Movie Reviews Published by Cinemalogue - Page 9 of 36

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Review of Eighth Grade (2018)

By Todd Jorgenson (1,852) for Cinemalogue (704) on 12 Jul 2018

loaded with sharp dialogue and insightful subtext that captures the awkwardness of contemporary childhood without feeling watered down…

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Review of Submission (2018)

By Todd Jorgenson (1,852) for Cinemalogue (704) on 12 Jul 2018

There should be more outrage, more compassion, more something - yet the film can't capitalize on its hot-button premise…

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Review of Siberia (2020)

By Todd Jorgenson (1,852) for Cinemalogue (704) on 12 Jul 2018

more tedious than thrilling, despite an understated bilingual performance by Reeves that's better than the material…

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Review of Whitney (2018)

By Todd Jorgenson (1,852) for Cinemalogue (704) on 05 Jul 2018

Within its mostly straightforward chronology, the film assembles a well-researched compilation of interviews and archival footage…

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Review of The Yellow Birds (2018)

By Todd Jorgenson (1,852) for Cinemalogue (704) on 05 Jul 2018

Talent on both sides of the camera can't quite pull together this cerebral, introspective examination of the psychological trauma of military combat…

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Review of Eating Animals (2018)

By Todd Jorgenson (1,852) for Cinemalogue (704) on 05 Jul 2018

The broad observations aren't especially insightful, although the film gains traction with some powerful anecdotes from whistleblowers and…

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Review of Duck Butter (2018)

By Todd Jorgenson (1,852) for Cinemalogue (704) on 05 Jul 2018

There's a heartfelt authenticity that overcomes structural familiarity in this tender lesbian romance…

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Review of Kings (2017)

By Todd Jorgenson (1,852) for Cinemalogue (704) on 05 Jul 2018

…

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Review of The First Purge (2018)

By Todd Jorgenson (1,852) for Cinemalogue (704) on 05 Jul 2018

Things quickly spiral into a bloody mess, of course, in a way that seems designed more to appease series fans than to add meaningful narrative…

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Review of Sorry to Bother You (2018)

By Todd Jorgenson (1,852) for Cinemalogue (704) on 05 Jul 2018

Amid its outrageous premise and uneven execution, the visually inventive satire is laced with relevant and provocative socioeconomic observations,…

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Review of Sicario: Day of the Soldado (2018)

By Todd Jorgenson (1,852) for Cinemalogue (704) on 28 Jun 2018

This ultraviolent sequel provides another immersive and suspenseful story about the ongoing battle between Mexican drug cartels, American border…

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Review of Three Identical Strangers (2018)

By Todd Jorgenson (1,852) for Cinemalogue (704) on 28 Jun 2018

Life is indeed stranger than fiction, as they say, in this riveting documentary…

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Review of Woman Walks Ahead (2018)

By Todd Jorgenson (1,852) for Cinemalogue (704) on 28 Jun 2018

emphasizes melodrama while shortchanging historical context and meaningful insight to supplement its intriguing backdrop…

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Review of Revenge (2017)

By Todd Jorgenson (1,852) for Cinemalogue (704) on 28 Jun 2018

The deliberately paced story lacks credibility and surprise…

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Review of Dark River (2017)

By Todd Jorgenson (1,852) for Cinemalogue (704) on 28 Jun 2018

Richly textured characters and evocative rural landscapes elevate this melancholy drama…

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Review of Leave No Trace (2018)

By Todd Jorgenson (1,852) for Cinemalogue (704) on 28 Jun 2018

With understated portrayals by both leads and a meticulous attention to detail, the film is both tender and evocative…

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Review of Ideal Home (2018)

By Todd Jorgenson (1,852) for Cinemalogue (704) on 28 Jun 2018

struggles to balance its broad comedy with its more sentimental tendencies, and the result is more progressive in attitude than execution…

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Review of Revenge (2017)

By Todd Jorgenson (1,852) for Cinemalogue (704) on 28 Jun 2018

The deliberately paced story lacks credibility and surprise…

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Review of Spiral (2018)

By Todd Jorgenson (1,852) for Cinemalogue (704) on 28 Jun 2018

lacks broader depth and context to raise the emotional stakes…

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Review of Jurassic World: Fallen Kingdom (2018)

By Todd Jorgenson (1,852) for Cinemalogue (704) on 21 Jun 2018

This uninspired sequel extensively rehashes what's come before and teases what's ahead without providing much incentive to invest in what's…

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