Movie Reviews Published by CineVue - Page 16 of 109

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Review of For Sama (2019)

By Christopher Machell (333) for CineVue (2,163) on 12 Sep 2019

From five years-worth of footage, al-Kateab constructs a narrative of astonishing humanity, clarity and urgency, capturing a global outrage…

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Review of Jojo Rabbit (2019)

By Christopher Machell (333) for CineVue (2,163) on 11 Sep 2019

As both director and performer, Waititi is on top form…

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Review of Color Out of Space (2020)

By Christopher Machell (333) for CineVue (2,163) on 10 Sep 2019

If there is any real complaint to be levelled at Color Out of Space, it’s that it has more ideas than it knows what to do with…

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Review of First Love (2019)

By Christopher Machell (333) for CineVue (2,163) on 10 Sep 2019

This is pop-punk filmmaking – vibrant, disposable, and shallow…

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Review of First Love (2019)

By Christopher Machell (333) for CineVue (2,163) on 10 Sep 2019

This is pop-punk filmmaking – vibrant, disposable, and shallow…

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Review of First Love (2019)

By Christopher Machell (333) for CineVue (2,163) on 10 Sep 2019

This is pop-punk filmmaking – vibrant, disposable, and shallow…

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Review of Babyteeth (2020)

By John Bleasdale (289) for CineVue (2,163) on 10 Sep 2019

Babyteeth is a funny, vibrant and deeply moving piece of work…

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Review of Hail Satan? (2019)

By Christopher Machell (333) for CineVue (2,163) on 10 Sep 2019

The Temple’s antics are a hilarious middle finger to the establishment, while, their stand against hypocrisy and the Evangelical Right’s…

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Review of Wasp Network (2020)

By John Bleasdale (289) for CineVue (2,163) on 04 Sep 2019

It might be that there’s a meatier version of the film – a Carlos-style miniseries perhaps – but as it stands, shifting between a lighthearted…

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Review of The King (2019)

By John Bleasdale (289) for CineVue (2,163) on 03 Sep 2019

The King feels disconnected and unurgent. Despite some wonderful moments, it perhaps lacks the requisite majesty…

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Review of The Laundromat (2019)

By John Bleasdale (289) for CineVue (2,163) on 02 Sep 2019

Hopefully, Soderbergh’s film will raise more awareness as well as a chuckle…

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Review of The Souvenir (2019)

By Lucy Popescu (34) for CineVue (2,163) on 01 Sep 2019

It’s multi-layered and beautifully observed – as much about the creative process as it is about obsessive love…

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Review of Mrs Lowry & Son (2019)

By Jamie Neish (184) for CineVue (2,163) on 01 Sep 2019

Spall and Redgrave are both magnificent, rising above the material in a way only talented actors can…

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Review of Joker (2019)

By John Bleasdale (289) for CineVue (2,163) on 31 Aug 2019

Phoenix has created a masterful performance for a film which itself feels like a masterpiece: a cracked masterpiece…

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Review of Ad Astra (2019)

By John Bleasdale (289) for CineVue (2,163) on 30 Aug 2019

Scenes come and go with a weightlessness that has nothing to do with zero gravity…

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Review of Marriage Story (2019)

By John Bleasdale (289) for CineVue (2,163) on 30 Aug 2019

At the heart of Marriage Story are two career-best performances from Driver and Johansson…

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Review of The Truth (2020)

By John Bleasdale (289) for CineVue (2,163) on 30 Aug 2019

The truth is that The Truth is an above-average French comedy and Kore-eda has succeeded in a finely wrought act of ventriloquism and diva…

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Review of Pain and Glory (2019)

By Christopher Machell (333) for CineVue (2,163) on 22 Aug 2019

Pain and Glory is a study of acceptance, revelation and reconciliation; it is about cinema’s relationship with the past and its power to…

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Review of One Child Nation (2019)

By Rhys Handley (6) for CineVue (2,163) on 08 Aug 2019

The revelations and images contained within are individually resonant and telling of a wider picture, but there’s a sense that Wang, or perhaps…

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Review of Fast & Furious Presents: Hobbs & Shaw (2019)

By Christopher Machell (333) for CineVue (2,163) on 05 Aug 2019

Despite its lunkish, ludicrous – and frankly cynical – qualities, this entry retains much of the appeal of previous entries…

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