Movie Reviews Published by CinemaBlend - Page 14 of 42

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Review of Oculus (2013)

By Sean O'connell (919) for CinemaBlend (829) on 10 Apr 2014

The power of Oculus lies in its female leads - three generations of red-headed ladies who each bring fiery passion to this slow-burning, demonic-possession…

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Review of Mistaken for Strangers (2013)

By Kristy Puchko (422) for CinemaBlend (829) on 03 Apr 2014

Both inspiring and profoundly entertaining…

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Review of Breathe In (2013)

By Kristy Puchko (422) for CinemaBlend (829) on 31 Mar 2014

Enough with the dramas about frustrated older men seeking a second chance at life and love through a barely legal girl. Please…

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Review of Dom Hemingway (2013)

By Kristy Puchko (422) for CinemaBlend (829) on 31 Mar 2014

This is a career-defining performance for Law, and it's bolstered by stellar supporting turns…

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Review of Noah (2015)

By Sean O'connell (919) for CinemaBlend (829) on 27 Mar 2014

Exactly the type of large-scale, ambitious, challenging, flawed, provocative and button-pushing type of cinematic experience we should hope…

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Review of Noah (2013)

By Sean O'connell (919) for CinemaBlend (829) on 27 Mar 2014

Exactly the type of large-scale, ambitious, challenging, flawed, provocative and button-pushing type of cinematic experience we should hope…

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Review of Noah and the Last Days (2014)

By Sean O'connell (919) for CinemaBlend (829) on 27 Mar 2014

Exactly the type of large-scale, ambitious, challenging, flawed, provocative and button-pushing type of cinematic experience we should hope…

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Review of Noah (2014)

By Sean O'connell (919) for CinemaBlend (829) on 27 Mar 2014

Exactly the type of large-scale, ambitious, challenging, flawed, provocative and button-pushing type of cinematic experience we should hope…

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Review of Captain America: The Winter Soldier (2014)

By Eric Eisenberg (199) for CinemaBlend (829) on 21 Mar 2014

The film is everything anyone could want from a comic book movie, and will stand as one of the best of all time…

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Review of Grand Piano (2013)

By Kristy Puchko (422) for CinemaBlend (829) on 07 Mar 2014

This sly thriller overcomes its silly setup with a blend of cinematic artistry and fine-tuned tension…

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Review of Son of God (2014)

By Sean O'connell (919) for CinemaBlend (829) on 27 Feb 2014

The movie is the textbook definition of preaching to the choir, [going] through the holy motions and playing it incredibly safe…

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Review of Non-Stop (2014)

By Kristy Puchko (422) for CinemaBlend (829) on 26 Feb 2014

On paper, Non-Stop seems awesome. In execution it is frustratingly flubbed…

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Review of Non-Stop (2013)

By Kristy Puchko (422) for CinemaBlend (829) on 26 Feb 2014

On paper, Non-Stop seems awesome. In execution it is frustratingly flubbed…

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Review of Pompeii (2014)

By Kristy Puchko (422) for CinemaBlend (829) on 21 Feb 2014

A convoluted yet clichéd love story with some ill-executed gladiator antics and a barrage of bad CG…

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Review of RoboCop (2014)

By Eric Eisenberg (199) for CinemaBlend (829) on 11 Feb 2014

With the exception of a few detrimental flaws, the remake actually plays with some legitimately interesting, different ideas that come together…

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Review of Labor Day (2013)

By Sean O'connell (919) for CinemaBlend (829) on 31 Jan 2014

To nitpick the details means that you'll overlook (and miss out on) some poetic observations about family, the father figure, small-town dynamics…

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Review of Tim's Vermeer (2013)

By Kristy Puchko (422) for CinemaBlend (829) on 26 Jan 2014

A collision of art and science that is thought-provoking, breathtaking, and wildly inspiring…

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Review of Summer in February (2013)

By Kristy Puchko (422) for CinemaBlend (829) on 17 Jan 2014

In the end, it's a miserable movie about miserable people, and we're left to wonder why…

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Review of Ride Along (2014)

By Eric Eisenberg (199) for CinemaBlend (829) on 16 Jan 2014

Makes no effort to try anything new and instead seem content to let the genre slip into staleness…

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Review of Raze (2013)

By Kristy Puchko (422) for CinemaBlend (829) on 08 Jan 2014

This women-in-prison thriller does its genre proud when it comes to girl-on-girl violence, but sadly, it has little virtue beyond that…

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