Movie Reviews Published by CineVue - Page 31 of 109

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Review of Broken Lines (2008)

By Sophie Kingston-Smith (9) for CineVue (2,163) on 30 Nov 2018

Broken Lines is flawed but affecting, and despite its occasional slips into melodrama, Bettany consistently resets the tone, making the film…

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Review of Melancholia (2011)

By Daniel Green (105) for CineVue (2,163) on 30 Nov 2018

A sublime score and hypnotic visuals cover the cracks and flaws that would be present in the work of any auteur struggling with his or her…

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Review of The Debt (2010)

By Cleaver Patterson (26) for CineVue (2,163) on 30 Nov 2018

One could question whether life should still be found in the subject of the Nazi war atrocities for entertainment purposes…

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Review of Ralph Breaks the Internet (2018)

By Jamie Neish (184) for CineVue (2,163) on 29 Nov 2018

The real success to Ralph Breaks the Internet is how, while having the most amount of fun possible, it’s also able to be cleverly subversive…

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Review of The Mercy (2018)

By Joe Walsh (56) for CineVue (2,163) on 29 Nov 2018

Marsh has crafted a compelling film, yet for all the fine performances and intriguing subject matter it is never quite compelling…

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Review of Anna and the Apocalypse (2018)

By Adam Lowes (75) for CineVue (2,163) on 29 Nov 2018

Ultimately, Anna and the Apocalypse ends up lacking the requisite bite to really make it fly as that quirky leftfield offering it so badly…

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Review of Three Identical Strangers (2018)

By Sucheta Chakraborty (3) for CineVue (2,163) on 29 Nov 2018

Tim Wardle engagingly recounts the fascinating story of a set of triplets who were separated at birth and reunited through coincidence when…

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Review of The Girl in the Spider's Web (2018)

By Michael Mazzanti (3) for CineVue (2,163) on 28 Nov 2018

The Girl in the Spider’s Web demonstrates how uncertainty is a detriment, just as it proves Alvarez will always be a stylist worth watching…

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Review of Assassination Nation (2018)

By Christopher Machell (333) for CineVue (2,163) on 28 Nov 2018

Piece by piece, Assassination Nation lays out and deconstructs the misogynistic assumptions that underpin many of our reactions to the girls’…

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Review of The Price of Everything (2018)

By Maximilian Von Thun (26) for CineVue (2,163) on 28 Nov 2018

Nathaniel Kahn’s The Price of Everything certainly doesn’t hold back in its skewering of a contemporary art world defined far more by financial…

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Review of Shoplifters (2018)

By Maximilian Von Thun (26) for CineVue (2,163) on 28 Nov 2018

What Kore-eda wants to convey to his audience is that good and bad are never absolute, and that good and bad themselves have a reality above…

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Review of The Dead (2010)

By Russell Cook (12) for CineVue (2,163) on 26 Nov 2018

The lack of a single decent central performance does detract from its unique ideas and its social awareness that gave it the potential to do…

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Review of Bombay Beach (2011)

By Patrick Gamble (128) for CineVue (2,163) on 26 Nov 2018

Har'el's film is certainly a skilfully-made effort, presenting the American West Coast through a uniquely glorious palette of warm, inviting…

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Review of Tomboy (2011)

By Sophie Kingston-Smith (9) for CineVue (2,163) on 26 Nov 2018

Should make people sit up and pay attention, not only due to Sciamma's naturalistic script and instinctive directing, but also the remarkable…

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Review of Jane Eyre (2011)

By Lucy Popescu (34) for CineVue (2,163) on 26 Nov 2018

Despite being only 21, Wasikowska displays a remarkable maturity as an actress and effortlessly inhabits her character…

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Review of A Lonely Place to Die (2011)

By Lee Cassanell (28) for CineVue (2,163) on 26 Nov 2018

Admittedly, this isn't the greatest premise in the world, but with a good script and assured direction, greatness was still reachable…

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Review of I Don't Know How She Does It (2011)

By Cleaver Patterson (26) for CineVue (2,163) on 26 Nov 2018

Let's face it; Parker and the rest of the cast could do this with their eyes closed…

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Review of Fright Night (2011)

By Patrick Gamble (128) for CineVue (2,163) on 20 Nov 2018

Fright Night wonderfully amalgamates a plethora of B-movie horror techniques with a delightful array of modern pop culture references which…

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Review of Fantastic Beasts: The Crimes of Grindelwald (2018)

By Nick Hilton (15) for CineVue (2,163) on 19 Nov 2018

A mess then, but a mess that deserves to be indulged…

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Review of Wildlife (2018)

By Katie Driscoll (12) for CineVue (2,163) on 14 Nov 2018

Paul Dano’s directorial debut Wildlife lands not with a thud but a slow caress, to be inhaled and ruminated on, its stagnant images billowing…

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