Movie Reviews Published by Collider - Page 5 of 52

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Review of Fool's Paradise (2023)

By Ross Bonaime (185) for Collider (1,032) on 11 May 2023

If Day has shown anything with Fool’s Paradise and the long road to get it made, it’s that he has passion and a vision, and a dedication…

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Review of Hypnotic (2023)

By Chase Hutchinson (96) for Collider (1,032) on 11 May 2023

When all the pieces come together, it is a work that proves to be one of the more well-rounded experiences from Rodriguez in quite some time…

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Review of Book Club: The Next Chapter (2023)

By Maggie Lovitt (18) for Collider (1,032) on 08 May 2023

Book Club: The Next Chapter is a raucously funny movie that will leave audiences ready to grab their gal pals and set off on an adventure to Italy…

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Review of Carmen (2023)

By Chase Hutchinson (96) for Collider (1,032) on 04 May 2023

While there are many promising pieces being assembled, with arresting visuals bolstered by the performances of Mescal and Barrera, any awe…

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Review of Big George Foreman (2023)

By Chase Hutchinson (96) for Collider (1,032) on 02 May 2023

It can be said the film does indeed provide a full summary of Foreman’s recounting of the major events in his life where he comes out looking…

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Review of Peter Pan & Wendy (2023)

By Ross Bonaime (185) for Collider (1,032) on 28 Apr 2023

With Peter Pan & Wendy, Lowery shows there’s nothing wrong with sticking close to the text, as long as you bring some new identity to the…

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Review of Guardians of the Galaxy Vol. 3 (2023)

By Ross Bonaime (185) for Collider (1,032) on 28 Apr 2023

Guardians of the Galaxy Vol…

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Review of Are You There God? It's Me, Margaret. (2023)

By Carly Lane (11) for Collider (1,032) on 27 Apr 2023

Are You There God…

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Review of Judy Blume Forever (2023)

By Chase Hutchinson (96) for Collider (1,032) on 21 Apr 2023

There are many aspects to her legacy as a writer, but what makes Judy Blume Forever such a valuable documentary is that it reveals the person…

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Review of Quasi (2023)

By Erick Massoto (19) for Collider (1,032) on 21 Apr 2023

With disregard to elements it itself establishes and featuring more characters than it knows what to do with, the film forgets to flesh out…

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Review of Somewhere in Queens (2023)

By Emily Bernard (17) for Collider (1,032) on 20 Apr 2023

It’s a film that doesn’t feel the pressure of reminding the audience that it’s a comedy, which makes the story and the dysfunctional—but…

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Review of Ghosted (2023)

By Nate Richard (16) for Collider (1,032) on 20 Apr 2023

Ghosted is far from perfect, but there's still enough enjoyment to be had, especially if you're looking for something light to watch with the…

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Review of Guy Ritchie's The Covenant (2023)

By Chase Hutchinson (96) for Collider (1,032) on 20 Apr 2023

Though possibly well-intentioned, the execution of The Covenant ensures its narrative and thematic potential is drowned out in the roar of…

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Review of Evil Dead Rise (2023)

By Marco Vito Oddo (40) for Collider (1,032) on 19 Apr 2023

Evil Dead Rise's scares and gore are so effective, and its cast so committed to the story, that it's easy to be completely enthralled by Cronin's…

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Review of Beau Is Afraid (2023)

By Ross Bonaime (185) for Collider (1,032) on 19 Apr 2023

Beau Is Afraid is bold, enthralling, and unlike anything you've ever seen before…

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Review of Mighty Morphin Power Rangers: Once & Always (2023)

By Erick Massoto (19) for Collider (1,032) on 18 Apr 2023

Power Rangers: Once & Always doesn’t make the same mistake as the 2017 feature film Power Rangers, which took itself way too seriously when…

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Review of Chevalier (2023)

By Maggie Lovitt (18) for Collider (1,032) on 17 Apr 2023

With Oliver Garcia’s exquisite costumes and Karen Murphy’s production design, both brought alive to their full potential by Jess Hall’s…

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Review of The Last Kingdom: Seven Kings Must Die (2023)

By Chase Hutchinson (96) for Collider (1,032) on 14 Apr 2023

When all the dust settles, The Last Kingdom: Seven Kings Must Die is a flawed yet fitting finale that serves as a send-off to Uhtred of Bebbanburg…

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Review of The Pope's Exorcist (2023)

By Emma Kiely (9) for Collider (1,032) on 13 Apr 2023

The film tries to pack in so much subplot and religious context that it leaves no time to build up a scare properly…

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Review of Mafia Mamma (2023)

By Chase Hutchinson (96) for Collider (1,032) on 12 Apr 2023

There is never a sense that Collette is phoning it in, but the entire narrative around her is just too flimsy to hold together for a full feature…

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