Movie Reviews Published by Collider - Page 8 of 52

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Review of At Midnight (2023)

By Maggie Boccella (5) for Collider (1,032) on 10 Feb 2023

At Midnight is a rom-com that loves the hell out of rom-coms, and rightly so — the genre’s at its best when it’s not trying to be clever…

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Review of Nothing Lasts Forever (2022)

By Chase Hutchinson (96) for Collider (1,032) on 10 Feb 2023

Both in terms of the way he lays out all the information and the craft of the filmmaking itself, Kohn shows greater patience in drawing everything…

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Review of The Outwaters (2023)

By Chase Hutchinson (96) for Collider (1,032) on 10 Feb 2023

A stunning embrace of abject horror that peels back the layers of skin just as it does those of the mind, The Outwaters stumbles upon a brutal…

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Review of Consecration (2023)

By Marco Vito Oddo (40) for Collider (1,032) on 10 Feb 2023

Smith is still a competent director, and Consecration can boast some moments of brilliance sprinkled all over it…

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Review of Scrapper (2023)

By Therese Lacson (29) for Collider (1,032) on 09 Feb 2023

Its greatest strength lies in its simplicity, but that might also be where it falls flat for some…

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Review of Landscape with Invisible Hand (2023)

By Ross Bonaime (185) for Collider (1,032) on 09 Feb 2023

Landscape with Invisible Hand is certainly a mixed bag that isn’t nearly as tight as Finley’s previous work, but the bold attempt to make…

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Review of passages (2023)

By Ross Bonaime (185) for Collider (1,032) on 09 Feb 2023

Sachs’ story comes to life thanks to these three excellent performances that aren't afraid to explore the selfishness and desires of passion,…

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Review of Theater Camp (2023)

By Ross Bonaime (185) for Collider (1,032) on 09 Feb 2023

Theater Camp isn’t without its weaknesses, but the hilarious cast—like their characters—are game for anything, and the jokes are flying…

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Review of 80 for Brady (2023)

By Nate Richard (16) for Collider (1,032) on 09 Feb 2023

80 for Brady is not the new golden standard of sports comedies, but it was clearly never trying to be…

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Review of Your Place or Mine (2023)

By Tania Hussain (5) for Collider (1,032) on 09 Feb 2023

Your Place or Mine has a decent premise with a great cast and is fun at times with moments that are sweet and showcase great potential for…

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Review of The Deepest Breath (2023)

By Therese Lacson (29) for Collider (1,032) on 09 Feb 2023

McGann weaves together an emotional and tragic tale in the third act, one that hits hard after following the story of these two lovers throughout…

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Review of Shortcomings (2023)

By Therese Lacson (29) for Collider (1,032) on 09 Feb 2023

While Park injects his own joie de vivre to his on-screen performances as an actor, there is a distinct lackluster quality to Shortcomings…

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Review of 20 Days in Mariupol (2023)

By Therese Lacson (29) for Collider (1,032) on 09 Feb 2023

There is no comfort when watching 20 Days in Mariupol, but it's the bitter pill we must all swallow to remind ourselves of what people are…

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Review of Who Invited Charlie? (2023)

By Emily Bernard (17) for Collider (1,032) on 09 Feb 2023

The indie dramedy Who Invited Charlie…

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Review of Magic Mike's Last Dance (2023)

By Ross Bonaime (185) for Collider (1,032) on 09 Feb 2023

Even though the flaws in Last Dance are glaringly obvious—not only is this the worst of the Magic Mike franchise, it’s also clunky in a…

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Review of Passages (2023)

By Ross Bonaime (185) for Collider (1,032) on 09 Feb 2023

Sachs’ story comes to life thanks to these three excellent performances that aren't afraid to explore the selfishness and desires of passion,…

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Review of Past Lives (2023)

By Ross Bonaime (185) for Collider (1,032) on 09 Feb 2023

Song’s work here is incredible, as this story of the past and present, and what it means for the future is a carefully handled story told…

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Review of Past Lives (2023)

By Ross Bonaime (185) for Collider (1,032) on 09 Feb 2023

Song’s work here is incredible, as this story of the past and present, and what it means for the future is a carefully handled story told…

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Review of Huesera: The Bone Woman (2023)

By Marco Vito Oddo (40) for Collider (1,032) on 09 Feb 2023

The way Huesera favors metaphor above clarity will undoubtedly push some viewers away…

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Review of Somebody I Used to Know (2023)

By Emily Bernard (17) for Collider (1,032) on 09 Feb 2023

Somebody I Used To Know—like life—can’t be clearly defined…

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