Movie Reviews Published by Empire - Page 18 of 173

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Review of Munich - The Edge of War (2021)

By Ian Freer (515) for Empire (3,446) on 06 Jan 2022

An enjoyable World War II spy flick, Munich: The Edge Of War scores with strong performances and filmmaking craft, but is let down by a lack…

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Review of The 355 (2022)

By Helen O'hara (407) for Empire (3,446) on 06 Jan 2022

The chases, fights and fun bits of spy craft are brightly and pacily shot, but the 'twists' are barely surprising…

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Review of The Electrical Life of Louis Wain (2021)

By Amon Warmann (68) for Empire (3,446) on 03 Jan 2022

Too often The Electrical Life Of Louis Wain favours eccentricity over actual insight…

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Review of The Humans (2021)

By Alex Godfrey (59) for Empire (3,446) on 30 Dec 2021

There’s palpable dread throughout this stagey but nevertheless evocative whirlwind of dysfunction…

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Review of Licorice Pizza (2021)

By John Nugent (191) for Empire (3,446) on 30 Dec 2021

Looser and funnier than his recent efforts, sharper and more formally assured than his earliest films, this is Paul Thomas Anderson operating…

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Review of Titane (2021)

By Hanna Flint (37) for Empire (3,446) on 22 Dec 2021

Though a little messy and increasingly absurd in places, Titane is a brash body horror with intense central performances, certain to leave…

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Review of The Matrix Resurrections (2021)

By Alex Godfrey (59) for Empire (3,446) on 21 Dec 2021

Resurrections suffers from an identity crisis, going from being supremely fun and knowing to weirdly pedestrian…

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Review of Spider-Man: No Way Home (2021)

By Dan Jolin (289) for Empire (3,446) on 15 Dec 2021

A monumentally successful Spider-instalment which pulls off a tricky and ambitious narrative trick with all the grace of a balcony-top backflip…

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Review of The King's Man (2021)

By Olly Richards (291) for Empire (3,446) on 14 Dec 2021

Vaughn gets a lot of points for imagination, but then quite a lot taken away for not knowing when to stop…

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Review of Swan Song (2021)

By Nikki Baughan (240) for Empire (3,446) on 14 Dec 2021

Exceptional near-future production design and a strong dual performance from Mahershala Ali as a man and his clone fuel Benjamin Cleary’s…

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Review of The Tender Bar (2021)

By Ian Freer (515) for Empire (3,446) on 14 Dec 2021

What The Tender Bar lacks in dramatic heft and originality, it makes up for in warmth, geniality and a clutch of great performances — chiefly…

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Review of The Lost Daughter (2021)

By Ella Kemp (95) for Empire (3,446) on 14 Dec 2021

What could have been little more than an acting showcase for a reliable ensemble fully sings: a sophisticated, seductive, slightly unwieldy…

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Review of Lamb (2021)

By Ian Freer (515) for Empire (3,446) on 09 Dec 2021

Centred by a committed, affecting performance by Noomi Rapace, Lamb gets over its longueurs and missteps with interesting ideas, filmmaking…

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Review of Wrath of Man (2021)

By Nick De Semlyen (166) for Empire (3,446) on 09 Dec 2021

Guy Ritchie delivers a nice surprise: an LA neo-noir with high-voltage action and an ice-cube-cool Statham…

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Review of LAMB (2021)

By Ian Freer (515) for Empire (3,446) on 09 Dec 2021

Centred by a committed, affecting performance by Noomi Rapace, Lamb gets over its longueurs and missteps with interesting ideas, filmmaking…

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Review of Clifford the Big Red Dog (2021)

By Ben Travis (84) for Empire (3,446) on 09 Dec 2021

A sort of kiddie creature-feature with a big red heart, Clifford offers solid family fare with moments of throwback charm…

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Review of Being the Ricardos (2021)

By Olly Richards (291) for Empire (3,446) on 07 Dec 2021

The things Sorkin is criticised for — grand speeches, an earnest streak — are the things that make his work sing when the context is right…

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Review of Don't Look Up (2021)

By Ian Freer (515) for Empire (3,446) on 07 Dec 2021

Don’t Look Up takes the pulse of contemporary life and finds it crazy, scary and, most of all, funny…

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Review of Blue Bayou (2021)

By Pamela Hutchinson (21) for Empire (3,446) on 03 Dec 2021

Multi-hyphenate Justin Chon has crafted an impressive melodrama, rich in Louisiana atmosphere and with a timely message, but Blue Bayou is…

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Review of The Hand of God (2021)

By Alex Godfrey (59) for Empire (3,446) on 03 Dec 2021

This charmingly odd tribute to Sorrentino’s formative years is slighter than it possibly deserves to be, but when it’s this handsome, who…

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