Movie Reviews Published by CineVue - Page 42 of 109

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Review of Summer of 84 (2018)

By Katie Driscoll (12) for CineVue (2,163) on 02 Sep 2018

However, the characters - stereotypes we have come to love in these films - are nothing more than that…

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Review of Smithereens (1982)

By Christopher Machell (333) for CineVue (2,163) on 02 Sep 2018

The grimy, crime-ridden cesspool of New York in the 1970s and early 1980s is a well-worn cinematic setting, but in her debut 1982 feature Smithereens,…

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Review of The Sisters Brothers (2018)

By John Bleasdale (289) for CineVue (2,163) on 01 Sep 2018

After the profanity-laced Shakespearean barrage of Deadwood, Dewitt and Audiard’s Wild West is a more prosaic place, but it is also sharply…

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Review of The Mountain (2017)

By John Bleasdale (289) for CineVue (2,163) on 31 Aug 2018

Alverson's The Mountain is arthouse cinema at its frostiest…

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Review of Yardie (2018)

By Zoe Margolis (36) for CineVue (2,163) on 31 Aug 2018

There are powerful performances by the cast, particularly Ameen; Idris has a deft hand working with actors, bringing out sharp focus and intensity…

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Review of Roma (2018)

By John Bleasdale (289) for CineVue (2,163) on 31 Aug 2018

Alfonso Cuarón returns to his childhood for inspiration with the meticulously beautiful Roma, an autobiographical black and white thank you…

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Review of Suspiria (2018)

By John Bleasdale (289) for CineVue (2,163) on 31 Aug 2018

Everything builds to a brilliantly over the top finale that becomes almost mesmeric with its use of colour, music, movement and panting…

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Review of The Mountain (2019)

By John Bleasdale (289) for CineVue (2,163) on 31 Aug 2018

Alverson's The Mountain is arthouse cinema at its frostiest…

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Review of The Man from Mo'Wax (2016)

By Adam Lowes (75) for CineVue (2,163) on 30 Aug 2018

While it’s obvious that fans of Lavelle and his many creative ventures will get the most out of The Man From Mo’Wax, this remains a fascinating…

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Review of A Star Is Born (2018)

By John Bleasdale (289) for CineVue (2,163) on 30 Aug 2018

Bradley Cooper’s soulful exploration of the depredations of fame is an effective melodrama boasting genuine star turns from himself and Lady Gaga…

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Review of The Ballad of Buster Scruggs (2018)

By John Bleasdale (289) for CineVue (2,163) on 30 Aug 2018

Even magnificent scenery like this can get dull if there’s no invention or novelty to proceedings, but fortunately the six tales collected…

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Review of The Favourite (2018)

By John Bleasdale (289) for CineVue (2,163) on 29 Aug 2018

The Favourite has ribaldry and intelligence to burn, a deliciously entertaining period piece that feels liberated by its period, rather than…

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Review of Cold War (2018)

By Maximilian Von Thun (26) for CineVue (2,163) on 29 Aug 2018

Cold War’s main weakness is that despite the political stakes, it fails to make us truly care about Wiktor’s and Zula’s relationship…

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Review of The Happytime Murders (2018)

By Zoe Margolis (36) for CineVue (2,163) on 29 Aug 2018

Where The Happytime Murders excels is in its humour, because it’s very, very funny. But more than that, it’s filthy…

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Review of Dream House (2011)

By Joseph Walsh (276) for CineVue (2,163) on 28 Aug 2018

One can sense that this was a production riddled with problems, most apparent in the extremely poor dialogue and script…

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Review of A Useful Life (2010)

By Joseph Walsh (276) for CineVue (2,163) on 28 Aug 2018

An intriguing film that raises some interesting issues about the future of exhibition in the digital, mainstream-centric age, whilst not completely…

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Review of Haywire (2011)

By Joseph Walsh (276) for CineVue (2,163) on 28 Aug 2018

The action is admittedly enjoyable at times, but your eyes and ears become perpetually distracted by the dull story and weak lead performances…

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Review of Project Nim (2011)

By Joseph Walsh (276) for CineVue (2,163) on 28 Aug 2018

If Disney started up a documentary division the they would probably have a similar tone to the hackneyed, tired, saccharin approach that Marsh…

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Review of Resistance (2011)

By Joseph Walsh (276) for CineVue (2,163) on 28 Aug 2018

A film that will leave you with a haunting sadness, harrowing yet beautiful…

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Review of Forget Me Not (2010)

By Joseph Walsh (276) for CineVue (2,163) on 28 Aug 2018

Forget Me Not is overly simplistic, corny and a cheap attempt to appeal to young, modern Londoners…

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