Movie Reviews Published by Flavorwire - Page 12 of 30

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Review of Tower (2016)

By Jason Bailey (832) for Flavorwire (598) on 14 Oct 2016

Tower' isn't looking back on the tragedy - it's living in it, a tick-tock of an afternoon's terror, as uncertain of its causes or its outcome…

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Review of Mommie Dearest (1981)

By Jason Bailey (832) for Flavorwire (598) on 14 Oct 2016

The character is rendered such a grotesque, its moments don't accumulate to an arc or even a readable profile…

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Review of Personal Shopper (2016)

By Jason Bailey (832) for Flavorwire (598) on 14 Oct 2016

It's somehow a cross between 'Clouds of Sils Maria' and 'The Conjuring,' and even more improbably, it works…

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Review of Kevin Hart: What Now? (2016)

By Jason Bailey (832) for Flavorwire (598) on 14 Oct 2016

But once he gets a rhythm going, and gets the audience tuned in to it, it's hard not to get swept up…

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Review of The Beatles: Eight Days a Week - The Touring Years (2016)

By Jason Bailey (832) for Flavorwire (598) on 01 Oct 2016

If you're a Beatles fan - and that's who a movie like this is for - you've already seen most of this stuff, and diehards (and I speak as one…

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Review of 13th (2016)

By Jason Bailey (832) for Flavorwire (598) on 01 Oct 2016

13th' is fair - or, to be more precise, that no one gets away clean…

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Review of American Honey (2016)

By Jason Bailey (832) for Flavorwire (598) on 01 Oct 2016

It feels, like Arnold's work so often does, homemade, and I'm not sure whether they actually just popped a skeleton crew into a second van…

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Review of Valley of the Dolls (1967)

By Jason Bailey (832) for Flavorwire (598) on 01 Oct 2016

It has much of what we require from truly great camp; namely, it takes itself with utter seriousness, and the further it goes down that rabbit…

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Review of La La Land (2016)

By Jason Bailey (832) for Flavorwire (598) on 17 Sep 2016

It navigates a delicate line between all of that stylized jazz and an honest-to-God relationship drama, with scenes of conflict and disappointment…

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Review of Into the Inferno (2016)

By Jason Bailey (832) for Flavorwire (598) on 17 Sep 2016

It is, as usual, a fascinating free-form essay, with stunning visuals, thoughtful voice-overs, and a few persona-generated giggles…

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Review of Blair Witch (2016)

By Jason Bailey (832) for Flavorwire (598) on 17 Sep 2016

It's less a sequel or a reboot than a remake, but without the freshness of the stylistic and marketing hooks that made the first one so memorable…

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Review of The Assignment (2016)

By Jason Bailey (832) for Flavorwire (598) on 17 Sep 2016

Politics of sex and gender aside, '(re)ASSIGNMENT' is junk…

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Review of Una (2017)

By Jason Bailey (832) for Flavorwire (598) on 17 Sep 2016

This is a hard, difficult movie. But it's vital…

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Review of The Handmaiden (2016)

By Jason Bailey (832) for Flavorwire (598) on 17 Sep 2016

He's in such supreme command of his craft that to watch 'The Handmaiden' is to watch a man drunk on the joy of movie-making - and to share…

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Review of The Bad Batch (2017)

By Jason Bailey (832) for Flavorwire (598) on 17 Sep 2016

It's one of those movies that plays like they simply filmed the director's notebooks rather than a script…

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Review of Sully (2016)

By Jason Bailey (832) for Flavorwire (598) on 17 Sep 2016

For the most part, Eastwood's no-frills approach works…

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Review of Loving (2016)

By Jason Bailey (832) for Flavorwire (598) on 17 Sep 2016

Nichols knows that the key to his film is to just tell their story, simply and directly, and let the other stuff take care of itself…

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Review of Free Fire (2017)

By Jason Bailey (832) for Flavorwire (598) on 17 Sep 2016

It's basically an excuse for director Wheatley to execute an hour-long shoot-out…

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Review of The B-Side: Elsa Dorfman's Portrait Photography (2017)

By Jason Bailey (832) for Flavorwire (598) on 17 Sep 2016

It's a film with much to say, about the shifting winds of technology, the challenges of art that stands the tests of time, and how we choose…

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Review of Nocturnal Animals (2016)

By Jason Bailey (832) for Flavorwire (598) on 17 Sep 2016

Sleek and crisp, as is Ford's style, but with scenes of domestic terror and toxic masculinity so tautly rendered, you sort of wish he'd just…

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