Movie Reviews Published by Collider - Page 37 of 52

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Review of Song to Song (2017)

By Aubrey Page (14) for Collider (1,032) on 16 Mar 2017

It's easily the best of his films since The Tree of Life, a deceptively simple and affecting look at regret, forgiveness and the human condition,…

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Review of Personal Shopper (2016)

By Brian Formo (125) for Collider (1,032) on 09 Mar 2017

There are a few spooky moments in Personal Shopper but the spookiest thread is how we attempt to manipulate communication to get our desired result…

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Review of Catfight (2017)

By Aubrey Page (14) for Collider (1,032) on 03 Mar 2017

Made well before the official presidency of Donald Trump, Catfight feels, in many ways, like one of the most finely tuned responses to the…

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Review of Beauty and the Beast (2017)

By Matt Goldberg (248) for Collider (1,032) on 03 Mar 2017

Bill Condon didn't have to stay slavishly devoted to the 1991 film, but most of alterations and changes don't make his version feel fresh…

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Review of Kong: Skull Island (2017)

By Brian Formo (125) for Collider (1,032) on 02 Mar 2017

[Kong: Skull Island] feels like a movie that was made in a focus group chemist lab and never solidifies an identity…

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Review of Before I Fall (2017)

By Brian Formo (125) for Collider (1,032) on 01 Mar 2017

Instead of playing up the wackiness of a repetitive day or dividing up a high school into groups of specimens, Russo-Young and Deutch focus…

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Review of T2 Trainspotting (2017)

By Matt Goldberg (248) for Collider (1,032) on 28 Feb 2017

While T2 isn't as tight or as groundbreaking as its predecessor, Boyle once again uses those expectations in his favor…

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Review of Get Out (2017)

By Brian Formo (125) for Collider (1,032) on 28 Feb 2017

It's funny, it's tense, it features two great performances from Kaluuya and Williams and Peele expertly creates a web of odd tension where…

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Review of The Girl with All the Gifts (2016)

By Haleigh Foutch (37) for Collider (1,032) on 24 Feb 2017

The Girl with All the Gifts, puts the audience back in touch with the scariest thing about zombies-that they are not monsters at all, just…

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Review of Logan (2017)

By Matt Goldberg (248) for Collider (1,032) on 17 Feb 2017

Mangold confidently places the film in the context of a neo-Western, painting Logan and Professor X as two men who have been left behind by…

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Review of Fist Fight (2017)

By Matt Goldberg (248) for Collider (1,032) on 16 Feb 2017

The laziest kind of comedy, and a waste of time for everyone involved, including the audience…

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Review of The Great Wall (2016)

By Matt Goldberg (248) for Collider (1,032) on 16 Feb 2017

Yimou seems at a loss with what to do when crowding his movie with CGI monsters and actors like Damon and Pescal, who are charming and charismatic,…

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Review of John Wick: Chapter 2 (2017)

By Matt Goldberg (248) for Collider (1,032) on 09 Feb 2017

John Wick: Chapter 2' shows there's a lot of life left for the character who deals out nothing but death…

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Review of Fifty Shades Darker (2017)

By Matt Goldberg (248) for Collider (1,032) on 09 Feb 2017

Fifty Shades Darker' isn't about learning different lifestyles and crafting unique characters as much as it's trying to pass off a toxic romance…

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Review of A Cure for Wellness (2017)

By Matt Goldberg (248) for Collider (1,032) on 07 Feb 2017

A Cure for Wellness could have been a horror classic…

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Review of The Lego Batman Movie (2017)

By Matt Goldberg (248) for Collider (1,032) on 07 Feb 2017

The satire is bitingly funny and clever, the animation is gorgeous, and the whole thing feels like a love letter with a little bit of a bite…

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Review of Dark Night (2017)

By Chris Cabin (484) for Collider (1,032) on 03 Feb 2017

Dark Night is as much about gloom as it is astonishment, to see the power of an act or an image to either turn someone into a killer or to…

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Review of The Space Between Us (2017)

By Matt Goldberg (248) for Collider (1,032) on 03 Feb 2017

While it's easy to see the potential of the story and what could have been with better direction, better writing, and better acting, The Space…

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Review of Dark Night (2017)

By Chris Cabin (484) for Collider (1,032) on 03 Feb 2017

Dark Night is as much about gloom as it is astonishment, to see the power of an act or an image to either turn someone into a killer or to…

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Review of Rebel in the Rye (2017)

By Matt Goldberg (248) for Collider (1,032) on 01 Feb 2017

Instead of demythologizing Salinger, Rebel in the Rye plays like a fan film rather than an honest examination of a complex figure…

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