Movie Reviews Published by Collider - Page 35 of 52

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Review of The Florida Project (2017)

By Gregory Ellwood (229) for Collider (1,032) on 30 May 2017

In an era with remarkable child actors in films such as 'Room' and 'Moonlight', Baker's ability to siphon such authentic performances is truly…

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Review of Wonder Woman (2017)

By Matt Goldberg (248) for Collider (1,032) on 30 May 2017

Wonder Woman walks a different path. Her arc in the movie isn't discovering she has powers or that those powers demand responsibility…

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Review of Becoming Bond (2017)

By Tommy Cook (3) for Collider (1,032) on 27 May 2017

Ultimately Becoming Bond rests on George Lazenby - and the actor, cantankerous, witty, gregarious and just a little sad, ably shoulders the…

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Review of You Were Never Really Here (2017)

By Gregory Ellwood (229) for Collider (1,032) on 26 May 2017

To watch Phoenix, an actor at the height of his dramatic powers, on screen and under Ramsey's direction makes You Were Never Really Here something…

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Review of Good Time (2017)

By Gregory Ellwood (229) for Collider (1,032) on 24 May 2017

Features a strong performance from the criminally underrated Robert Pattinson…

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Review of The Beguiled (2017)

By Gregory Ellwood (229) for Collider (1,032) on 23 May 2017

The film's ambiance is so wonderfully rendered and Coppola's perspective is so distinct it makes it all the more unexpected how slight the…

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Review of Pirates of the Caribbean: Dead Men Tell No Tales (2017)

By Matt Goldberg (248) for Collider (1,032) on 23 May 2017

While the pieces remain, there's no life left in this franchise. It should have sailed off into the horizon ten years ago. The Pirates' life is over…

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Review of Baywatch (2017)

By Matt Goldberg (248) for Collider (1,032) on 22 May 2017

If there's one good thing that can come from the wreckage of this movie, it's for Chopra's career in Hollywood films to take off…

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Review of How to Talk to Girls at Parties (2017)

By Gregory Ellwood (229) for Collider (1,032) on 22 May 2017

The cinematic energy that permeated the screen in both 'Hedwig' and its follow-up, the oft-forgotten 'Shortbus', is completely missing here…

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Review of The Killing of a Sacred Deer (2017)

By Gregory Ellwood (229) for Collider (1,032) on 21 May 2017

Lanthimos doesn't just want you to be repulsed, but emotionally devastated. A gorgeously rendered gut punch that ends up being no laughing matter…

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Review of The Meyerowitz Stories (New and Selected) (2017)

By Gregory Ellwood (229) for Collider (1,032) on 20 May 2017

For those who wonder if their relationship with their parents will improve over time, 'The Meyerowtiz Stories' may turn out to be something…

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Review of Okja (2017)

By Gregory Ellwood (229) for Collider (1,032) on 18 May 2017

['Okja' is] gorgeous and moving and thrilling and funny and inventive and unexpected. It's why Bong is a visionary among his peers…

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Review of Wonderstruck (2017)

By Gregory Ellwood (229) for Collider (1,032) on 17 May 2017

With Haynes' deft eye Wonderstruck feels like you're looking out your own window into another time…

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Review of Hounds of Love (2016)

By Haleigh Foutch (37) for Collider (1,032) on 11 May 2017

Young is more interested in the abused than the abuser, and the result is an ambitious, tough-to-swallow drama fuelled by fearless performances…

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Review of Guardians of the Galaxy Vol. 2 (2017)

By Matt Goldberg (248) for Collider (1,032) on 10 May 2017

It's Everybody Wants Some!! but in space and with Kurt Russell instead of Wyatt Russell…

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Review of The Wall (2017)

By Brian Formo (125) for Collider (1,032) on 10 May 2017

The indie director of Swingers and Go has used his post-Edge of Tomorrow downtime to box himself into a cat-and-mouse sub-genre without identifying…

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Review of King Arthur: Legend of the Sword (2017)

By Matt Goldberg (248) for Collider (1,032) on 09 May 2017

King Arthur: Legend of the Sword is a bit of a hodgepodge, but it's one that's consistently interesting…

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Review of Snatched (2017)

By Matt Goldberg (248) for Collider (1,032) on 09 May 2017

A painfully funny comedy that has a good heart at its center…

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Review of The Lovers (2017)

By Aubrey Page (14) for Collider (1,032) on 07 May 2017

The Lovers is a lengthy and uneven journey to an absolutely sublime destination - with a deliciously transgressive and darkly funny final tag…

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Review of Flower (2017)

By Aubrey Page (14) for Collider (1,032) on 07 May 2017

In the end, Flower buckles underneath its attempt at balancing its plethora of tones, ultimately abandoning the emotional journey of its central…

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