Movie Reviews Published by Consequence of Sound - Page 22 of 72

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Review of Fahrenheit 451 (2018)

By Michael Roffman (138) for Consequence of Sound (1,431) on 16 May 2018

The movie is about as hollow as a prop book…

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Review of Solo: A Star Wars Story (2018)

By Michael Roffman (138) for Consequence of Sound (1,431) on 14 May 2018

Whether we follow Han Solo through hyperspace for more adventures is up to Disney, but what we got here is enough to keep us coming back again…

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Review of Deadpool 2 (2018)

By Dominick Suzanne-Mayer (260) for Consequence of Sound (1,431) on 14 May 2018

Deadpool 2 likes to situate itself as the subversive alternative to so many bloated X-Men films, with all their grave self-importance and bombastic…

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Review of Searching (2018)

By Dominick Suzanne-Mayer (260) for Consequence of Sound (1,431) on 10 May 2018

It's a testament to how well-made the film is that the mystery always remains far more engrossing than the showy gimmick…

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Review of Bodied (2018)

By Dominick Suzanne-Mayer (260) for Consequence of Sound (1,431) on 09 May 2018

It’s a provocation, and for the most part, it’s an effective one…

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Review of Dark Crimes (2016)

By Randall Colburn (93) for Consequence of Sound (1,431) on 09 May 2018

The only subtlety to be found is in the performance of singer and actress Charlotte Gainsbourg, though it’s her co-star, Jim Carrey, who…

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Review of Life of the Party (2018)

By Blake Goble (229) for Consequence of Sound (1,431) on 09 May 2018

Life of the Party exists in one of those unfortunate places where it’s easy to criticize, but McCarthy still makes you smile, and even laugh…

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Review of Fast Color (2019)

By Dominick Suzanne-Mayer (260) for Consequence of Sound (1,431) on 08 May 2018

It’s intelligent, frequently resonant, and even wryly funny at points in its own weary way…

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Review of Terminal (2018)

By Clint Worthington (295) for Consequence of Sound (1,431) on 08 May 2018

Drawing from a host of late-nineties influences but doing nothing with them, Terminal is little more than a shallow exercise in dated crime…

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Review of Damsel (2018)

By Michael Roffman (138) for Consequence of Sound (1,431) on 06 May 2018

Narratively, the Zellners are always looking to zag, and while that leads to some surprising passages, not all of them are safe…

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Review of Anon (2018)

By Blake Goble (229) for Consequence of Sound (1,431) on 06 May 2018

While the film’s final thesis is a Facebook post with typos at best (delete your accounts, and so on), Niccol is still terrific when he’s…

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Review of Revenge (2017)

By Michael Roffman (138) for Consequence of Sound (1,431) on 06 May 2018

Revenge is one big fuck you to a genre that has treated women like meat — often literally — and she takes back the reigns with incredible…

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Review of Revenge (2017)

By Michael Roffman (138) for Consequence of Sound (1,431) on 06 May 2018

Fargeat spares no expense with the gore, sending the film's heroes and villains through the ringer, from gutsy shotgun blasts to gaping foot…

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Review of Tully (2018)

By Clint Worthington (295) for Consequence of Sound (1,431) on 01 May 2018

Theron’s a perfect avatar for Cody’s irrepressible empathy for her subjects, wounded and loving in equal measure, and she’s hardly been…

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Review of RBG (2018)

By Caroline Siede (75) for Consequence of Sound (1,431) on 01 May 2018

There’s certainly an argument to be made that Ginsburg’s patient “one step at a time” philosophy is no longer the ideal approach, especially…

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Review of The Week Of (2018)

By Blake Goble (229) for Consequence of Sound (1,431) on 28 Apr 2018

The Week Of is the wedding you forgot you were invited to, weren’t all that stoked to attend, then wound up loving anyway because you had…

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Review of The Rider (2018)

By Clint Worthington (295) for Consequence of Sound (1,431) on 25 Apr 2018

The Rider is nothing short of a masterpiece, an elegant work of cinematic poetry that elevates the everyday struggles of real people to the…

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Review of Avengers: Infinity War (2018)

By Dominick Suzanne-Mayer (260) for Consequence of Sound (1,431) on 24 Apr 2018

It’s exhausting, but it’s also frequently effective…

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Review of Paterno (2018)

By Clint Worthington (295) for Consequence of Sound (1,431) on 18 Apr 2018

When something as world-shattering as this scandal comes along, [Al] Pacino deliberately drains his signature verve from Paterno, playing up…

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Review of I Feel Pretty (2018)

By Caroline Siede (75) for Consequence of Sound (1,431) on 17 Apr 2018

It’s easy, breezy, and centered around a core of welcome sweetness…

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