Movie Reviews Published by CineVue - Page 58 of 109

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Review of Yi Yi (2000)

By Christopher Machell (333) for CineVue (2,163) on 22 Apr 2018

Rather than the typical inciting incident of a film's typical narrative structure, Yang's screenplay builds its story organically, painting…

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Review of La Cage aux Folles (1978)

By Christopher Machell (333) for CineVue (2,163) on 22 Apr 2018

This adaptation of Jean Poiret's play is as moving as it is hilarious in its depiction of moral hypocrisy and familial love…

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Review of Legend of the Mountain (1979)

By Christopher Machell (333) for CineVue (2,163) on 22 Apr 2018

Rooted in genre, Hu's film is as thrilling as any number of kung fu action flicks, even if nary a punch is thrown throughout its running time…

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Review of The Age of Innocence (1993)

By Christopher Machell (333) for CineVue (2,163) on 22 Apr 2018

An unsure narrative hampers Age of Innocence’s ability to stand with the director’s more assured work, yet Scorsese’s period drama is…

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Review of Ghost Stories (2018)

By Martyn Conterio (121) for CineVue (2,163) on 17 Apr 2018

Ghost Stories is uncomfortably timely, reminding us the haunted past is always haunting the present…

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Review of Antonio Lopez 1970: Sex Fashion & Disco (2018)

By Tom Duggins (47) for CineVue (2,163) on 12 Apr 2018

It’s an enjoyable but static viewing experience, where even the tales of wild parties, disco dancing and sex become worn out through overuse…

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Review of A Quiet Place (2016)

By Daniel Green (105) for CineVue (2,163) on 12 Apr 2018

The impeccable performances of its central quartet and delicious premise that makes A Quiet Place such an exhilarating watch…

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Review of A Gentle Creature (2017)

By Maximilian Von Thun (26) for CineVue (2,163) on 12 Apr 2018

[A Gentle Creature] is a wonderfully strange and thought-provoking cinematic experience…

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Review of Truth or Dare (2018)

By Nick Hilton (15) for CineVue (2,163) on 12 Apr 2018

Its antecedents are less from the Wes Craven school of putting sexy young folk in tremendous danger, and more from the Ryan Murphy kindergarten…

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Review of The Endless (2017)

By Martyn Conterio (121) for CineVue (2,163) on 12 Apr 2018

Dotted throughout with clever clues and showcasing a remarkable narrative dexterity, The Endless makes it three home runs on the trot for Benson…

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Review of The Rider (2018)

By Patrick Gamble (128) for CineVue (2,163) on 11 Apr 2018

A deeply felt personal journey, the film shifts seamlessly from unflinching realism to a poetic expression of masculinity in crisis; crossing…

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Review of Custody (2018)

By John Bleasdale (289) for CineVue (2,163) on 06 Apr 2018

With Custody, Legrand has created a family drama that plays out as social realism, but it is as intense as a thriller and, with no generic…

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Review of A Quiet Place (2018)

By Daniel Green (105) for CineVue (2,163) on 04 Apr 2018

It’s the impeccable performances of its central quartet and delicious premise that makes A Quiet Place such an exhilarating watch…

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Review of Score: A Film Music Documentary (2017)

By John Bleasdale (289) for CineVue (2,163) on 02 Apr 2018

It would take someone with ears of cloth and a heart of stone not to start fishing out some of the old soundtracks to enjoy them anew…

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Review of Sweet Country (2018)

By John Bleasdale (289) for CineVue (2,163) on 01 Apr 2018

Sweet Country is a hoarsely angry film, a powerful denunciation of the racism and violence on which modern Australia was eventually founded…

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Review of First Reformed (2018)

By John Bleasdale (289) for CineVue (2,163) on 01 Apr 2018

Hawke's performance is his most mature to date, a masterpiece of a man who cannot work himself out and yet is compelled to try…

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Review of Damsel (2018)

By Patrick Gamble (128) for CineVue (2,163) on 01 Apr 2018

Accomplished as the filmmaking is, on a certain level the directors’ good intentions fall flat, resulting in an often clever but fundamentally…

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Review of Midnight Sun (2018)

By Linda Marric (107) for CineVue (2,163) on 29 Mar 2018

A disappointing production which could have benefited from a better screenplay…

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Review of Mark Felt: The Man Who Brought Down the White House (2017)

By Linda Marric (107) for CineVue (2,163) on 29 Mar 2018

Despite suffering greatly from being far too expositional, still manages to somehow get under your skin and is likely to stay with you long…

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Review of A Wrinkle in Time (2018)

By Zoe Margolis (36) for CineVue (2,163) on 29 Mar 2018

By showing that self-worth and acceptance of one’s faults are to be valued, DuVernay has shown how empowerment can come from changing your…

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