Movie Reviews Published by Film Inquiry - Page 10 of 64

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Review of Ash Is Purest White (2018)

By Tomas Trussow (247) for Film Inquiry (1,269) on 24 Sep 2018

As the running time of Ash is Purest White ticks away, Jia meditates on the purgatorial hellscape that ensues when modernity outpaces and overtakes…

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Review of Destination Wedding (2018)

By Kristy Strouse (51) for Film Inquiry (1,269) on 24 Sep 2018

When the occasion calls for it, Destination Wedding has the capacity to be entertaining, but it is too smart and too sardonic for its own good…

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Review of A Simple Favor (2018)

By Linsey Satterthwaite (7) for Film Inquiry (1,269) on 24 Sep 2018

You can see what Paul Feig was reaching for; a cheeky, sexy mystery, the diet coke version of Gone Girl…

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Review of Hold the Dark (2018)

By Alistair Ryder (351) for Film Inquiry (1,269) on 24 Sep 2018

Hold the Dark proves that Jeremy Saulnier can lend a violent unpredictability to even the most familiar of thrillers…

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Review of The Land of Steady Habits (2018)

By Emily Wheeler (32) for Film Inquiry (1,269) on 23 Sep 2018

It's only in minute moments that the film does anything very remarkable, and even then it's only the kind of pleasures that flit by - tiny…

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Review of Tell It to the Bees (2019)

By Tomas Trussow (247) for Film Inquiry (1,269) on 20 Sep 2018

It's a bit hard to take it seriously when the climax literally involves semi-sentient bees acting as an angry deus ex machina, stopping the…

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Review of Mara (2018)

By Frank H. Wu (3) for Film Inquiry (1,269) on 20 Sep 2018

This particular outing will satisfy an audience that enjoys jitters, with just enough scares that as you leave the theatre you might dread…

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Review of I Am Not a Witch (2017)

By Lee Jutton (73) for Film Inquiry (1,269) on 20 Sep 2018

I Am Not a Witch, while suffused with a thread of dark humor, is a furious indictment of the way society continues to treat women and girls…

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Review of King of Thieves (2018)

By Nathan Osborne (34) for Film Inquiry (1,269) on 20 Sep 2018

Wearing its influences on its sleeve, The King of Thieves decides to cash in on the genre's previous glories while forgetting to bring any…

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Review of Destroyer (2018)

By Tomas Trussow (247) for Film Inquiry (1,269) on 20 Sep 2018

There's either a flatlining of action or sudden graphic violence, with the middle occupied by the hazy tedium of the past…

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Review of The Toybox (2018)

By Kristy Strouse (51) for Film Inquiry (1,269) on 18 Sep 2018

The Toybox rises above being completely predictable with some interesting cinematic choices, and the decision to be unapologetically gruesome…

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Review of Widows (2018)

By Tomas Trussow (247) for Film Inquiry (1,269) on 18 Sep 2018

You cannot say no to any trio that involves Davis, Debicki and Kaluuya, and so, no matter how perfunctory and predictable Widows can be at…

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Review of First Man (2018)

By Tomas Trussow (247) for Film Inquiry (1,269) on 18 Sep 2018

Maybe twenty years ago, in the age of Titanic and Apollo 13, it would've been seen as groundbreaking. Nowadays, it's all a bit too stuffy and proper…

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Review of Roma (2018)

By Tomas Trussow (247) for Film Inquiry (1,269) on 18 Sep 2018

There's hardly a frame in Roma that doesn't make you sit up and take notice…

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Review of High Life (2018)

By Tomas Trussow (247) for Film Inquiry (1,269) on 18 Sep 2018

Even when Denis preps us to have a chuckle, she is quick to remind us that we're not going to get a campy cult classic out of her…

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Review of Sierra Burgess Is a Loser (2018)

By Adriana Gomez-Weston (12) for Film Inquiry (1,269) on 17 Sep 2018

Following the controversial release of the show Insatiable, Sierra Burgess is a Loser provides a message about body positivity and shows that…

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Review of If Beale Street Could Talk (2018)

By Tomas Trussow (247) for Film Inquiry (1,269) on 17 Sep 2018

The poetry and poise of this film affected me like none other…

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Review of The Wife (2017)

By Alistair Ryder (351) for Film Inquiry (1,269) on 16 Sep 2018

Glenn Close is a veteran whose body of work shows how deserving she is of an Academy Award - but it would be a travesty if this were the vehicle…

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Review of Can You Ever Forgive Me? (2018)

By Tomas Trussow (247) for Film Inquiry (1,269) on 14 Sep 2018

The bulk of the film's success, however, can be traced to Heller…

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Review of The Angel (2018)

By Josh Martin (34) for Film Inquiry (1,269) on 14 Sep 2018

It's a sporadically interesting, mostly dull history lesson…

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