Movie Reviews Published by El Pais (Spain) - Page 17 of 26

321-340 of 511 Reviews

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Review of Death in Sarajevo (2016)

By Jordi Costa (207) for El Pais (Spain) (511) on 03 Feb 2017

Its stylistic vigor in the characterization of that mafia underground instrumentalized by the hotel director, and the forced scene of sexual…

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Review of Manchester by the Sea (2016)

By Carlos Boyero (70) for El Pais (Spain) (511) on 03 Feb 2017

A self-indulgent and irritating film of someone bent on telling a tragedy in a different way, stripping it of melodramatic resources…

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Review of Billy Lynn's Long Halftime Walk (2016)

By Javier Ocaña (196) for El Pais (Spain) (511) on 01 Feb 2017

A comical and terrifying satire of the American way of life, which indicates that stories about returning from war may be entering a new dimension…

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Review of Split (2017)

By Jordi Costa (207) for El Pais (Spain) (511) on 01 Feb 2017

Shyamalan does something that, in other hands, would be an annoying narcissistic gesture: a self-citation that radically transforms the identity…

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Review of Lion (2015)

By Javier Ocaña (196) for El Pais (Spain) (511) on 01 Feb 2017

A conventional film with strong tendencies towards being tearful and musical. [Full review in Spanish]…

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Review of Dog Eat Dog (2016)

By Javier Ocaña (196) for El Pais (Spain) (511) on 01 Feb 2017

A film full of social criticism that perhaps gets lost in an uncontrolled sea, with surprisingly calm interpretations, ends up being defined…

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Review of Lion (2016)

By Javier Ocaña (196) for El Pais (Spain) (511) on 01 Feb 2017

A conventional film with strong tendencies towards being tearful and musical. [Full review in Spanish]…

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Review of Shin Godzilla (2016)

By Jordi Costa (207) for El Pais (Spain) (511) on 23 Jan 2017

A film that marks the comeback of an iconic creature, resulting in almost the opposite of what the American tradition considers a monster movie…

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Review of Toni Erdmann (2016)

By Carlos Boyero (70) for El Pais (Spain) (511) on 23 Jan 2017

A bittersweet and unusual comedy that, although it could have been shorter, it has been a pleasant and delicious time being with its characters…

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Review of Hidden Figures (2016)

By Jordi Costa (207) for El Pais (Spain) (511) on 23 Jan 2017

A film that reveals the stories of its protagonists in three well compartmentalized plots and as calculated towards its objective as the trajectory…

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Review of Monster Trucks (2016)

By Jordi Costa (207) for El Pais (Spain) (511) on 17 Jan 2017

A luminous and fortunate film around the memory of eighties cinema. [Full review in Spanish]…

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Review of Masterminds (2016)

By Javier Ocaña (196) for El Pais (Spain) (511) on 17 Jan 2017

A comedy that is entertaining thanks to its interpreters, but it ends up being more effective in its social analysis between white aristocracy…

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Review of Why Him? (2016)

By Javier Ocaña (196) for El Pais (Spain) (511) on 16 Jan 2017

A romantic comedy with disparate characters, in which we can see that times are changing and now the father of the bride passes from being…

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Review of Underworld: Blood Wars (2016)

By Jordi Costa (207) for El Pais (Spain) (511) on 16 Jan 2017

It's still surprising that, at this point, an actress like Kate Beckinsale hasn't had enough of a flat and vainly tormented character as the…

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Review of La La Land (2016)

By Carlos Boyero (70) for El Pais (Spain) (511) on 16 Jan 2017

A film that starts as an explosion of therapeutic vitality with contagious dance and music admirably filmed while telling a playful and warm…

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Review of The Autopsy of Jane Doe (2016)

By Jordi Costa (207) for El Pais (Spain) (511) on 16 Jan 2017

A horror film that dramatizes the destruction of masculine rationality. [Full review in Spanish]…

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Review of Silence (2017)

By Carlos Boyero (70) for El Pais (Spain) (511) on 12 Jan 2017

A monotonous film that will make you wish that something unnecessarily dilated ends once for all. [Full review in Spanish]…

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Review of Silence (2016)

By Carlos Boyero (70) for El Pais (Spain) (511) on 12 Jan 2017

A monotonous film that will make you wish that something unnecessarily dilated ends once for all. [Full review in Spanish]…

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Review of Pelé: Birth of a Legend (2016)

By Javier Ocaña (196) for El Pais (Spain) (511) on 03 Jan 2017

A documentary that abuses circus juggling, ending with the absurd effort to ridicule certain aspects of the player. [Full review in Spanish]…

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Review of Passengers (2016)

By Jordi Costa (207) for El Pais (Spain) (511) on 02 Jan 2017

Passengers' starts as a promising sci-fi story and closes as a heartbreaking and routinely romantic comedy. [Full review in Spanish]…

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