Movie Reviews Published by Cleveland Press - Page 4 of 6

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Review of Joe (1970)

By Tony Mastroianni (119) for Cleveland Press (118) on 20 Nov 2003

What makes Joe an important movie and not just another cheap imitative exploitation movie (which it sometimes is) is the actor who plays the…

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Review of Under the Yum Yum Tree (1963)

By Tony Mastroianni (119) for Cleveland Press (118) on 20 Nov 2003

Even with Lemmon bouncing in and out of comic situations, the comedy gets a little strained at times…

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Review of Tony Rome (1967)

By Tony Mastroianni (119) for Cleveland Press (118) on 20 Nov 2003

Most of the dialog has been adapted to the Sinatra style and the script is more a showcase for him than it is an attempt to put together a…

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Review of Harold and Maude (1971)

By Tony Mastroianni (119) for Cleveland Press (118) on 20 Nov 2003

Harold and Maude is the movie to see when you get tired of pulling the wings off of flies and chopping off puppy dogs' tales…

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Review of Avanti! (1972)

By Tony Mastroianni (119) for Cleveland Press (118) on 20 Nov 2003

What should have been light, fluffy, sophisticated comedy is instead heavy handed, tasteless and sometimes nasty…

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Review of The Great Escape (1963)

By Tony Mastroianni (119) for Cleveland Press (118) on 20 Nov 2003

There must be hundreds, even thousands, of stories about the impossible deeds accomplished by men under stress during World War II…

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Review of Fahrenheit 451 (1966)

By Tony Mastroianni (119) for Cleveland Press (118) on 20 Nov 2003

Fahrenheit 451 is a story about some future society in which it is a crime.to own books and book-burning is the chief job of firemen…

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Review of The Anderson Tapes (1971)

By Tony Mastroianni (119) for Cleveland Press (118) on 20 Nov 2003

The Anderson Tapes is a crime caper movie which never quite makes up its mind whether it is suspense it is after or laughs…

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Review of Cool Hand Luke (1967)

By Tony Mastroianni (119) for Cleveland Press (118) on 20 Nov 2003

Newman has seldom been better than he is as the mocking rebel…

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Review of The Train Robbers (1973)

By Tony Mastroianni (119) for Cleveland Press (118) on 20 Nov 2003

The picture has a red herring or two and ends with the classic double cross. It's fun and as Westerns go rather pleasant and entertaining…

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Review of The French Connection (1971)

By Tony Mastroianni (119) for Cleveland Press (118) on 20 Nov 2003

The French Connection is a tense, tough, mean, sizzling, raw thriller…

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Review of Cactus Flower (1969)

By Tony Mastroianni (119) for Cleveland Press (118) on 20 Nov 2003

Doggone it I did laugh, right out loud, too, and I have to confess it…

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Review of The Organization (1971)

By Tony Mastroianni (119) for Cleveland Press (118) on 20 Nov 2003

The trouble with impersonal villains is that they make for impersonal movies…

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Review of In Like Flint (1967)

By Tony Mastroianni (119) for Cleveland Press (118) on 20 Nov 2003

You would think that with material running thin in a first movie, there wouldn't be enough for a second. You would be right…

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Review of The Way We Were (1973)

By Tony Mastroianni (119) for Cleveland Press (118) on 20 Nov 2003

The Way We Were isn't about the way we were. It's about the movies we used to see…

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Review of Conquest of the Planet of the Apes (1972)

By Tony Mastroianni (119) for Cleveland Press (118) on 20 Nov 2003

The Conquest of the Planet of the Apes is the fourth in this series of movies that began with Planet of the Apes and it also is the least of them…

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Review of Games (1967)

By Tony Mastroianni (119) for Cleveland Press (118) on 20 Nov 2003

Games is a chiller and if it seems faintly derivative and transparent at times it still has enough macabre elements about it to make it a weirdo…

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Review of Come Blow Your Horn (1963)

By Tony Mastroianni (119) for Cleveland Press (118) on 20 Nov 2003

The situations are predicable, the gags reminiscent, but the whole is carried forward at a jaunty pace and in high spirits…

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Review of Night Watch (1973)

By Tony Mastroianni (119) for Cleveland Press (118) on 20 Nov 2003

The woman alone in the house who sees or hears something that indicates murder most foul is afoot is a plot that has been used before and Night…

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Review of What Did You Do in the War, Daddy? (1966)

By Tony Mastroianni (119) for Cleveland Press (118) on 20 Nov 2003

The entire movie would have benefited from trimming a half hour from it…

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Cleveland Press features reviews by:

Tony Mastroianni (119)

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