Movie Reviews Published by Consequence - Page 12 of 15

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Review of A Quiet Place Part II (2021)

By Clint Worthington (295) for Consequence (296) on 18 May 2021

For all the unexpected charms of Emmett and Regan’s Last of Us-esque trek to salvation through an apocalyptic wasteland, Part II feels a…

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Review of Spiral: From the Book of Saw (2021)

By Clint Worthington (295) for Consequence (296) on 12 May 2021

Spiral is a frustrating animal: In its first half, it styles itself as a prestige sequel/revamp of a cult horror series, lifting it from its…

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Review of Army of the Dead (2021)

By Clint Worthington (295) for Consequence (296) on 11 May 2021

Snyder’s momentum starts to lose steam around the 90-minute mark, and there are too many kooky concepts left frustratingly unexplored…

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Review of What Drives Us (2021)

By Clint Worthington (295) for Consequence (296) on 29 Apr 2021

In What Drives Us, Grohl reminds us of the transcendent, transformative power of live music on both sides of the stage and makes the itch to…

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Review of Tom Clancy's Without Remorse (2021)

By Blake Goble (229) for Consequence (296) on 28 Apr 2021

Many shots fired, all of them misses. This is a film without quality, care, or any real decency…

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Review of Stowaway (2021)

By Lauren J. Coates (21) for Consequence (296) on 22 Apr 2021

Though it often feels like the safest, most predictable version of the film we could’ve gotten, Stowaway is a tense, chilling space thriller…

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Review of Mortal Kombat (2021)

By Blake Goble (229) for Consequence (296) on 22 Apr 2021

Freneticism like this isn’t for everyone. But as far as martial arts epics go, MK is a high-gloss geek show that repeatedly delivers…

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Review of Stowaway (2021)

By Lauren J. Coates (21) for Consequence (296) on 22 Apr 2021

Though it often feels like the safest, most predictable version of the film we could’ve gotten, Stowaway is a tense, chilling space thriller…

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Review of Thunder Force (2021)

By Blake Goble (229) for Consequence (296) on 09 Apr 2021

Better than My Super-Ex Girlfriend, sloppier than Hancock, it’s nothing dynamic but fun all the same…

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Review of Jakob's Wife (2021)

By Jenn Adams (13) for Consequence (296) on 07 Apr 2021

Jakob’s Wife is a fun throwback to gory vampire horror, but its gory surface covers some troubling implications…

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Review of Shiva Baby (2021)

By Lauren J. Coates (21) for Consequence (296) on 02 Apr 2021

Paced to perfection and grounded by a magnetic leading performance, Shiva Baby is as painfully awkward as it is impossible to look away from…

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Review of Charli XCX: Alone Together (2022)

By Rachel Reeves (2) for Consequence (296) on 21 Mar 2021

Highlighting the reciprocal nature that many musicians share with their fans in unprecedented fashion, the film’s raw and authentic approach…

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Review of Tom Petty, Somewhere You Feel Free (2021)

By Clint Worthington (295) for Consequence (296) on 20 Mar 2021

Somewhere You Feel Free is a beautiful musical tribute to one of rock’s greatest figures, gone all too soon…

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Review of Swan Song (2021)

By Rachel Reeves (2) for Consequence (296) on 19 Mar 2021

Even when the narrative strays or lingers a few moments too long, it is Kier that reels it back in…

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Review of Coda (2021)

By Clint Worthington (295) for Consequence (296) on 09 Feb 2021

Maybe the formulas we’re so used to will be exactly the vehicle to introduce general audiences to the lived experiences of a community criminally…

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Review of The World to Come (2021)

By Valerie Complex (58) for Consequence (296) on 09 Feb 2021

The performances and Fastvold’s poetic and intimate direction make it worth the watch. Perhaps next time, though, she’ll write the script…

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Review of CODA (2021)

By Clint Worthington (295) for Consequence (296) on 09 Feb 2021

Maybe the formulas we’re so used to will be exactly the vehicle to introduce general audiences to the lived experiences of a community criminally…

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Review of Prisoners of the Ghostland (2021)

By Clint Worthington (295) for Consequence (296) on 04 Feb 2021

The question is whether its lol-random approach will appeal to you, or whether its giddy need to throw everything at the wall just flattens…

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Review of John and the Hole (2021)

By Joe Lipsett (87) for Consequence (296) on 02 Feb 2021

John and the Hole is more of a collection of memorably uncomfortable scenes as opposed to a cohesive (w)hole…

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Review of Passing (2021)

By Valerie Complex (58) for Consequence (296) on 02 Feb 2021

There just isn’t enough clarity to properly gauge what Passing is trying to say and who it’s for beyond the dazzling portraits and memorable…

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