Movie Reviews Published by Eye for Film - Page 18 of 77

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Review of A Family Man (2016)

By Jennie Kermode (588) for Eye for Film (1,537) on 27 Jul 2017

The boy's suffering certainly serves the classic disabled-person-as-inspiration function for his father, whilst the boy himself gains nothing…

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Review of Tom of Finland (2017)

By Amber Wilkinson (674) for Eye for Film (1,537) on 27 Jul 2017

Although much of Laaksonen's work was hardcore, Karukoski doesn't seek to 'shock' audiences with outrageousness, instead gracefully zoning…

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Review of Fritz Lang (2016)

By Jennie Kermode (588) for Eye for Film (1,537) on 27 Jul 2017

In telling this tale, Maugg illustrates his own command of the Expressionist form, an approach that is at its most delightful when scenes from…

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Review of Kung Fu Yoga (2017)

By Jennie Kermode (588) for Eye for Film (1,537) on 27 Jul 2017

Gleefully helping itself to whatever seems fun at the time, Kung Fu Yoga captures the matinee spirit perfectly…

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Review of Leviathan: The Story of Hellraiser and Hellbound: Hellraiser II (2015)

By Jennie Kermode (588) for Eye for Film (1,537) on 27 Jul 2017

Fans will find a lot to interest them but there is also a good deal here that could have been edited out and the talking head format doesn't…

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Review of Bad Day for the Cut (2017)

By Amber Wilkinson (674) for Eye for Film (1,537) on 26 Jul 2017

Baugh and his co-writer Brendan Mullin have a good feel for how they can push the absurdity of the situation without turning the whole thing…

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Review of Where Is Kyra? (2018)

By Amber Wilkinson (674) for Eye for Film (1,537) on 24 Jul 2017

This is life on a knife-edge and it cuts accordingly…

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Review of In Syria (2017)

By Amber Wilkinson (674) for Eye for Film (1,537) on 23 Jul 2017

What happens next is intended to highlight a moral crisis…

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Review of Bitch (2017)

By Jennie Kermode (588) for Eye for Film (1,537) on 20 Jul 2017

Bitch takes a challenging premise and turns it into the smartest left-of-field take on mental health issues since Frank…

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Review of Replace (2017)

By Jennie Kermode (588) for Eye for Film (1,537) on 20 Jul 2017

The core of the film is strong, and details around the interrelation of age, beauty, pain, identity and social status are well observed…

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Review of Shock Wave (2017)

By Jennie Kermode (588) for Eye for Film (1,537) on 20 Jul 2017

Yau stands out in the Hong Kong crowd for his willingness to blend two very different styles of filmmaking: the traditional Chinese epic drama…

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Review of Bitch (2017)

By Jennie Kermode (588) for Eye for Film (1,537) on 20 Jul 2017

Bitch takes a challenging premise and turns it into the smartest left-of-field take on mental health issues since Frank…

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Review of Westfront 1918 (1930)

By Jennie Kermode (588) for Eye for Film (1,537) on 20 Jul 2017

Often challenging for a modern audience to engage with, and never an easy watch, this is one for the connoisseurs and for those seeking to…

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Review of England Is Mine (2017)

By Amber Wilkinson (674) for Eye for Film (1,537) on 17 Jul 2017

Throughout the film, there's a feeling that the writers are picking their way gingerly through a minefield of possible problems, thereby failing…

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Review of The Little Hours (2017)

By Amber Wilkinson (674) for Eye for Film (1,537) on 16 Jul 2017

The piecemeal nature of Giovanni Boccaccio's source material only adds to the sketch show feel, with as many moments missing the mark as hitting it…

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Review of Blind (2017)

By Jennie Kermode (588) for Eye for Film (1,537) on 13 Jul 2017

Moore, so often miscast in her youth, has been waiting a long time for a role like the one she has here…

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Review of Santoalla (2016)

By Amber Wilkinson (674) for Eye for Film (1,537) on 12 Jul 2017

Though the middle of the film becomes rather to languorous for its own good, a sudden late injection of pace and incident forcefully restores…

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Review of City of Ghosts (2017)

By Amber Wilkinson (674) for Eye for Film (1,537) on 12 Jul 2017

Heineman and the powerful footage captured by RBBSS, remind us that the deaths aren't just news statistics, each one carries a human face…

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Review of Battle Scars (2017)

By Jennie Kermode (588) for Eye for Film (1,537) on 11 Jul 2017

The result is a film weighed down by its own efforts to be meaningful…

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Review of God's Own Country (2017)

By Amber Wilkinson (674) for Eye for Film (1,537) on 18 Jun 2017

Joshua James Richards is, after Songs My Brothers Taught Me and this, a cinematographer to watch, who grasps the wildness of open spaces with…

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