Movie Reviews Published by CineVue - Page 18 of 109

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Review of Thunder Road (2018)

By Zoe Margolis (36) for CineVue (2,163) on 29 May 2019

A hugely accomplished debut, and an innovative approach to filmmaking, Cummings will be one to watch for sure…

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Review of Too Late to Die Young (2019)

By Sucheta Chakraborty (3) for CineVue (2,163) on 29 May 2019

Too Late to Die Young is Castillo’s remarkable endeavour to relive memories, sensations and lived moments from a time and place she has long…

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Review of Mrs. Hyde (2018)

By John Bleasdale (289) for CineVue (2,163) on 28 May 2019

Character and psychology aren't really the point here. Bozon's world is one of adult grotesquerie splatting against the wall of youthful hostility…

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Review of Booksmart (2019)

By Caitlin Quinlan (28) for CineVue (2,163) on 27 May 2019

Booksmart has its undeniably crowd-pleasing moments, but it doesn’t stray as far from the status quo of the genre as it possibly could have…

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Review of XY Chelsea (2019)

By Christopher Machell (333) for CineVue (2,163) on 27 May 2019

Hawkins smartly keeps the details of Mannings’ leaks – both in their content and the manner of their distribution – to a tight segment…

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Review of Frankie (2019)

By John Bleasdale (289) for CineVue (2,163) on 23 May 2019

It’s just Huppert on autopilot and like that dry white wine, you can have too much of it…

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Review of Parasite (2019)

By John Bleasdale (289) for CineVue (2,163) on 22 May 2019

A masterful dissection of social inequality and the psychology of money…

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Review of A Hidden Life (2019)

By Martyn Conterio (121) for CineVue (2,163) on 21 May 2019

If you’re an admirer of Malick’s poetic investigations into the mysteries of existence, faith and our tragic disconnection to the natural…

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Review of Once Upon a Time... in Hollywood (2019)

By John Bleasdale (289) for CineVue (2,163) on 20 May 2019

Once Upon a Time in Hollywood is bold, beautiful and brutal. It’s Tarantino’s best film since Kill Bill, perhaps even since Pulp Fiction…

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Review of Portrait of a Lady on Fire (2019)

By John Bleasdale (289) for CineVue (2,163) on 20 May 2019

Not since Jane Campion’s The Piano has a costume drama presented such a gorgeous view of love from a woman’s point of view…

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Review of The Lighthouse (2019)

By John Bleasdale (289) for CineVue (2,163) on 20 May 2019

Eggers has created a film of disturbing horror, absurdist comedy and probing psychodrama which defies the generic boundaries as it breaks through…

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Review of The Lighthouse (2019)

By John Bleasdale (289) for CineVue (2,163) on 20 May 2019

Eggers has created a film of disturbing horror, absurdist comedy and probing psychodrama which defies the generic boundaries as it breaks through…

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Review of Little Joe (2019)

By John Bleasdale (289) for CineVue (2,163) on 18 May 2019

Compared to the sophisticated and nuanced horrors of Black Mirror, Little Joe feels like a fairly straightforward riff on a very familiar idea…

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Review of John Wick: Chapter 3 - Parabellum (2019)

By Christopher Machell (333) for CineVue (2,163) on 17 May 2019

Precision, energy, and innovation move the components of John Wick, but the synergy that comes from their singular motion transcends mechanistic…

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Review of Atlantics (2019)

By Martyn Conterio (121) for CineVue (2,163) on 17 May 2019

It doesn’t quite click, is too weird, leads to a lurch from one cinematic style to the other and fails to gel as a satisfying whole…

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Review of Amazing Grace (2018)

By Sara Merican (5) for CineVue (2,163) on 17 May 2019

This film is not just about Franklin, but also the communities that have inspired, guided and celebrated her music…

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Review of Searching for Ingmar Bergman (2018)

By Christopher Machell (333) for CineVue (2,163) on 16 May 2019

The film’s doggedly chronological structure – at odds with its ostensible privileging of psychology over history – sometimes leaves its…

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Review of The Dead Don't Die (2019)

By John Bleasdale (289) for CineVue (2,163) on 14 May 2019

Jarmusch has opted for a stumbling dead so indulgently pleased with itself that it resembles little more than a precocious home movie filled…

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Review of Pokémon Detective Pikachu (2019)

By Jamie Neish (184) for CineVue (2,163) on 08 May 2019

Sure, Detective Pikachu is messy and predictable, but the fact that director Rob Letterman and his team embrace the inherent absurdity of the…

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Review of Blue Is the Warmest Color (2013)

By Daniel Green (105) for CineVue (2,163) on 06 May 2019

An epic yet deeply relatable human drama, Blue Is the Warmest Colour offers far greater riches than its public notoriety would have you believe…

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