Movie Reviews Published by Consequence of Sound - Page 17 of 72

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Review of Burning (2018)

By Dominick Suzanne-Mayer (260) for Consequence of Sound (1,431) on 31 Oct 2018

This is despairing filmmaking, but also the kind that arrests the eye from its first moments…

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Review of Burning (2018)

By Dominick Suzanne-Mayer (260) for Consequence of Sound (1,431) on 31 Oct 2018

This is despairing filmmaking, but also the kind that arrests the eye from its first moments…

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Review of They'll Love Me When I'm Dead (2018)

By Blake Goble (229) for Consequence of Sound (1,431) on 31 Oct 2018

When Neville chronicles the failed work of Orson Welles, They’ll Love Me When I’m Dead comes alive with newsreel tabloid verve…

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Review of Shirkers (2018)

By Dominick Suzanne-Mayer (260) for Consequence of Sound (1,431) on 29 Oct 2018

It’s about how reality invades our dreams, and how the people we trust teach us to be less trusting as we get older…

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Review of Hunter Killer (2018)

By Randall Colburn (93) for Consequence of Sound (1,431) on 24 Oct 2018

Hunter Killer has thrills, but they’re of the cheapest variety…

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Review of Bohemian Rhapsody (2018)

By Blake Goble (229) for Consequence of Sound (1,431) on 24 Oct 2018

Bohemian Rhapsody is another lame music biopic, and its failures ultimately lie in the poor creative choices, the gutless approaches to potentially…

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Review of Beautiful Boy (2018)

By Clint Worthington (295) for Consequence of Sound (1,431) on 22 Oct 2018

Carell, Chalamet and their supporting players can only spit-shine a relatively rote addiction story so much; by the time the thrill of their…

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Review of Wildlife (2018)

By Clint Worthington (295) for Consequence of Sound (1,431) on 19 Oct 2018

The film is filled with sensitive performances that help to upend the fantasy of the nuclear family as the cure for society’s ills…

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Review of Can You Ever Forgive Me? (2018)

By Allison Shoemaker (83) for Consequence of Sound (1,431) on 19 Oct 2018

Its moments of creativity and daring, while effective and elevating, never even approach the audacity of the subject on which they center,…

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Review of What They Had (2018)

By Dominick Suzanne-Mayer (260) for Consequence of Sound (1,431) on 16 Oct 2018

What They Had is an indie drama of a familiar cut, delivered so well that you’ll forgive its smaller inconsistencies…

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Review of Apostle (2018)

By Dominick Suzanne-Mayer (260) for Consequence of Sound (1,431) on 14 Oct 2018

This is punishing filmmaking, both in its sense of overwhelming despair and in its all-too-physical violence, but what sets Apostle apart from…

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Review of The Hate U Give (2018)

By Blake Goble (229) for Consequence of Sound (1,431) on 12 Oct 2018

While it deals in the traditional melodramatics, straight from the ‘ol Hollywood emotion factory, Tillman Jr.’s aim seems true…

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Review of The Kindergarten Teacher (2018)

By Clint Worthington (295) for Consequence of Sound (1,431) on 12 Oct 2018

Gyllenhaal gives one of the most staggering performances of her career, and Colangelo’s deft command of tone keeps the lengths to which Lisa…

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Review of The Oath (2018)

By Clint Worthington (295) for Consequence of Sound (1,431) on 09 Oct 2018

The Thanksgiving table is a perfect battleground for these heavily entrenched political lines, with Barinholtz’s smart, nuanced script pulling…

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Review of 22 July (2018)

By Randall Colburn (93) for Consequence of Sound (1,431) on 08 Oct 2018

22 July is a thoughtful, gutting achievement that you’ll likely never want to watch again…

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Review of Private Life (2018)

By Caroline Siede (75) for Consequence of Sound (1,431) on 04 Oct 2018

Despite its carefully measured comedic voice and the detail with which it depicts the IVF process, the film never quite manages to feel like…

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Review of Heavy Trip (2018)

By Dominick Suzanne-Mayer (260) for Consequence of Sound (1,431) on 04 Oct 2018

As a fish-out-of-water comedy, it’s effectively funny more often than it isn’t, and as an ode to the unlikely communities that arise around…

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Review of Venom (2018)

By Clint Worthington (295) for Consequence of Sound (1,431) on 03 Oct 2018

To be honest, Venom’s almost worth watching for Hardy’s bizarre accent and whirling-dervish mania alone, but it’s a shame he’s not…

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Review of A Star Is Born (2018)

By Dominick Suzanne-Mayer (260) for Consequence of Sound (1,431) on 01 Oct 2018

A Star is Born isn’t a new love story, or even an especially unique one…

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Review of Bad Times at the El Royale (2018)

By Dan Caffrey (33) for Consequence of Sound (1,431) on 28 Sep 2018

Though not as unpredictable as the preceding two hours (and nowhere close to the dizzying final act of Cabin In the Woods), the resolution…

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