Movie Reviews Published by Eye for Film - Page 36 of 77

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Review of Welcome to Leith (2015)

By Amber Wilkinson (674) for Eye for Film (1,537) on 16 Feb 2015

Unsettling, probing and smart, they may only be looking at a town of 24 but this film has implications for people across the world…

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Review of A Gay Girl in Damascus: The Amina Profile (2015)

By Amber Wilkinson (674) for Eye for Film (1,537) on 06 Feb 2015

Director Sophie Deraspe brings a strong sense of the cinematic to what, on paper, looks like a poor candidate for it…

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Review of Dreamcatcher (2015)

By Amber Wilkinson (674) for Eye for Film (1,537) on 04 Feb 2015

Unflinching but uplifting, Longinotto's film shows how even one person, if they put their minds to it, can make an enormous difference…

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Review of The End of the Tour (2015)

By Amber Wilkinson (674) for Eye for Film (1,537) on 04 Feb 2015

Ponsoldt's film is more interested in what lies beneath the skin of the men than the covers of the book…

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Review of A Walk in the Woods (2015)

By Amber Wilkinson (674) for Eye for Film (1,537) on 04 Feb 2015

One of the hardest things to find to recommend to people is a good mainstream film, not aimed at children, that involves no violence or untimely…

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Review of What Happened, Miss Simone? (2015)

By Amber Wilkinson (674) for Eye for Film (1,537) on 25 Jan 2015

More like a primer on her life than an in-depth study…

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Review of The Bronze (2016)

By Amber Wilkinson (674) for Eye for Film (1,537) on 25 Jan 2015

The foul-mouthed nature of half the film - during which the writers seem to be under the mistaken idea that if one swear word is funny, then…

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Review of The Witch (2016)

By Amber Wilkinson (674) for Eye for Film (1,537) on 25 Jan 2015

Eggers draws fully on the iconography of the period, the muted greys and greens of the landscape captured by cinematographer Jarin Blaschke…

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Review of Point and Shoot (2014)

By Amber Wilkinson (674) for Eye for Film (1,537) on 13 Jan 2015

As a study of one man's narcissistic motivations, Curry's film is taut but the bigger picture remains frustratingly out of reach…

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Review of Point and Shoot (2016)

By Amber Wilkinson (674) for Eye for Film (1,537) on 13 Jan 2015

As a study of one man's narcissistic motivations, Curry's film is taut but the bigger picture remains frustratingly out of reach…

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Review of Blue Ruin (2014)

By Amber Wilkinson (674) for Eye for Film (1,537) on 05 Jan 2015

Visually arresting, impressively taut and enjoyably idiosyncratic, Saulnier - who did his own cinematography -- marks himself out as a director…

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Review of Wild (2014)

By Jennie Kermode (588) for Eye for Film (1,537) on 05 Jan 2015

The humour in this film is gently underplayed so not everyone will get it, but it's more endearing as a result…

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Review of The Theory of Everything (2014)

By Jennie Kermode (588) for Eye for Film (1,537) on 05 Jan 2015

Prettily shot and glossily produced, this is a film that's easy to like but equally easy to forget, being almost entirely content free…

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Review of Nightcrawler (2014)

By Donald Munro (227) for Eye for Film (1,537) on 04 Jan 2015

Although far from subtle, the metaphor of man as corporation is skillfully hidden behind black comedy, intense action and artful cinematography…

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Review of Nas: Time Is Illmatic (2014)

By Amber Wilkinson (674) for Eye for Film (1,537) on 04 Jan 2015

The result, directed by graffiti artist and first-time director One9 is less an ordered history of facts than an emotional snapshot of the…

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Review of Birdman or (The Unexpected Virtue of Ignorance) (2014)

By Jennie Kermode (588) for Eye for Film (1,537) on 02 Jan 2015

There's some great black comedy here, at times spectacularly cruel. The whole, however, is at least half an hour too long and stymied by pomposity…

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Review of Birdman (2015)

By Jennie Kermode (588) for Eye for Film (1,537) on 02 Jan 2015

There's some great black comedy here, at times spectacularly cruel. The whole, however, is at least half an hour too long and stymied by pomposity…

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Review of Enter the Dangerous Mind (2013)

By Anton Bitel (1,340) for Eye for Film (1,537) on 30 Dec 2014

Edited, like one of Jim's musical tracks, with a violent percussiveness, Snap builds to the explosive conclusion that its title promises while…

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Review of What We Do in the Shadows (2014)

By Anton Bitel (1,340) for Eye for Film (1,537) on 17 Nov 2014

89 minutes of sharp mockumentary hilarity, exposing the oddest of horror motifs and myths to a puncturing modernity…

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Review of A Second Chance (2015)

By Amber Wilkinson (674) for Eye for Film (1,537) on 28 Oct 2014

Everything feels contrived, overblown and - perhaps the worst sin you can lay at the door of a psychological thriller - utterly predictable…

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