Movie Reviews Published by Collider - Page 13 of 52

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Review of Armageddon Time (2022)

By Ross Bonaime (185) for Collider (1,032) on 04 Nov 2022

In a filmography that is full of impressive journeys through space, history, and staggering emotions, Armageddon Time feels like one of Gray’s…

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Review of The Estate (2022)

By Chase Hutchinson (96) for Collider (1,032) on 04 Nov 2022

Though it doesn’t have the audacity to close when it should with its characters at their very lowest, The Estate is still proper fun in seeing…

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Review of I'm Totally Fine (2022)

By Emily Bernard (17) for Collider (1,032) on 04 Nov 2022

The out-of-this-world premise about a woman befriending the alien clone of her dead best friend is a Trojan horse for a deeper meditation on…

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Review of Dear Zoe (2022)

By Nate Richard (16) for Collider (1,032) on 04 Nov 2022

Dear Zoe has its heart in the right place, but its reliance on creating one too many schmaltzy moments for the characters, and trying to be…

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Review of Something in the Dirt (2022)

By Marco Vito Oddo (40) for Collider (1,032) on 04 Nov 2022

Benson and Moorhead have always been able to make the most of small budgets and confined spaces…

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Review of Call Jane (2022)

By Maggie Lovitt (18) for Collider (1,032) on 28 Oct 2022

With Phyllis Nagy at the helm, Call Jane had all the potential in the world to be something revolutionary, but it ultimately chose to take…

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Review of Run Sweetheart Run (2020)

By Chase Hutchinson (96) for Collider (1,032) on 27 Oct 2022

While it takes a while to get there after dancing around its premise, when Run Sweetheart Run hits its stride it is more than worth running…

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Review of Enola Holmes 2 (2022)

By Arezou Amin (6) for Collider (1,032) on 27 Oct 2022

Enola Holmes 2 is tightly paced, leaving just enough breathing room for the characters to thrive and do what they do best…

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Review of Prey for the Devil (2022)

By Marco Vito Oddo (40) for Collider (1,032) on 26 Oct 2022

More often than not, we can ignore the message if we’d like and just enjoy a scary movie…

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Review of The Good Nurse (2022)

By Ross Bonaime (185) for Collider (1,032) on 26 Oct 2022

The Good Nurse is a shocking drama that seeps under your skin with its ferocity and terror…

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Review of The Pez Outlaw (2022)

By Therese Lacson (29) for Collider (1,032) on 21 Oct 2022

An immensely enjoyable treat, The Pez Outlaw is cleverly filmed with the highlight being Glew playing himself and seemingly having the time…

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Review of The Return of Tanya Tucker Featuring Brandi Carlile (2022)

By Ross Bonaime (185) for Collider (1,032) on 20 Oct 2022

Even if you’re not a fan of the music of Tucker or Carlile, The Return of Tanya Tucker: Featuring Brandi Carlile will have you hoping for…

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Review of All Quiet on the Western Front (2022)

By Maggie Lovitt (18) for Collider (1,032) on 19 Oct 2022

War is hell and for a little over two and a half hours, All Quiet on the Western Front displays its ghastly horrors without ever venturing…

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Review of Ticket to Paradise (2022)

By Emma Kiely (9) for Collider (1,032) on 19 Oct 2022

To see Clooney and Roberts team up again when they have demonstrated in the past (the Oceans movies and Money Monster) that they go together…

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Review of Rosaline (2022)

By Ross Bonaime (185) for Collider (1,032) on 19 Oct 2022

Rosaline's shows its strengths when it focuses on the parallel story of Rosaline and Dario, but when the narrative crosses paths directly with…

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Review of Black Adam (2022)

By Ross Bonaime (185) for Collider (1,032) on 18 Oct 2022

Black Adam isn’t a full-on course correction for the DCEU, but it is an encouraging new installment in this larger universe…

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Review of Till (2022)

By Nate Richard (16) for Collider (1,032) on 14 Oct 2022

Till will go down as one of the most powerful and important films to hit the screen in 2022, Danielle Deadwyler is unforgettable, and the film…

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Review of Old Man (2022)

By Erick Massoto (19) for Collider (1,032) on 14 Oct 2022

The movie undermines its own message by silencing one of its most important characters and choosing instead to give the spotlight to the ones…

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Review of The Curse of Bridge Hollow (2022)

By Chase Hutchinson (96) for Collider (1,032) on 14 Oct 2022

The problem is The Curse of Bridge Hollow isn’t clever enough to carve out a niche of its own and is defined by the diminishing returns of…

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Review of Till (2022)

By Nate Richard (16) for Collider (1,032) on 14 Oct 2022

Till will go down as one of the most powerful and important films to hit the screen in 2022, Danielle Deadwyler is unforgettable, and the film…

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