Movie Reviews Published by Collider - Page 16 of 52

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Review of Goodnight Mommy (2022)

By Alyse Wax (31) for Collider (1,032) on 15 Sep 2022

It is still a well-made film, with fantastic acting and a beautiful, modern house set out in the middle of nowhere, but it is not the shocker…

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Review of Do Revenge (2022)

By Emily Bernard (17) for Collider (1,032) on 15 Sep 2022

If you’re looking for a typical teen movie riddled with clichés and stereotypes, keep scrolling through your Netflix queue…

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Review of Broker (2022)

By Chase Hutchinson (96) for Collider (1,032) on 14 Sep 2022

When it all comes together it proves to be yet another poetic and patient cinematic reflection on the families we build for ourselves from…

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Review of Empire of Light (2022)

By Ross Bonaime (185) for Collider (1,032) on 14 Sep 2022

Empire of Light ultimately becomes a confusing mixture of ideas that never congeal into one solid narrative…

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Review of Wendell & Wild (2022)

By Chase Hutchinson (96) for Collider (1,032) on 14 Sep 2022

When it all comes together, Wendell & Wild ends up feeling liberating, both artistically and thematically, with top work from all involved…

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Review of Causeway (2022)

By Ross Bonaime (185) for Collider (1,032) on 14 Sep 2022

Like the relationship between Lynsey and James, Causeway is a film that slowly grows on you, a film that puts on a tough front—with its devastated…

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Review of Sanctuary (2023)

By Chase Hutchinson (96) for Collider (1,032) on 13 Sep 2022

It is a character study that creeps up on you, deploying well-timed darker comedic moments that set up the cutting dramatic ones all the better…

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Review of How to Blow Up a Pipeline (2023)

By Chase Hutchinson (96) for Collider (1,032) on 13 Sep 2022

With its strong character work that gets interwoven with a striking story of sabotage, How to Blow Up a Pipeline is a riveting tapestry of…

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Review of Moonage Daydream (2022)

By Maggie Boccella (5) for Collider (1,032) on 13 Sep 2022

Morgen manages to encapsulate that intimate relationship between artist and audience with Moonage Daydream, using only disparate pieces of…

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Review of My Policeman (2022)

By Chase Hutchinson (96) for Collider (1,032) on 12 Sep 2022

For all the anticipation about this being a star turn for Styles, the lack of depth in his performance and of the film itself ensures it won’t…

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Review of Confess, Fletch (2022)

By Ross Bonaime (185) for Collider (1,032) on 12 Sep 2022

Confess, Fletch is decent—not quite a great mystery, not an excellent comedy, but fully enjoyable for what it is…

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Review of Glass Onion: A Knives Out Mystery (2022)

By Ross Bonaime (185) for Collider (1,032) on 11 Sep 2022

It’s so much fun to watch Johnson in this mode, especially with a cast this relentlessly fun and playful…

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Review of The Fabelmans (2022)

By Ross Bonaime (185) for Collider (1,032) on 11 Sep 2022

Spielberg has given us all so much magic over the course of our lives, and The Fabelmans becomes yet another Spielberg masterpiece, but this…

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Review of The Menu (2022)

By Chase Hutchinson (96) for Collider (1,032) on 11 Sep 2022

For all the promise of its main cast and sturdy thriller premise, The Menu is a work that seems destined to slip from your mind…

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Review of The Woman King (2022)

By Chase Hutchinson (96) for Collider (1,032) on 10 Sep 2022

The Woman King is a film that has the confidence to be completely sincere in both the sharp moments of humor and the stunning battle sequences…

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Review of One Fine Morning (2022)

By Ross Bonaime (185) for Collider (1,032) on 10 Sep 2022

Seydoux brings both parts of this story together with grace and charm, and an honesty that makes this one of her best performances so far…

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Review of Bros (2022)

By Ross Bonaime (185) for Collider (1,032) on 10 Sep 2022

Eichner and Stoller have written a film that plays to both of their strengths as storytellers, all while making one of the funniest and most…

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Review of Weird: The Al Yankovic Story (2022)

By Ross Bonaime (185) for Collider (1,032) on 09 Sep 2022

Weird might not be the best biopic parody (Walk Hard still holds that crown), but it is an absolutely charming and often hilarious look at…

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Review of Triangle of Sadness (2022)

By Ross Bonaime (185) for Collider (1,032) on 09 Sep 2022

Östlund's comedy of inequality and broken class structures might be a bit too blunt at times, slightly too long, and is often best when at…

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Review of Pinocchio (2024)

By Ross Bonaime (185) for Collider (1,032) on 08 Sep 2022

If the 1940 Pinocchio showed that any wish your heart desires could come true, this remake shows what happens when your nightmares come to life…

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