Movie Reviews Published by Flavorwire - Page 2 of 30

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Review of Gotti (2018)

By Jason Bailey (832) for Flavorwire (598) on 01 Jul 2018

A comically terrible imitation of a biopic, directed by Kevin Connolly with all the flair and nuance of a movie-within-a-movie on 'Entourage…

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Review of Ocean's Eight (2018)

By Jason Bailey (832) for Flavorwire (598) on 17 Jun 2018

The cast shines, but they can only do so much with their weak script and listless direction…

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Review of I Feel Pretty (2018)

By Jason Bailey (832) for Flavorwire (598) on 05 May 2018

Is this stuff supposed to be funny…

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Review of The Seagull (2018)

By Jason Bailey (832) for Flavorwire (598) on 01 May 2018

As a showcase for this otherwise ace cast, [The Seagull] can't be beat…

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Review of Diane (2019)

By Jason Bailey (832) for Flavorwire (598) on 01 May 2018

Mary Kay Place is marvelous in the leading role, and her screen presence is so arm and comforting, we think we know her…

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Review of In a Relationship (2018)

By Jason Bailey (832) for Flavorwire (598) on 01 May 2018

The formidable charm of Emma Roberts (and supporting player Greta Lee) is wasted in this strained romantic comedy/drama from writer/director Sam Boyd…

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Review of The Seagull (2018)

By Jason Bailey (832) for Flavorwire (598) on 01 May 2018

As a showcase for this otherwise ace cast, [The Seagull] can't be beat…

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Review of Stockholm (2019)

By Jason Bailey (832) for Flavorwire (598) on 01 May 2018

Budreaunever quite finds an ending, but the vibe he grooves in along the way (much of it provided by the less-remembered, early-'70s Dylan…

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Review of Little Woods (2019)

By Jason Bailey (832) for Flavorwire (598) on 01 May 2018

DaCosta directs in a modest, slice-of-life style, which only heightens the tension of events on screen - this is the kind of movie you lean…

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Review of The Party's Just Beginning (2018)

By Jason Bailey (832) for Flavorwire (598) on 01 May 2018

There's a real power to the filmmaking here; Gillan is, clearly, a force to be reckoned with…

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Review of Diane (2017)

By Jason Bailey (832) for Flavorwire (598) on 01 May 2018

Mary Kay Place is marvelous in the leading role, and her screen presence is so arm and comforting, we think we know her…

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Review of 6 Balloons (2018)

By Jason Bailey (832) for Flavorwire (598) on 27 Mar 2018

There is a sense that the picture ends just as it gets going…

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Review of American Animals (2018)

By Jason Bailey (832) for Flavorwire (598) on 27 Mar 2018

It becomes, surprisingly enough, a stealth act of media critique…

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Review of Annihilation (2018)

By Jason Bailey (832) for Flavorwire (598) on 09 Mar 2018

This sci-fi/horror hybrid is brainy, challenging, and experimental. Those shouldn't be dirty words…

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Review of The Sweet Hereafter (1997)

By Jason Bailey (832) for Flavorwire (598) on 14 Dec 2017

That's the true power of Egoyan's film - how in shuffling the chronological deck, we see what once was in this town, both in its light and…

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Review of Darkest Hour (2017)

By Jason Bailey (832) for Flavorwire (598) on 26 Nov 2017

It is not a bad movie, or even a mediocre one…

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Review of Murder on the Orient Express (2017)

By Jason Bailey (832) for Flavorwire (598) on 13 Nov 2017

There's so much to like about the picture in theory: a sophisticated literary adaptation with a distinguished cast, geared toward grown-ups,…

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Review of Most Beautiful Island (2017)

By Jason Bailey (832) for Flavorwire (598) on 03 Nov 2017

It's a tense movie, made both more personal and more unnerving by Asensio's insistence on staying with her protagonist, as the tension of her…

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Review of Lady Bird (2017)

By Jason Bailey (832) for Flavorwire (598) on 03 Nov 2017

Witty and wise, hopeful and heartbreaking…

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Review of Bitch (2017)

By Jason Bailey (832) for Flavorwire (598) on 03 Nov 2017

[Marianna Palka's] terrific - the intensity of what she's doing, without saying a word, is overwhelming…

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