Movie Reviews Published by CineVue - Page 6 of 109

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Review of Prayers for the Stolen (2021)

By Christopher Machell (333) for CineVue (2,163) on 12 Apr 2022

Prayers for the Stolen is fundamentally an account of powerlessness, of the insidious ways that forces act invisibly, immeasurably, and often…

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Review of Compartment No. 6 (2021)

By Christopher Machell (333) for CineVue (2,163) on 08 Apr 2022

Setting his film largely on the dingy confines of an overnight train, Kuosmanen kindles a tender love story between two lost souls…

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Review of A Night of Knowing Nothing (2022)

By Christopher Machell (333) for CineVue (2,163) on 01 Apr 2022

A Night of Knowing Nothing is a celebration not merely of resistance, but also of joy and art as a political act in the face of despair…

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Review of Paris, 13th District (2021)

By Christopher Machell (333) for CineVue (2,163) on 21 Mar 2022

Paris, 13th District is a paean to the freedoms, the heartaches and the confusion of singledom…

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Review of Hive (2021)

By Matthew Anderson (173) for CineVue (2,163) on 15 Mar 2022

First-time writer-director Blerta Basholli’s feature is an expertly crafted, compassionate testament to the perseverance and defiance of…

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Review of Youth (2017)

By Christopher Machell (333) for CineVue (2,163) on 14 Mar 2022

Youth is as sentimental as it is accomplished, but Xiaogang's mastery both of broad sweep and intimate detail proves an impressive feat…

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Review of The Batman (2022)

By Christopher Machell (333) for CineVue (2,163) on 05 Mar 2022

The film is strongest in its first half but the double act between Wright and Pattinson sustains throughout: never has the Bat-Gordon partnership…

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Review of The Duke (2021)

By Christopher Machell (333) for CineVue (2,163) on 28 Feb 2022

Though the grins, laughter and cheering of the film’s climax is a little too heavy on the sweetness, it’s a harder heart than mine that…

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Review of The Real Charlie Chaplin (2021)

By Christopher Machell (333) for CineVue (2,163) on 17 Feb 2022

Just as we feel that we have grasped the truth behind the image, it vanishes into thin air: The Real Charlie Chaplin is a Sisyphean task of…

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Review of Parallel Mothers (2021)

By Christopher Machell (333) for CineVue (2,163) on 29 Jan 2022

Veteran Spanish filmmaker Pedro Almodóvar’s latest feature, Parallel Mothers, is as much about his enduring fascination with motherhood…

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Review of Nightmare Alley (2021)

By Christopher Machell (333) for CineVue (2,163) on 23 Jan 2022

Del Toro’s latest ventures away from fantasy, revealing the monsters in this fable to be all too human…

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Review of Three Colors: White (1994)

By Patrick Gamble (128) for CineVue (2,163) on 20 Jan 2022

Three Colours: White brings Kieślowski back to his Polish roots and explores issues of equality through nationality and the fragile dynamic…

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Review of Cicada (2021)

By Matthew Anderson (173) for CineVue (2,163) on 20 Jan 2022

Told with tenderness and honesty, Cicada is a treatment of trauma that does not judge or preach or take sides, but, in building to its breathless…

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Review of Cicada (2021)

By Matthew Anderson (173) for CineVue (2,163) on 20 Jan 2022

Told with tenderness and honesty, Cicada is a treatment of trauma that does not judge or preach or take sides, but, in building to its breathless…

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Review of Belfast (2021)

By Matthew Anderson (173) for CineVue (2,163) on 20 Jan 2022

With wit, grace and a sincere affection for the town of his birth, the writer-director explores the people and stories that populated his childhood…

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Review of Memoria (2021)

By Christopher Machell (333) for CineVue (2,163) on 14 Jan 2022

Detached, hypnotic and often oblique, the dreamlike Memoria is sure to enchant and mystify in equal measure…

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Review of Licorice Pizza (2021)

By Christopher Machell (333) for CineVue (2,163) on 10 Jan 2022

A joyous, hazy and nostalgia-inflected romantic drama…

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Review of Titane (2021)

By Christopher Machell (333) for CineVue (2,163) on 29 Dec 2021

Among all the violence, body horror and Giger-esque sexuality, Titane’s most surprising quality is its tenderness…

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Review of The Matrix Resurrections (2021)

By Christopher Machell (333) for CineVue (2,163) on 23 Dec 2021

The franchise reboot we never knew we needed, Resurrections is a wonderfully strange and baffling film, less of a fourth entry in an ongoing…

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Review of Lamb (2021)

By Christopher Machell (333) for CineVue (2,163) on 21 Dec 2021

The film as a whole is neither scary nor particularly interested in the nature of its ‘monster’, though it is undoubtedly strange and often…

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