Movie Reviews Published by Flavorwire - Page 7 of 30

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Review of Shadowman (2017)

By Jason Bailey (832) for Flavorwire (598) on 04 May 2017

It's a harrowing movie (towards its end, it feels like we're just watching him fall apart), but a captivating portrait of the modern art world,…

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Review of My Friend Dahmer (2017)

By Jason Bailey (832) for Flavorwire (598) on 03 May 2017

I'm still not quite sure how they made this work - but they did…

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Review of Permission (2018)

By Jason Bailey (832) for Flavorwire (598) on 03 May 2017

The pieces don't all quite fit together, but this is nonetheless a thoughtful and credible movie that handles grown-up issues in a grown-up manner…

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Review of Chuck (2017)

By Jason Bailey (832) for Flavorwire (598) on 03 May 2017

Schreiber [is] flat out excellent at not only conveying Wepner's neighborhood-guy charm, but at delivering his wry narration, which borders…

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Review of Blame (2018)

By Jason Bailey (832) for Flavorwire (598) on 03 May 2017

Quinn Shephard…

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Review of BLAME! (2017)

By Jason Bailey (832) for Flavorwire (598) on 03 May 2017

Quinn Shephard…

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Review of Flower (2017)

By Jason Bailey (832) for Flavorwire (598) on 03 May 2017

It's full of great lines and small pleasures, particularly the performances, including yet another layered and memorable Kathryn Hahn turn…

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Review of Aardvark (2018)

By Jason Bailey (832) for Flavorwire (598) on 03 May 2017

It's not a bad movie, but it's so minor, it all but drifts away…

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Review of The Lovers (2017)

By Jason Bailey (832) for Flavorwire (598) on 03 May 2017

Jacobs and his enviable cast play the humanity of the situation, its tenderness and its sadness, with an evenness and purpose that's sort of…

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Review of Pilgrimage (2017)

By Jason Bailey (832) for Flavorwire (598) on 03 May 2017

McDowney's found his bearings by the time they lose the relic in a grimy, bloody, scary ambush in the woods, and tees up the subsequent moral…

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Review of The Circle (2017)

By Jason Bailey (832) for Flavorwire (598) on 03 May 2017

It's a shame, because this is an enviable cast, and the occasional good scene hints at the social thriller or topical satire this could have…

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Review of Take Me (2017)

By Jason Bailey (832) for Flavorwire (598) on 03 May 2017

The broad opening scenes make it seem like a lighter movie than it is; hang in there, because it's a ride…

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Review of Abundant Acreage Available (2017)

By Jason Bailey (832) for Flavorwire (598) on 03 May 2017

This is a modest story, but one rooted in big emotions…

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Review of The Boy Downstairs (2018)

By Jason Bailey (832) for Flavorwire (598) on 03 May 2017

Brooks has a good ear for everyday wit, and a good eye for lived-in detail…

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Review of The Dinner (2017)

By Jason Bailey (832) for Flavorwire (598) on 03 May 2017

The tone and thrust of Oren Moverman's adaptation of Howard Koch's novel is damn near impossible to pin down, which can be a compliment, but…

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Review of Hounds of Love (2016)

By Jason Bailey (832) for Flavorwire (598) on 03 May 2017

Young's feature debut is a marvel of construction, both narratively and visually…

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Review of Beauty and the Beast (2017)

By Lara Zarum (23) for Flavorwire (598) on 27 Apr 2017

The film doesn't need to be given a dark twist like 2012's Snow White and the Huntsman; as with every fairytale, there's enough darkness in…

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Review of Going in Style (2017)

By Jason Bailey (832) for Flavorwire (598) on 07 Apr 2017

You probably have to have seen both films to find the new one as infuriating as I did, but even if you haven't, there's no question that it's…

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Review of The Boss Baby (2017)

By Jason Bailey (832) for Flavorwire (598) on 07 Apr 2017

An absolutely standard-issue doody-joke-and-pop-culture-reference effort from the folks at Dreamworks, of roughly the same trenchant wit and…

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Review of The Color of Money (1986)

By Jason Bailey (832) for Flavorwire (598) on 07 Apr 2017

Yes, sure, this is mid-level Scorsese…

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