Movie Reviews Published by Eye for Film - Page 13 of 77

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Review of Dolores (2017)

By Jennie Kermode (588) for Eye for Film (1,537) on 30 Nov 2017

Seem[s] fairly formulaic with its linear narrative and mixture of talking heads with archive footage, but it is significant both in raising…

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Review of Dolores (2017)

By Jennie Kermode (588) for Eye for Film (1,537) on 30 Nov 2017

Seem[s] fairly formulaic with its linear narrative and mixture of talking heads with archive footage, but it is significant both in raising…

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Review of Inoperable (2017)

By Jennie Kermode (588) for Eye for Film (1,537) on 30 Nov 2017

Much of it seems to be chaos for chaos' sake, with the punk aesthetic of the final credits suggesting that this was expected to be a lot more…

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Review of The Song of Sway Lake (2019)

By Jennie Kermode (588) for Eye for Film (1,537) on 29 Nov 2017

Melodies like this find magic in the familiar. Song Of Sway Lake is a film built around American archetypes…

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Review of A Blade in the Dark (1983)

By Jennie Kermode (588) for Eye for Film (1,537) on 21 Nov 2017

There are real scares along the way ... and Bava shows an early mastery of tension…

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Review of The Work (2017)

By Jennie Kermode (588) for Eye for Film (1,537) on 21 Nov 2017

Filming almost entirely within one room over just four days, directors Jairus McLeary and Gethin Aldous have captured something remarkable…

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Review of Vampariah (2016)

By Jennie Kermode (588) for Eye for Film (1,537) on 21 Nov 2017

It bites off much more than it can chew but deserves credit for doing something different and for the verve with which it goes about that…

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Review of Better Watch Out (2017)

By Jennie Kermode (588) for Eye for Film (1,537) on 21 Nov 2017

Every detail in this film has been beautifully realised, giving it a timeless quality that's likely to make it a seasonal favourite to rival…

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Review of Fall of Grace (2017)

By Jennie Kermode (588) for Eye for Film (1,537) on 16 Nov 2017

One can only hope that it was a learning experience…

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Review of The Unseen (2017)

By Jennie Kermode (588) for Eye for Film (1,537) on 16 Nov 2017

Overall, there's a polished quality to it that's relatively rare in British film, and its story unspools in a fluent way that's likely to keep…

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Review of Split (2017)

By Jennie Kermode (588) for Eye for Film (1,537) on 16 Nov 2017

This is Shyamalan laughing at his own joke: the idea that people who don't have to will watch this…

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Review of Five Dolls for an August Moon (1970)

By Jennie Kermode (588) for Eye for Film (1,537) on 16 Nov 2017

Flawed as it is, for those with a fondness for Sixties excess, it's a treat…

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Review of The Unseen (2017)

By Jennie Kermode (588) for Eye for Film (1,537) on 16 Nov 2017

Overall, there's a polished quality to it that's relatively rare in British film, and its story unspools in a fluent way that's likely to keep…

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Review of AlphaGo (2017)

By Jennie Kermode (588) for Eye for Film (1,537) on 16 Nov 2017

To understand go is to understand the universe, the old saying goes…

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Review of Sweet Virginia (2017)

By Jennie Kermode (588) for Eye for Film (1,537) on 15 Nov 2017

Cinema as complete as this is a rare treasure. Sweet Virginia is spellbinding…

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Review of Mr. Roosevelt (2017)

By Jennie Kermode (588) for Eye for Film (1,537) on 15 Nov 2017

A bitter yet affectionate comedy that delights in awkward situations, Mr Roosevelt is limited in its ambition but, as a result, gives this…

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Review of Numb (2015)

By Jennie Kermode (588) for Eye for Film (1,537) on 10 Nov 2017

Overall the pacing is good and there's enough tension to keep things interesting…

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Review of Numb (2016)

By Jennie Kermode (588) for Eye for Film (1,537) on 10 Nov 2017

Overall the pacing is good and there's enough tension to keep things interesting…

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Review of Demons (2017)

By Jennie Kermode (588) for Eye for Film (1,537) on 08 Nov 2017

Demons is a great ride, ostensibly silly but with a lot more darkness underneath the surface…

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Review of Murder on the Orient Express (2017)

By Amber Wilkinson (674) for Eye for Film (1,537) on 03 Nov 2017

If Ustinov emphasised the humour of Poirot and Suchet the meticulousness, Branagh manages to bridge the two, while also bringing an unexpected…

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