People (2011)

By Catherine Shoard (160) for Guardian (4,584) on 03 Oct 2012

In the sober light of day, the flaws here seem to glare and screech; under the right conditions, this is cheery genre fun…

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Review of The Knot (2012)

By Peter Bradshaw (3,667) for Guardian (4,584) on 03 Oct 2012

There are some gross-out toilet moments that I suspect are inspired by the recent US hit Bridesmaids, but that movie had laughs and a lot of…

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Review of Sinister (2012)

By Peter Bradshaw (3,667) for Guardian (4,584) on 03 Oct 2012

The snuff-porn aesthetic might suggest a realist drama, but a supernatural dimension is brought into play, making the plot directionless…

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Review of Into the White (2012)

By Peter Bradshaw (3,667) for Guardian (4,584) on 26 Sep 2012

It's all a bit tame, predictable and muted; the inevitable revelation of German decency seems contrived and there's an outrageous plot cop-out…

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Review of The Campaign (2012)

By Peter Bradshaw (3,667) for Guardian (4,584) on 26 Sep 2012

If you're solemnly looking for contemporary political observation, this isn't the film for you…

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