Movie Reviews Published by Cinemole - Page 2 of 7

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Review of Eye in the Sky (2007)

By Alistair Ryder (351) for Cinemole (129) on 07 Nov 2018

The feel-bad mainstream film of the year…

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Review of Star Trek Beyond (2016)

By Alistair Ryder (351) for Cinemole (129) on 07 Nov 2018

Feels as likely to alienate the regular popcorn viewer as much as Into Darkness alienated fans of the old saga…

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Review of Under the Shadow (2016)

By Alistair Ryder (351) for Cinemole (129) on 07 Nov 2018

This fantastic directorial debut is one of the essential foreign language works of the year - and further proof that 2016 is the greatest year…

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Review of Eye in the Sky (2015)

By Alistair Ryder (351) for Cinemole (129) on 07 Nov 2018

The feel-bad mainstream film of the year…

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Review of Hacksaw Ridge (2016)

By Alistair Ryder (351) for Cinemole (129) on 07 Nov 2018

As a directorial comeback vehicle for Mel Gibson, this is well worth the decade long wait following the nihilistic mayhem of Apocalypto…

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Review of Moonlight (2016)

By Alistair Ryder (351) for Cinemole (129) on 07 Nov 2018

Moonlight could never fully live up to the widespread acclaim and hype - but the fact it manages to get close to cinematic perfection is a…

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Review of Eddie the Eagle (2016)

By Alistair Ryder (351) for Cinemole (129) on 07 Nov 2018

Eddie the Eagle is far from perfect, but I'll be damned if it didn't charm my socks off…

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Review of Paterson (2016)

By Alistair Ryder (351) for Cinemole (129) on 07 Nov 2018

Seeing the everyday through the perspective of a creative mind helps transform a low key character study into something more akin to magical…

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Review of Deadpool (2016)

By Alistair Ryder (351) for Cinemole (129) on 07 Nov 2018

You've heard the story Deadpool tells a million times before; but the attitude with which it is told here makes it feel fresh and as close…

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Review of Warcraft (2016)

By Alistair Ryder (351) for Cinemole (129) on 07 Nov 2018

It aims to reignite the same mythological sub-genre of fantasy movies that was popular in the eighties, but possesses a self-seriousness that…

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Review of Blair Witch (2016)

By Alistair Ryder (351) for Cinemole (129) on 07 Nov 2018

It is without a doubt one of the bleakest, most depressing American genre films of all time…

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Review of Arrival (2016)

By Alistair Ryder (351) for Cinemole (129) on 07 Nov 2018

Arrival exists in a league of its own - a masterpiece of the genre that will endure for years to come…

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Review of Ghostbusters (2016)

By Alistair Ryder (351) for Cinemole (129) on 07 Nov 2018

There is plenty in director Paul Feig's new she-boot that suggests a new generation of children will love this franchise's oddball unruliness…

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Review of Finding Dory (2016)

By Alistair Ryder (351) for Cinemole (129) on 07 Nov 2018

Sure, Disney green lit this for financial purposes first and foremost, but the final product feels like a labour of love, a crowd pleasing…

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Review of Demolition (2016)

By Alistair Ryder (351) for Cinemole (129) on 07 Nov 2018

A hymn to the fragility of an upper middle class male ego…

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Review of Sausage Party (2016)

By Alistair Ryder (351) for Cinemole (129) on 07 Nov 2018

Sausage Party appears to be written by a group of 11 year olds who have just heard curse words for the first time, but have never heard a single…

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Review of Captain America: Civil War (2016)

By Alistair Ryder (351) for Cinemole (129) on 07 Nov 2018

With world domination planned and films mapped out for over a decade, Marvel need an injection of originality before the masses start to realise…

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Review of Swiss Army Man (2016)

By Alistair Ryder (351) for Cinemole (129) on 07 Nov 2018

As far as directorial debuts go, there are few this delightfully strange, that take the highest, most ridiculous concept imaginable and bring…

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Review of Nocturnal Animals (2016)

By Alistair Ryder (351) for Cinemole (129) on 07 Nov 2018

Ford is no stranger to creating fashion statements - and here on the big screen, he's delivered his most striking one yet…

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Review of The Neon Demon (2016)

By Alistair Ryder (351) for Cinemole (129) on 07 Nov 2018

The end result isn't a rallying feminist cry so much as it is an intoxicatingly stylish slap across the face of good taste and moral decency…

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Cinemole features reviews by:

Alistair Ryder (351)

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